United News of Bangladesh

Netflix has announced the release of its upcoming supernatural mystery film Baramulla, starring Manav Kaul, which will premiere on the platform on November 7. The film, set in the hauntingly beautiful yet turbulent Kashmir valley, is written and directed by Aditya Suhas Jambhale, best known for Article 370. It is produced by Jyoti Deshpande of Jio Studios in association with Aditya Dhar and Lokesh Dhar of B62 Studios. Baramulla follows DSP Ridwaan Sayyed (played by Manav Kaul), a police officer investigating the mysterious disappearance of children in a snow-covered town. As he and his family move into a derelict house, the investigation leads him into a dark confrontation with his past and supernatural forces beyond human understanding. The film also stars Bhasha Sumbli in a key role. Director Jambhale said the film aims to merge emotion, suspense, and the supernatural, with Kashmir itself serving as a “living, breathing character.” Netflix India’s Ruchikaa Kapoor Sheikh called Baramulla a unique thriller that blends emotion with mystery, while producers Aditya and Lokesh Dhar described it as a bold story that challenges mainstream conventions in Indian cinema. This marks Netflix’s second collaboration with B62 Studios after the 2024 romantic comedy Dhoom Dhaam.   Source:NDTV

The teaser of ‘Delupi’, the upcoming film by acclaimed OTT director Mohammad Touqir Islam known for hit web series ‘Shaaticup’ and ‘Sinpaat’, has officially been released. The 27-second teaser premiered on Friday afternoon, offering a glimpse into the intriguing storyline. Set against the backdrop of a serene village road lined with trees, the teaser opens with a young man, Partha, running hurriedly. The teaser can be watched here: https://www.youtube.com/watch?v=tg4d56n_q3I The teaser follows the recent official announcement of the film’s title last week, marking the next step in the promotional rollout. With ‘Delupi’, director Mohammad Touqir Islam makes his much-anticipated debut on the big screen. His previous works, ‘Shaaticup’ (2022), a Rajshahi-based story that won both critical and audience acclaim, and ‘Sinpaat’ (2024), which further established his storytelling capability, have set high expectations for his cinematic venture. ‘Delupi’ is expected to hit the theatres soon, according to the director. The film is produced by Footprint Film Production.  

For a filmmaker once associated with the “slacker” generation, Richard Linklater has proven to be one of America’s most versatile and consistently outstanding directors. Among his two dozen films are thoughtful portraits of artists such as Me and Orson Welles and even School of Rock, which celebrated the joy of creative rebellion. This fall, Linklater presents two new films about artists: Nouvelle Vague, centered on Jean-Luc Godard and the birth of the French New Wave, and Blue Moon, which explores the final chapter in the life of lyricist Lorenz Hart. Both celebrate brilliant, uncompromising creative spirits — and both are pure cinematic pleasure. A night at Sardi’s Blue Moon, the first of the two to be released, unfolds over a single evening — March 31, 1943 — at Sardi’s in New York. Down the street, Oklahoma! is premiering, marking a new beginning for composer Richard Rodgers, who has teamed up with Oscar Hammerstein II, leaving behind his longtime collaborator, Lorenz “Larry” Hart. Within six months, Hart would die of pneumonia after a night spent unconscious on a city sidewalk. He was only 48. But Linklater’s focus is on Larry that fateful night, holding court at Sardi’s while nursing both his pride and his despair. He entertains bartender Eddie (Bobby Cannavale) and others, including writer E.B. White (Patrick Kennedy), in a witty, melancholic monologue about life, love, and lyrics — all while trying to resist another drink. “I’ve written a handful of words that are going to cheat death,” he says, referring to timeless classics such as My Funny Valentine, The Lady Is a Tramp, Bewitched, Bothered and Bewildered, and Blue Moon. Larry’s love for language — and for the right turn of phrase — defines him. His favorite line from Casablanca is telling: “Nobody ever loved me that much.” He admires Humphrey Bogart, noting that the actor “proves you can be both short and a leading man.” Ethan Hawke’s finest performance Physically transformed and emotionally unguarded, Ethan Hawke delivers what may be the best performance of his career. His portrayal of Hart — a brilliant, closeted, self-destructive artist — is both magnetic and heartbreaking. Hawke captures the charm of a raconteur and the vulnerability of a man left behind by changing times and his own demons. When Oklahoma! becomes an overnight sensation, Larry’s bitterness turns reflective. He sees in the musical’s cheerful Americana an exclusion of the melancholy and irony that defined his own work. “It’s a fraudulent portrait of America,” he says. Yet amid the melancholy, there’s warmth. The late-night gathering at Sardi’s becomes a small, tender act of redemption. Cannavale’s Eddie and the other patrons form a circle of quiet empathy around Larry as they share jokes and toasts — a eulogy in real time. Also present is Elizabeth Weiland (Margaret Qualley), a 20-year-old Yale student who fascinates Larry. His affection for her — drawn from real letters between Hart and Weiland — is less romantic than aesthetic. “I drink beauty wherever I find it,” he insists. A graceful farewellBlue Moon is adapted by Robert Kaplow, who also wrote Me and Orson Welles. His screenplay captures both Hart’s brilliance and fragility, balancing Linklater’s conversational filmmaking with moments of deep pathos. If Nouvelle Vague is expansive and crowded with cinematic icons, Blue Moon is its intimate counterpart — a one-man show that feels like a final performance. In its finest moments, the film becomes a loving salute not only to Hart but to every forgotten writer who tried, in his words, to “cheat death” through art. Source: AP

