United News of Bangladesh

Actor Gauahar Khan has criticised Nikhil Chinapa over a remark he made about menopause and perimenopause while responding to her comments about his gameplay on reality show Alliance. Calling the remark “insensitive,” Gauahar said it showed a lack of understanding of women’s health and said Nikhil owed an apology to the women in his life. The controversy began after Nikhil was asked by Telly Masala about Gauahar’s social media posts supporting her husband, Zaid Darbar, who is currently a contestant on Alliance. Gauahar had earlier accused contestant Mini Mathur of being biased toward Kushal Tandon. She also alleged that Mini and Nikhil were playing the game together instead of giving other contestants, including Zaid, a fair chance. Gauahar and Kushal briefly dated after meeting on Bigg Boss in 2013. Responding to the question, Nikhil said he had never met Gauahar personally but had heard from Zaid that she respected him. He then said Mini might know more about the matter because she “deals a lot with menopause and perimenopause,” suggesting she could have insights into why Gauahar made those comments. Gauahar later expressed her disappointment in a series of videos posted on Instagram. She said it was upsetting to see menopause being used to explain or dismiss a woman’s opinion. Gauahar said it was sad to see men remain ignorant about women’s health despite having families and sufficient life experience to understand the sensitivity surrounding menopause and perimenopause. She said she was particularly surprised that Nikhil had brought up the issue while responding to her views about his performance as a contestant on Alliance. Gauahar clarified that her comments were only about Nikhil’s gameplay and that she had never criticised him personally. She said she had always admired him. She also said she was pleased that Zaid had told Nikhil that she was fond of him, adding that she still considered him a great person with a good personality and an impressive body of work. However, she questioned why Nikhil had suggested that Mini could comment because she dealt with menopause and perimenopause. Gauahar said it was unfair to link a woman’s opinion to menopause or hormones and questioned why her criticism of Nikhil’s gameplay was being connected to her age or health instead of being considered a genuine opinion. She rejected the suggestion that she was experiencing menopause or perimenopause, saying she had become a mother nine months earlier. Gauahar also urged people to be more sensitive when discussing menopause and perimenopause and said women should not be placed in categories based on assumptions about their health. She defended women going through menopause or perimenopause, saying the natural stage of life should never be used to undermine their opinions or make them feel that their views are less important. At the end of her response, Gauahar called on Nikhil to apologise, saying he owed an apology to his wife and the women in his life for failing to understand the sensitivity of the issue. Nikhil, who was also a contestant on Alliance, was eliminated from the reality show in Sunday’s episode, aired July 26. #From NDTV 

Spider-Man: Brand New Day has received a UA 13+ certificate from India’s Central Board of Film Certification (CBFC) ahead of its theatrical release in the country. According to the CBFC certificate dated July 23, the film has an approved runtime of 144 minutes and 52 seconds, or 2 hours, 24 minutes and 52 seconds. The certification document shows that the English-language 3D version, with English subtitles, was cleared with several modifications. The CBFC directed the makers to add a statutory anti-liquor disclaimer to the film. The board also ordered the studio to mute and remove obscene words from the audio and subtitles at three points. In addition, two kissing scenes, appearing at around the 44-minute and 57-minute marks, were deleted. The visual cuts total eight seconds, while the muted dialogue does not affect the film’s runtime. Following the changes, the approved runtime remains 144 minutes and 52 seconds. The film has been classified as UA 13+, allowing children below 13 to watch it under parental guidance. Spider-Man: Brand New Day is the 38th film in the Marvel Cinematic Universe (MCU) and the fourth instalment in the MCU’s Spider-Man film series. The film stars Tom Holland alongside Zendaya, Sadie Sink, Jacob Batalon, Jon Bernthal and others in key roles. The film will hit Indian theatres on July 30, a day before its worldwide release. #From NDTV

