United News of Bangladesh

Incarcerated men in the Alabama prison system risked their safety to feed shocking footage of their horrifying living conditions to a pair of documentary filmmakers. The result is “The Alabama Solution,” which premiered this week at the Sundance Film Festival in Park City. Filmmakers Andrew Jarecki and Charlotte Kaufman became interested in Alabama prisons in 2019. Jarecki, the filmmaker behind “The Jinx” and “Capturing the Friedmans,” and Kaufman first gained access to the restricted grounds through a visit with a chaplain during a revival meeting held in the prison yards. There men pulled them aside and whispered shocking stories about the reality of life inside: forced labor, drugs, violence, intimidation, retaliation and the undisclosed truths behind many prisoner deaths. The Associated Press has written extensively about the problems in the state’s prison system, including high rates of violence, low staffing, a plummeting parole rate and the use of pandemic funds to build a new supersized prison. This process eventually led them to incarcerated activists Melvin Ray and Robert Earl Council (also known as “Kinetik Justice”) who had for years been trying to expose the horrifying conditions and deep- seated corruption across the system. They helped feed dispatches to the filmmakers with contraband cellphones. “We’re deeply concerned for their safety, and we have been since the first time we met them,” said Kaufman. “They’ve been doing this work for decades and as you see in the film, they’ve been retaliated against in very extreme ways. But there are lawyers who are ready to do wellness checks and visit them and respond to any sort of retaliation that may come.” On Tuesday at the first showing of the film, she had Council on the phone listening in. They put the microphone up to the cellphone so that Council could speak. “We thank you all for listening, for being interested,” Council said. “On behalf of the brothers of Alabama, I thank you all.” Several family members of their incarcerated subjects were also in the audience, including Sandy Ray, the mother of Steven Davis, who died in 2019 at William E. Donaldson Correctional Facility, his face beaten beyond recognition. Prison officials said Davis was killed in self-defense because he didn’t put down his weapons. The prisoners tell a vastly different story. Akshay Kumar reveals most dangerous stunt of career Alelur “Alex” Duran, who spent 12 years in prison in New York, also helped produce the film. Jarecki said they wouldn't have taken on the subject without the expertise of someone who had been incarcerated. “What you’re seeing in this film is going on all over the nation,” Duran said. Also embedded in the story is Alabama’s long history of contracting prisoners to do work at private companies from Burger King to Best Western, an issue that the AP investigated for over two years. The cheap, reliable labor force has generated more than $250 million for the state since 2000 — money garnished from prisoners’ paychecks, the AP wrote in December. Parole numbers have also plummeted in recent years. “We want to show viewers the truth about a system that has been cloaked in secrecy,” Jarecki said. “We hope the film sparks an effort to allow access for journalists and others so the public can have transparency into how incarcerated citizens are treated and how our tax dollars are being spent. We hope to inspire Alabama’s leadership to acknowledge the crisis and to overhaul its prison system and its use of forced labor.” The film will have a theatrical release before it debuts on HBO sometime this year, but the specific dates and details are still being worked out. And while it is in its early days, the impact, Jarecki said, has already been seen, including in a class action labor lawsuit.