Diane Keaton, the Oscar-winning actress known for her roles in Annie Hall, The Godfather series, and Father of the Bride, has died at 79, People Magazine reported, citing a family spokesperson. She passed away in California surrounded by loved ones. Keaton’s career spanned decades, marked by her quirky, vibrant style and depth as an actor. She won the Academy Award for Best Actress for Annie Hall and earned three additional nominations for Reds, Marvin’s Room, and Something’s Gotta Give. She became an icon of 1970s cinema, especially through her collaborations with Woody Allen, appearing in films such as Sleeper, Manhattan, and Interiors. Born Diane Hall in Los Angeles in 1946, she adopted her mother’s maiden name, Keaton, when joining Actors’ Equity. She trained under Sanford Meisner in New York and began her career on stage, including Broadway productions like Hair and Play It Again, Sam. Her early film roles included Lovers and Other Strangers before she rose to fame as Kay Adams in The Godfather and its sequels. Keaton’s signature style—exemplified by Annie Hall’s bowler hats, neckties, and vests—made her a cultural icon. Her collaborations with Nancy Meyers in films like Baby Boom, Father of the Bride, and Something’s Gotta Give introduced her to new generations, blending comedy with heartfelt performances. Despite never marrying, she adopted two children in her 50s, balancing family life with a prolific career. Keaton also wrote several books, including memoirs Then Again and Let’s Just Say It Wasn’t Pretty, as well as design-focused works. Tributes poured in from colleagues and fans worldwide. Leonardo DiCaprio called her “one of a kind,” while Bette Midler praised her humor and authenticity. Keaton’s enduring legacy lies in her ability to make films timeless, leaving an indelible mark on Hollywood and audiences alike.

Diane Keaton never quite fit the mold of a glamorous Hollywood movie star. Though she appeared in some of cinema’s most celebrated films and dated several of her generation’s biggest names, Keaton has always remained refreshingly original — eccentric, approachable, and effortlessly herself. With her blend of self-effacing humor and magnetic charm, it’s no surprise she became a muse for filmmakers from Woody Allen to Nancy Meyers. Often described as self-deprecating, Keaton’s modesty stemmed from genuine insecurity. She once admitted struggling with eating disorders and feeling unattractive, even as she built one of Hollywood’s most distinctive careers. Through those vulnerabilities, she delivered performances spanning five decades that remain unmatched in depth and authenticity. Keaton’s filmography is vast, ranging from her collaborations with Woody Allen to modern favorites like The First Wives Club (available to rent), nostalgic classics such as Father of the Bride (streaming on Hulu), and dramatic roles in Marvin’s Room (on Kanopy) and Shoot the Moon (available to rent). Here are six standout Diane Keaton films to revisit or discover anew: The Godfather (1972) As Kay Adams, the future Mrs. Corleone, Keaton turned what could have been a passive role into something quietly powerful. Her subtle performance balanced the intensity of the male-dominated cast, culminating in one of cinema’s most haunting final scenes. In a 2023 Instagram exchange, director Francis Ford Coppola revealed why he cast her: “Although you were to play the more straight/vanilla wife, there was something more about you — deeper, funnier, and very interesting. (I was right).” Where to watch: Available to rent on various platforms, including Prime Video. Annie Hall (1977) The definitive Diane Keaton role — quirky, vulnerable, and endlessly charming. Her offbeat style, from the khaki trousers to the tie and vest, became instantly iconic. Keaton later wrote that she drew inspiration for her wardrobe from “cool-looking women on the streets of New York,” adding that filming with Woody Allen felt spontaneous and unpressured. Where to watch: Streaming on Fubo TV. Looking for Mr. Goodbar (1977) Released the same year as Annie Hall, this darker drama showcases Keaton’s range. She plays Theresa Dunn, a Catholic schoolteacher who leads a double life — teaching deaf children by day and seeking dangerous encounters in bars at night. Long unavailable on home video, the film has recently become accessible on digital platforms, reclaiming its status as a bold, unsettling character study. Where to watch: Available to rent on various platforms. Reds (1981) Directed by and co-starring Warren Beatty, Reds is an ambitious historical drama about journalists covering the Bolshevik Revolution. Keaton portrays writer and activist Louise Bryant — a role shaped by her real-life relationship with Beatty during filming. In her memoir, she recalled, “Everyone knew I didn’t take well to Warren’s direction… Sometimes it felt like I was being stun-gunned. Even now I can’t say my performance is my own — it was a reaction to Warren.” Where to watch: Streaming on Kanopy. Baby Boom (1987) This Nancy Meyers–Charles Shyer comedy stars Keaton as a driven Manhattan executive whose life is turned upside down when she inherits a baby girl. Relocating to Vermont, she rediscovers herself — and romance — with a local vet played by Sam Shepard. A witty, ahead-of-its-time take on the work-life balance debate, Baby Boom remains a fan favorite. Critic Roger Ebert called it “a fantasy about mothers and babies and sweetness and love, with just enough wicked comedy to give it an edge.” Where to watch: Available to rent on various platforms. Something’s Gotta Give (2003) As Erica Barry — the sophisticated playwright with a perfect Hamptons home and an enviable collection of turtlenecks — Keaton shines in one of her most beloved roles. Written and directed by Nancy Meyers, the romantic comedy boldly placed a woman in her 50s at the center of a love triangle with Jack Nicholson and Keanu Reeves. Keaton has called it her favorite film, partly because “it was so unexpected at age 57” to play a romantic lead — and to share a memorable onscreen kiss with Nicholson. Where to watch: Available to rent on various platforms. From complex drama to timeless comedy, Diane Keaton’s performances capture both the insecurities and resilience of modern womanhood — always on her own terms. Source:AP