Actor Vijay's much-awaited farewell film Jana Nayagan witnessed a significant drop in box office earnings on its second day after a strong opening, but its worldwide collection crossed Rs 112 crore, according to trade estimates. The H Vinoth directorial earned Rs 21.15 crore net in India on Friday, taking its two-day domestic collection to Rs 63.85 crore, trade tracker Sacnilk reported. The film had opened with Rs 42.70 crore net on Thursday, meaning its Day 2 collection declined by around 50.5 percent compared to the opening day. Its India gross collection has reached Rs 75 crore, while the worldwide earnings stand at approximately Rs 112.50 crore. On Friday, Jana Nayagan recorded an overall theatre occupancy of 44.33 percent. The film registered 32.77 percent occupancy during morning shows, 37.23 percent in afternoon shows, 47 percent in evening shows and 60.31 percent during night screenings. The Tamil version remained the biggest contributor to the film's Day 2 earnings, collecting Rs 17.95 crore. The Hindi version earned Rs 1.85 crore, while the Telugu version added Rs 1.35 crore. Amid mixed reactions from audiences, director H Vinoth said Vijay's films often receive varied responses immediately after release before gaining wider acceptance over time. "Whenever a Vijay sir movie comes out, for about a week people say this is good, that isn't good, this doesn't work, that doesn't, and all that. Then after a week, they say it's not that great after all. Six months later, it starts becoming a big hit in society," he said. Vinoth described the film as an important project for Tamil cinema and a dream opportunity for him as a filmmaker. Promoted as Vijay's final film before he begins a full-time political career, Jana Nayagan received a grand reception from fans across Tamil Nadu. Large crowds gathered at theatres, including Chennai's Woodlands and Casino, where special celebrations, cultural programmes and laser shows were arranged. Fans were seen dancing outside cinemas, while theatres witnessed enthusiastic responses during first-day-first-show screenings. Actor Ravi Mohan also joined celebrations marking Vijay's final theatrical release. Despite the festive atmosphere, the film experienced a steep decline in earnings on its second day. Directed by H Vinoth, Jana Nayagan follows Vetri, played by Vijay, a prisoner who forms a close bond with prison warden Srikanth and takes responsibility for the warden's daughter Viji. As he helps her overcome fears and pursue her dream of joining the Indian Army, his past resurfaces through the character John Himmler, played by Bobby Deol, leading to a major confrontation. The film features Pooja Hegde, Bobby Deol, Mamitha Baiju, Priyamani, Gautham Vasudev Menon and Prakash Raj in key roles, with music composed by Anirudh Ravichander. Released in theatres on July 23, Jana Nayagan marks the end of Vijay's more than three-decade acting career, during which he appeared in over 60 films. Source: NDTV

Actress Hina Khan has opened up about her battle with breast cancer, saying spirituality played a key role in helping her cope with the physical and emotional challenges of chemotherapy. Hina, best known for the television series Yeh Rishta Kya Kehlata Hai, revealed in June 2024 that she had been diagnosed with Stage 3 breast cancer. Speaking on actress Soha Ali Khan's All About Her podcast in December 2025, Hina reflected on her cancer journey, describing it as one of the toughest phases of her life. She said the treatment brought major physical changes, including weight gain, hair loss and the loss of her eyelashes. "I put on a lot of weight. My body changed. I lost my hair. That's one blow, which is very hard," she said. Hina admitted that seeing herself in the mirror was emotionally difficult. While she initially tried to remain strong, the reality of her diagnosis and treatment gradually became harder to accept. However, she said the support of family and loved ones, along with her faith, helped her stay positive. "I have always believed that everything in life is temporary. Physical appearance changes. Vanity affects you, but sanity should replace it," she said. The actress encouraged cancer patients to surround themselves with positivity through family, meditation, faith or spirituality. "Especially spirituality. It has changed me," she said. Hina also stressed the importance of giving one's best during treatment, even though the outcome is beyond anyone's control. Recalling her chemotherapy sessions, she described the first week after each treatment as the most difficult. "It was tough. Really tough. Those days were extremely hard," she said. Hina underwent chemotherapy every three weeks. She said the first week after each session was marked by severe pain, particularly nerve pain throughout her body. "The pain was unbearable," she said, adding that medication helped reduce the discomfort but did not eliminate it completely. She said the following two weeks were usually much better, allowing her to travel and continue doing the things she enjoyed. "It's the way you look at it," she said. Rather than viewing cancer as the end of her journey, Hina said she chose to see it as a temporary phase in life. "There are good days too," she said, adding that she was determined to fight the disease and make the most of every day instead of giving up. Source: NDTV