As the entertainment industry grapples with the devastating impact of the California wildfires, many are heading to cleaner mountain air. The annual Sundance Film Festival kicks off Thursday in Park City, Utah. The 41st edition of Robert Redford’s brainchild will, as always, be a year of discovery and discussion. There are timely films: — “Free Leonard Peltier,” which will premiere just days after former President Joe Biden commuted the sentence of the Indigenous activist nearly half a century after he was imprisoned for the 1975 killings of two FBI agents. — Oscar-winner Mstyslav Chernov’s“2000 Meters to Andriivka,” a joint production between The Associated Press and Frontline about an attempt to liberate an occupied territory in Ukraine — Several films about trans rights including “Heightened Scrutiny,” about civil rights lawyer Chase Strangio. It's a topic even more pressing after President Donald Trump signed executive orders Monday rolling back protections for transgender people. There are even some controversies brewing: “The Stringer,” from documentary filmmaker Bao Nguyen, calls into question who took the Pulitzer Prize-winning “Napalm Girl” photograph. Retired AP photographer Nick Ut and the AP, which conducted a six-month investigation into the allegation, are contesting it and Ut's lawyers have asked for it to be pulled from the program. “The film is an investigation,” said Eugene Hernandez, the director of the festival, who is moving forward with plans to screen it. “I think it will be a really important conversation that will come out over the next few days after the film is seen by more people.” Don’t worry, it’s not all heavy. There’s drama of course, even a film about starting over after a fire (“Rebuilding,” with Josh O’Connor), horror, satire, literary adaptations, comedy, documentaries about famous faces, and some that simply defy categorization. “There’s some really funny stuff in the program,” Hernandez said. One of those Hernandez cited is “Bubble & Squeak,” about a married couple accused of smuggling cabbages into a nation where they’re banned. For first time filmmakers, Sundance can be their chance to break through in a big way. That happened last year for “Dìdi” filmmaker Sean Wang. Some films that debuted last January are still in the awards conversation, like “A Real Pain” and “A Different Man.” For actors, the festival is both a casual respite to awards season glitz (snow boots are more likely on red carpets than high heels) and can be a chance to show audiences a new dimension of their talent. “It’s a strong year of renewal for our artist community,” Hernandez said. “And we have a lot of really great voices and stories that we get to unveil in the coming days.” Here’s everything you need to know: When is Sundance? Sundance runs from Jan. 23 through Feb. 2. There are about 90 features premiering across the 11 days, with screenings starting early in the morning through midnight. Award-winners will be announced on Jan. 31. What celebrities are expected? Stars with films premiering include Jennifer Lopez, Benedict Cumberbatch, Diego Luna, Conan O’Brien, Alison Brie, Dave Franco, Ayo Edebiri, Olivia Colman, André Holland, Steven Yeun, Mark Ruffalo, Bowen Yang, Carey Mulligan, Joel Edgerton, Lily Gladstone, Dev Patel, Emily Watson, John Lithgow, Marlee Matlin, John Malkovich, Rose Byrne, Chloë Sevigny, Josh O’Connor, Ben Whishaw, Dylan O’Brien, Lili Reinhart and Willem Dafoe. What are some of the big movies? One of the greatest things about Sundance is that it’s often the under-the-radar movies that become the breakouts. But some of the higher-profile premieres going into the festival include: Bill Condon’s “Kiss of the Spider-Woman,” starring Lopez; Ahmir “Questlove” Thompson’s documentary “SLY LIVES! (aka The Burden of Black Genius)”; “Opus,” a horror about the cult of celebrity with Edebiri and John Malkovich; Andrew Ahn’s “The Wedding Banquet,” with Bowen Yang and Kelly Marie Tran; the war satire “Atropia,” with Alia Shawkat; “Pee-wee as Himself,” about the late Paul Reubens; “Marlee Matlin: Not Alone Anymore”; and Andrew Jarecki and Charlotte Kaufman’s doc “The Alabama Solution,” about a cover-up in one of America’s most notorious prison systems. How is the festival addressing the California wildfires? Festival organizers have been in dialogue with filmmakers, staff, audiences and donors about the effects of the fires, supporting and accommodating where possible including pushing back deadlines to allow filmmakers more time to finish. The festival will also have a QR code displayed before screenings for information on sharing resources or contributing to relief efforts. “As hard as the last week has been, this will be a moment to come together,” Hernandez said. “The community’s really responding to support those who need it most right now. I think that’s going to be a profound aspect of this year’s festival.” Is Sundance really leaving Park City? For the most part, yes. Starting in 2027 the festival will no longer be primarily based in Park City. It may stay in Utah but would operate mainly out of Salt Lake City. Other finalists are Boulder, Colorado, and Cincinnati, Ohio. The Sundance Institute is expected to announce its final decision in the first quarter of 2025. “Park City as the home of Sundance is such a special place,” Hernandez said. “I look at it optimistically because we have two more exciting years in this current configuration. I think we’re going to make the most of those two years and make them as memorable and meaningful as we can.” When can I watch Sundance movies? Access to the movies premiering at Sundance doesn’t necessary require an expensive trip to Park City anymore. The festival has fully embraced an online component for many of their films. What started as a necessary COVID-19 adjustment has become a vital part of the program. From Jan. 30 through Feb. 2, audiences can stream much of the program online. Prices start at $35 for a single film ticket and go up to $800 for unlimited access. Otherwise, films that secure distribution can take anywhere from a few weeks to over a year to hit theaters or streaming services. Steven Soderbergh's “Presence,” which premiered last January, is just hitting theaters this week.  

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