Amazon Prime Video faced heavy criticism online after fans noticed that guns were digitally removed from promotional posters of classic James Bond films on its UK platform. The edited artworks, released ahead of James Bond Day on October 5, showed the iconic 007 agent without his trademark Walther PPK pistol. In posters for Dr. No and GoldenEye, the gun was airbrushed out, while in A View to a Kill, Roger Moore’s arm was unnaturally extended to hide the weapon. Fans and writers condemned the move on social media, calling it “cultural vandalism.” Author John A. Douglas posted side-by-side images of the altered posters, writing, “They photoshopped all the guns out… just in case you still had hope for Amazon running the franchise.” British actor Rufus Jones mocked the redesigns, saying they made the stars look awkward, while another user quipped that Amazon was simply “being disarming.” Following the widespread backlash, Prime Video quietly replaced the altered images with original stills from the films but declined to comment on the controversy.   Source: NDTV

Actor Bobby Deol marked 30 years in the film industry on Monday by cutting a celebratory cake with fans and paparazzi. The actor, son of legendary Bollywood star Dharmendra, began his journey in cinema with the film Barsaat, which premiered on October 6, 1995. Barsaat, directed by Rajkumar Santoshi, also launched Twinkle Khanna—daughter of actors Rajesh Khanna and Dimple Kapadia—into Bollywood alongside Deol. To commemorate the milestone, Bobby Deol shared an emotional post on social media, expressing gratitude to his supporters. “30 years of many emotions on and off screen... all made worthwhile by your love. That fire still burns and I am just getting started,” he wrote on Instagram, along with a montage video featuring highlights from his filmography. The compilation included scenes from iconic films and series such as Barsaat, Soldier, Gupt, Bichhoo, Kareeb, Humraaz, Class of 83, Aashram, Animal, and his recent Netflix series The Ba**ds of Bollywood*, for which he is currently receiving widespread acclaim. Industry colleagues and friends congratulated the actor on his career milestone. Actress Preity Zinta, his co-star from Soldier, commented, “Congratulations Lord Bobby. This is just the start. Love you loads.” Meanwhile, his stepsister Esha Deol posted an Instagram story saying, “30 years and lots lots more. More power @iambobbydeol.” After facing a downturn in the 2010s, Bobby Deol made a strong comeback with the hit web series Aashram, which re-established him as a compelling performer. He later gained critical praise for his intense role as the silent antagonist Abrar Haque in Animal, marking his return to the big screen after Housefull 4 in 2019. Looking ahead, Bobby Deol has several major projects lined up. He will appear in Anurag Kashyap’s Bandar, Yash Raj Films’ Alpha alongside Alia Bhatt and Sharvari, and the Tamil film Jana Nayagan, co-starring actor-politician Vijay. Source: NDTV