Pop star and actress Ariana Grande has officially launched the Brighter Days Ahead Foundation, bringing her years of private charitable giving under one public initiative focused on LGBTQ+ rights, reproductive health, immigrant rights and mental health. The foundation, launched in May, builds on Grande's long history of supporting these causes through donations and fundraising efforts. In the past, she quietly donated to England's Royal Manchester Children's Hospital, gave concert proceeds to nonprofit organisations, funded a holiday gift drive for transgender youth and launched a $3 million fundraising campaign for transgender young people in 2022. According to Grande's philanthropic adviser Shauna Nep, the foundation comes at a time when financial support for many of these causes is declining while political and social opposition is increasing. This summer, Grande is using her Eternal Sunshine Tour to raise awareness and funds for the foundation. At each concert, national and local nonprofit organisations are featured on arena screens before the show, while fans who donate are entered into a sweepstakes to win a trip to her final tour performance in London. Tour proceeds will eventually be shared among local nonprofit groups, although grants announced so far have been funded directly by Grande herself, a foundation spokesperson said. Like many entertainers before her, Grande is turning her public influence into organised philanthropy. Experts say social media now gives celebrities greater ability to promote charitable causes directly to millions of followers, making fundraising and advocacy more effective than in previous generations. One of the organisations supported by the foundation is Trans Lifeline, a crisis hotline for transgender people. The nonprofit has received $125,000 from Grande, including emergency funding last year and an additional grant when the foundation launched. The funding helped restart a microgrant programme that distributed $100,000 directly to transgender people across the United States through grassroots organisations. It also supported improved benefits for the group's crisis hotline workers. Trans Lifeline Executive Director Dante Alviar Horton said celebrity backing has increased the organisation's visibility and helped attract more public support. Grande had reportedly resisted creating a formal foundation for years because she did not want her charitable work to be viewed as image-building. However, Nep said a structured foundation would allow her to support nonprofit organisations more strategically and work with other funding partners. The Brighter Days Ahead Foundation operates as a fiscally sponsored project of the Entertainment Industry Foundation, a long-established public charity that helps celebrities create charitable initiatives. Its largest funding programme, Protect and Defend, supports organisations working on legal and policy issues affecting transgender youth, immigrants and reproductive rights. Many of the grassroots groups receiving grants have limited access to government or institutional funding. Grande has publicly supported these issues for years. In 2019, she donated about $250,000 in concert proceeds to Planned Parenthood after several US states introduced abortion restrictions. She has also spoken openly about living with post-traumatic stress disorder (PTSD), anxiety and depression, voiced support for LGBTQ+ communities and criticised the Trump administration's immigration policies. Experts say her approach follows the example of celebrities such as Elizabeth Taylor and Elton John, who established major charitable foundations after becoming deeply involved in the fight against HIV/AIDS. Anne Aslett, CEO of the Elton John AIDS Foundation, said successful celebrity philanthropy requires more than public support for a cause. While artists often bring empathy and public attention, she said, lasting impact depends on having a strong organisational structure behind their charitable work.