Actress Sydney Sweeney revealed the rigorous preparation she underwent to play boxing champion Christy Martin in the upcoming biopic Christy. Speaking at the Hamptons International Film Festival, the 28-year-old said she followed a punishing routine: “Every morning I would weight train for an hour, then do boxing for three hours, and another hour of weight training at night. I did this daily for three months with a nutritionist, eating lots of food, protein shakes, and supplements. I gained around 35 lbs (15.88 kg) during this time.” Sweeney added that Martin was deeply involved in the filmmaking process, offering guidance and feedback. “She became like my best friend. Having her there was powerful, as I could study her mannerisms and insights,” she said. The actress also emphasized her commitment to authenticity in the film, performing all boxing scenes herself without a stunt double. “Every fight you see is real; we are actually punching each other,” Sweeney said. Christy Martin rose to fame as the most prominent female boxer in the US during the 1990s and survived an attempted murder by her husband in 2010. Sweeney expressed surprise that Martin’s story has not yet reached a global audience.   Source: NDTV

Actors Rashmika Mandanna and Vijay Deverakonda are reportedly engaged after being in a relationship for several years, according to multiple media outlets. What We Know The couple is said to have exchanged rings in a private ceremony attended by close friends and family members. While no official statement has been made by either actor, reports suggest they are planning to tie the knot in February 2026. A report by India Today claims the two have decided on a 2026 wedding date but are keeping the details under wraps for now. Fueling Speculation Recent social media activity from Rashmika has further fueled engagement rumors. On Dussehra, she posted a photo in traditional attire with a tilak on her forehead, accompanied by a heartfelt caption expressing gratitude for the support on the trailer and songs from her upcoming film Thamma. Fans quickly speculated the post might hint at a personal milestone, with many believing it referenced her recent engagement. Career Updates On the professional front, Rashmika is gearing up for the release of Thamma, a horror-comedy directed by Aditya Sarpotdar and co-starring Ayushmann Khurrana. The film, also featuring Nawazuddin Siddiqui and Paresh Rawal, is slated for release on October 21, 2025. Vijay Deverakonda was last seen in Kingdom, a Telugu spy action thriller directed by Gowtam Tinnanuri, which released earlier this year. The duo previously starred together in Geetha Govindam and Dear Comrade, sparking on-screen chemistry that later led to real-life dating rumors. Source: NDTV

Paul Thomas Anderson’s much-acclaimed epic “One Battle After Another” opened to $22.4 million in ticket sales from North American theaters over the weekend, according to studio estimates released Sunday. The 170-minute drama, starring Leonardo DiCaprio, Teyana Taylor and Sean Penn, has been hailed as one of the year’s most powerful films, resonating with themes of rebellion and political conflict. Backed by Warner Bros. with a budget of over $130 million, the film also drew $26.1 million from overseas markets. Critics have called it Anderson’s best work yet, and awards pundits are already touting it as a frontrunner for best picture. Audiences gave the film an “A” CinemaScore, far better than Anderson’s earlier wide releases including Boogie Nights (1997) and Magnolia (1999). Despite strong reviews and DiCaprio’s star power, box office analysts noted that the opening figure is modest compared to its production cost. Warner Bros. executives did not comment on the performance, but industry observers believe the film’s long-term run, word-of-mouth and awards buzz could help it recover its investment. For Warner Bros., this is the ninth film this year to open at No. 1, contributing to a global tally of $4 billion. The studio also released Ryan Coogler’s “Sinners” earlier in April, which grossed $366.7 million worldwide. Loosely inspired by Thomas Pynchon’s “Vineland”, “One Battle After Another” features DiCaprio as a former revolutionary living off the grid with his teenage daughter. The film was shot in VistaVision and screened in premium formats including 70mm and IMAX. At the weekend box office, “Gabby’s Dollhouse: The Movie” opened in second place with $13.7 million, while “Demon Slayer: Kimetsu no Yaiba Infinity Castle” slipped to third after two weeks on top, adding $7.1 million to reach $118.1 million in North America. Top 10 movies in North America (Fri-Sun): One Battle After Another – $22.4m, Gabby’s Dollhouse: The Movie – $13.7m, Demon Slayer: Kimetsu no Yaiba Infinity Castle – $7.1m, The Conjuring: Last Rites – $6.9m, The Strangers: Chapter 2 – $5.9m, Him – $3.7m, The Long Walk – $3.4m, Downton Abbey: The Grand Finale – $3.3m, They Call Him OG – $1.4m, A Big Bold Beautiful Journey – $1.3m.