A decade after its launch, Studio Ghibli Fest continues to attract growing audiences across the United States, bringing longtime fans and young viewers together to enjoy beloved animated classics such as My Neighbor Totoro, Ponyo and Spirited Away on the big screen. For Amanda Mendoza VanCleave of Austin, Texas, the annual festival has become a family tradition shared with her three-year-old daughter and mother. Every year, the three attend Ghibli screenings together. VanCleave said her daughter excitedly recognises the familiar Totoro logo as soon as it appears on screen, often delighting audiences with her enthusiasm. Although the family first discovered Studio Ghibli films through HBO Max, watching them in cinemas has become a special yearly event. During a recent screening of Hayao Miyazaki's 1988 classic My Neighbor Totoro, the three even wore matching Totoro-themed pajamas. Studio Ghibli films have long inspired devoted fans, but their continued success in cinemas years—and in some cases decades—after their original release is rare. Every year, both loyal followers and first-time young viewers return to theatres to watch the films. Running from June through October, Ghibli Fest has been held for the past 10 years. Popular titles including My Neighbor Totoro, Spirited Away and Ponyo have become regular cinema attractions rather than occasional re-releases. The festival has also continued to expand. When North American distributor GKids and Fathom Entertainment launched Ghibli Fest in 2017, five films generated about $5 million in ticket sales. Since then, annual box office earnings have steadily increased, even after Studio Ghibli films became widely available on HBO Max in 2020. GKids President Dave Jesteadt said the festival's continued growth has exceeded expectations. He said organisers initially never imagined the programme would last this long, noting that attendance has continued to set new records each year instead of declining. The festival reached its highest box office in 2024, earning $16.4 million from 14 films. Last year, eight titles collected $10.6 million. This year, Ponyo and My Neighbor Totoro have already completed successful five-day theatrical runs. According to Shannah Miller, Vice President of Marketing at Fathom Entertainment, the festival has expanded from about 640 cinema locations in its early years to more than 1,100 this year. Strong audience demand has also led to longer screening schedules for many films. When GKids acquired North American distribution rights to the Studio Ghibli catalogue in 2011, the Japanese studio emphasised the importance of theatrical releases. Initially, screenings were mainly held in major cities and independent cinemas. Ghibli Fest later expanded into multiplexes, introducing the films to a wider audience, particularly children discovering animation beyond Hollywood productions. Industry experts say the festival has also helped cinemas fill quieter periods, as older films increasingly attract audiences when there are fewer new Hollywood releases. Streaming has also introduced Studio Ghibli to younger viewers, many of whom later choose to experience the films in theatres. Jesteadt said the arrival of the films on streaming platforms actually created a new generation of cinema-goers eager to watch them on the big screen. This year's festival continues with Tales of Earthsea in August, Only Yesterday, the 40th anniversary screening of Castle in the Sky, a 4K restoration of Princess Mononoke in September, and the 25th anniversary screening of Spirited Away in October. Although Studio Ghibli films are occasionally re-released in other countries, Ghibli Fest remains a unique event exclusive to the United States. Fans say the cinema experience offers something that streaming cannot. Angela Lector, who has attended screenings dressed as characters from the films, said watching Ghibli movies in theatres creates opportunities to meet fellow fans and share the experience with others. Many fans also hope the festival will include more lesser-known Studio Ghibli titles in future editions. For VanCleave, the annual screenings continue to create new memories. She recently invited another family to a showing of Ponyo, giving their three-year-old daughter her first cinema experience. The two children ended up sharing a recliner while watching the film together, adding another memorable moment to the growing tradition.

Singer Rei Ami, whose voice featured in the hit film KPop Demon Hunters, and actor-comedian Ken Jeong are among the celebrities appearing in Discovery Channel’s annual "Shark Week," which begins Sunday. Rei Ami said taking part in the programme gave her a new appreciation for sharks after watching about 16 reef sharks feed while diving off the Korean Peninsula. Although she expected to be frightened, she said the experience left her amazed. “I thought I'd be more scared, but I was completely in awe. Watching nature up close is something you can’t easily describe,” she said. The new season of "Shark Week" will feature 20 one-hour episodes exploring different shark species and their behaviour. The programmes include record-setting dives, research into shark attacks and studies of how sharks hunt and survive. Rei Ami, who grew up watching the popular TV event, completed two cage dives and two open-water dives with reef sharks, hammerhead sharks and bull sharks. Ken Jeong, however, chose to stay safely on the boat while appearing alongside her in the opening programme, "K-Pop Shark Heroes." Joking about his role, he said he preferred supervising from a distance rather than entering the water. The week-long event runs until Aug. 1 and includes programmes on great white sharks moving farther along the US East Coast and how thresher sharks use their tails to catch prey. One of the featured episodes follows Canadian high diver Molly Carlson as she jumps 50 feet (15 metres) from a helicopter into a protective cage surrounded by reef sharks. Carlson, who has spoken openly about living with anxiety, said she accepted the challenge to overcome her lifelong fear of sharks and encourage others to face their own fears. This year's lineup also includes an expedition to search for a rumoured 15-foot (4.5-metre) mako shark off Southern California, which researchers believe could become the largest mako shark ever recorded. Marine biologist Kendyl Berna said warmer ocean temperatures have increased food supplies in the area, creating conditions that may allow mako sharks to grow larger than usual. Despite its dramatic style, "Shark Week" continues to focus on science and shark conservation, alongside entertainment. Rei Ami said the series helps correct common misconceptions about sharks. “People often fear sharks because of misunderstandings. These programmes show how they really behave and why there’s usually no reason to fear them,” she said. The series also offers practical safety advice for people who encounter sharks in the water, including staying calm and avoiding splashing, as human-shark encounters become more common in some coastal areas.

Kaylee Hottle, the deaf actress known for her role as Jia in the recent "Godzilla" films, has died in a car crash in the US state of Maryland. She was 18. According to the Frederick County Sheriff's Office, the crash occurred shortly before 3 a.m. Tuesday in Ijamsville when the vehicle carrying Hottle and two others veered off the road and struck a culvert. Hottle was airlifted from the scene but died before reaching the hospital. Authorities said the 19-year-old driver suffered non-life-threatening injuries, while the third passenger declined medical treatment. Investigators believe excessive speed was a contributing factor, and the crash remains under investigation. A native user of American Sign Language (ASL), Hottle came from a deaf family. Her parents, Joshua and Ketsi Hottle, shared emotional messages on social media expressing their grief. Her father said the family was devastated by the loss and thanked supporters for their sympathy. He also publicly forgave the driver involved in the crash, urging him not to let the tragedy define the rest of his life. Hottle gained international recognition for portraying Jia, an orphaned girl who communicates with Kong through sign language, in "Godzilla vs. Kong" (2021) and "Godzilla x Kong: The New Empire" (2024). Her performance earned praise for bringing authentic deaf representation to a major Hollywood franchise. Tributes poured in from colleagues and members of the entertainment industry. Her "Godzilla" co-star Millie Bobby Brown wrote on Instagram that she was devastated by the news and would deeply miss Hottle. Actor Alexander Skarsgård, who learned ASL while filming with Hottle, had previously praised her professionalism and ability to quickly adapt to the director's guidance. In a 2024 interview with The Associated Press, Hottle said she had not been familiar with monster movies before being cast in the franchise and credited her father for introducing her to the genre. She also described her parents and sisters as her greatest role models. Besides the "Godzilla" films, Hottle appeared in a 2021 episode of "Magnum P.I." and was set to appear in the upcoming film "What Doesn't Kill Us." Her co-star in the upcoming film, deaf actress Alaqua Cox, expressed heartbreak over Hottle's death, while Academy Award-winning actors Marlee Matlin and Troy Kotsur also paid tribute, remembering her talent and urging people to cherish their loved ones. The Texas School for the Deaf, where Hottle studied, announced her death and said counseling and support services would be made available to students and staff as the school community mourns her loss.

Kaylee Hottle, a deaf actor best known for her starring role in two “Godzilla” films, died in a car crash in Maryland early Tuesday morning, the Frederick County Sheriff’s Office said. She was 18. Hottle was one of two passengers in the car when it went off the road and hit a culvert in Ijamsville before 3 a.m. The driver was taken to a local hospital with non-life-threatening injuries, and the other passenger declined medical treatment, according to a news release from the sheriff’s office. Excessive speed is believed to be a factor in the crash, which is under investigation, the sheriff’s office said. Hottle was a native signer of American Sign Language, and her family members are also deaf. Her parents, Joshua and Ketsi Hottle, shared emotional video statements about her death on social media sites. “Kaylee’s mom and four siblings are crushed,” her father said in ASL in a post from an airport. “They are together at home, grieving. I am on my way to Maryland to bring Kaylee’s body back home.” Hottle’s heart stopped before she arrived at a hospital, transported by air from the scene of the accident, her father said. “Very grateful for the 18 years we had together — and wish we had more,” he said. Joshua Hottle also reached out to the driver, described by the sheriff’s office as a 19-year-old Frederick man. “I have forgiven you,” her father said. “Don’t let this incident ruin the rest of your life.” “I still feel Kaylee is with us,” her mother said in ASL in a post. In “Godzilla vs. Kong” and the sequel, “Godzilla x Kong: The New Empire,” Hottle played an orphaned girl named Jia who sees beyond Kong’s threatening appearance and forms a special bond with the monster, communicating with him using sign language. “I’m so devastated to hear this. You will be deeply missed Kaylee,” her “Godzilla” co-star Millie Bobby Brown posted on Instagram. Co-star Alexander Skarsgård, who learned ASL to communicate with Hottle, told the pop culture website Junkee in 2021 that he and others were impressed by the young ingenue’s professionalism and her ability to quickly incorporate the director’s notes into her acting. In a 2024 interview with The Associated Press, Hottle said through an interpreter that she hadn’t watched monster movies before she was cast in “Godzilla,” so her father helped her understand the genre. “I look up to a lot of people, but the one person I look up to, the few people I look up to mostly, are my parents and my sisters,” Hottle said. Hottle said that when she was working on the first film, she was a bit concerned about whether she would be able to return to her “normal life,” afterward. “People do recognize me at school, yes, but it’s not as bad as I thought it would be,” Hottle said. Hottle previously appeared in a 2021 television episode of “Magnum P.I.” She was listed as appearing in the upcoming film “What Doesn’t Kill Us.” “I’m so heartbroken. My heart goes out to her family during this unimaginable time,” Alaqua Cox, her co-star in that film and fellow deaf actor, wrote on Instagram. Other prominent deaf actors also shared messages of grief online. “I am absolutely gutted about the passing of sweet Kaylee Hottle. May her beauty and talent be a memory for eternity,” Oscar winner Marlee Matlin wrote on Instagram. Fellow Oscar winner Troy Kotsur, who starred in the film “Coda,” wrote that Hottle’s death made him think of his own daughter, and reminded him not to take time for granted. “I have no words to express on what happened this morning,” Kotsur wrote, offering his “deepest condolences” to the Hottle family. Officials with Texas School for the Deaf in Austin also announced Hottle’s death on Facebook, writing that counseling and support services would be available to her classmates and friends. “Please keep Kaylee’s loved ones in your thoughts as we mourn this tremendous loss together,” the school wrote. ___ Boone reported from Boise, Idaho. Lage reported from Ann Arbor, Michigan.    

The Dink, a new sports comedy arriving on Apple TV this Friday, mixes underdog humour with a familiar redemption story, using the fast-growing sport of pickleball as its backdrop. The film follows Dusty, played by Jake Johnson, a former tennis prodigy whose promising career ended early after a loss to a young Andy Roddick. Now working as a tennis coach at his father's exclusive club, Dusty spends more time talking about his past than building a future. His father Chuck, played by Ed Harris, raised him with dreams of becoming a tennis champion and has nothing but contempt for pickleball. Dusty shares that attitude until a wrist injury forces his doctor, played in a brief but funny appearance by Ben Stiller, to recommend pickleball as part of his recovery. Reluctantly taking up the sport, Dusty finds himself playing alongside a lively group of older women, including characters played by Mary Steenburgen, Cleo King and the late Lynne Marie Stewart. As he spends more time with them, he gradually changes his view of both the sport and himself. Jake Johnson delivers another strong performance as an imperfect but likable underdog. Mary Steenburgen adds warmth and humour, while Ed Harris is convincing as Dusty's demanding father. The supporting cast includes Patton Oswalt as an enthusiastic pickleball player, Chloe Fineman as Dusty's unpredictable former girlfriend and Chris Parnell as a tennis professional. Directed by Josh Greenbaum and written by Sean Clements, the film balances comedy with emotional moments without making pickleball or its players the target of constant jokes. One standout comedy sequence, involving minor characters rather than the main storyline, is described as one of the film's funniest moments. Greenbaum, known for directing Barb and Star Go to Vista Del Mar and the upcoming Spaceballs sequel, continues to establish himself as a dependable comedy director at a time when big-screen comedies have become increasingly rare. The review also notes that although audiences still enjoy going to cinemas, many mainstream comedies are now being released directly on streaming platforms instead of theatres. While films like The Dink and Kevin Hart's 72 Hours continue the tradition of straightforward comedy, the reviewer suggests something is lost when audiences cannot share the experience of laughing together in a movie theatre. The Dink begins streaming on Apple TV on Friday. The Motion Picture Association has given the film a PG-13 rating for strong language and sexual material. It runs for 102 minutes and receives two-and-a-half stars out of four.