Cinema
Baaghi 4 Starring Tiger Shroff, Harnaaz Sandhu, Sanjay Dutt: Review and Earnings
In Bollywood’s latest spectacle, ‘Baaghi 4 (2025)’ with Tiger Shroff, arrives as a much-anticipated continuation of a franchise known for its thrilling energy. Released on September 5, 2025, the action thriller promises to blend raw intensity with mainstream entertainment and mass appeal. Let’s dive into how the fourth installment of the Baaghi franchise holds up in depth and what its box-office performance signals.
Cast and Crew of the Film Baaghi 4 (2025)
A. Harsha makes his Hindi debut with this high-octane movie, stepping into a franchise already heavy with expectations. It comes under Sajid Nadiadwala’s trusted banner, Nadiadwala Grandson Entertainment, and carries the responsibility of being the fourth entry of the Baaghi franchise. Interestingly, this one isn’t an entirely original outing; it borrows heavily from an unofficial remake of the Tamil feature Ainthu Ainthu Ainthu from 2013.
Sonam Bajwa and Sanjay Dutt join Shroff, along with Harnaaz Sandhu, who steps into Bollywood for the first time. Shreyas Talpade, Upendra Limaye, and Saurabh Sachdeva round out the ensemble.
Read more: Lokah Chapter 1 – Chandra: Female-Led Malayalam Superhero Blockbuster
Music duties fall to Sanchit and Ankit Balhara, whose score tries to fuel the momentum with equal parts energy and tension.
Tiger Shroff On Full Beast Mode
Like its predecessors, Baaghi 4 carries an A certificate, and there is no attempt to soften the blows. Shroff once again transforms into Ronnie, though this time the character feels more volatile, more unhinged. There’s intensity in his performance, and for stretches, he manages to push beyond the action-hero image that usually limits him.
At 160 minutes, the relentlessness begins to wear down even patient viewers. The carnage doesn’t arrive in moderation; impalements, dismemberments, and bullets tearing through flesh all play out with little restraint. What starts as occasional bare-fist skirmishes escalates into endless brawls armed with knives, rods, and anything sharp enough to pierce through.
There’s undeniable craft in staging such spectacles, but the barrage of violence overshadows everything else. For some, that sheer excess will feel like the franchise living up to its name. For others, it may come across as fatigue dressed up as adrenaline.
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Story Lags Behind Action
Ronny’s arc in the plot of this movie begins at rock bottom. He survives a brutal train crash that was never meant to leave him breathing, but survival brings no relief. Grief gnaws at him, guilt takes root, and his descent into self-destruction feels both personal and punishing. The woman he loved may or may not have survived, and that uncertainty fractures his mind. As the line between memory and reality blurs, those around him begin to wonder if his world is real at all.
The script is designed with such a heavy hand on spectacle that the director barely seems to need an action choreographer. Rajat Aroraa’s dialogues, usually tuned to win easy applause, are toned down to match the story’s darker beats. Still, the makers lean too hard on action and a one-note love track. For every kinetic set-piece, narrative depth is sacrificed, leaving the film’s dramatic foundation shaky.
When the story dips into the second half, predictability sets in. Promising tension dissolves into routine plotting. By the time the movie drags to its conclusion, it is the slick visuals and elaborate stunts, not the story, that carry it across the finish line for action enthusiasts.
Read more: Param Sundari Film Review, Ratings, Earnings: Cross‑Cultural Romance in Bollywood
Acting in Rhythm with the Action
Tiger plays a dual shade of Ronnie, violent avenger on one end, vulnerable naval officer on the other. The former feels familiar, almost recycled from his past outings, but the latter carries more weight. His portrayal of a man battling trauma and possible PTSD lends some rare dimension to a character otherwise built on fists and fury.
Harnaaz Sandhu, in her debut as Alisha, surprises. There’s a quiet confidence in her screen presence, never raw, never forced. She slips into the romance with ease, giving Ronnie’s broken edges a softer counterpoint.
Sanjay Dutt looms large, menacing in frame, and his presence during key action sequences lifts their impact. Among the supporting cast, Saurabh Sachdeva stands out with a villainous smile that unsettles more than the bloodshed does. Sunit Morarjee adds bite as the deputy, while Upendra Limaye steals several moments, grounding the chaos with sharp screen presence.
Direction and Music: Controlled but Limited
Director A. Harsha doesn’t get much room to shape the film into his own. Sajid Nadiadwala, steering the story, screenplay, and production, keeps a firm grip, leaving Harsha little chance to leave a personal stamp. Still, the production value and technical polish are intact.
Read more: The Voice of Hind Rajab (2025): Gaza’s Cry Echoes Through Cinema
The soundscape, however, is kept deliberately loud, almost to a fault. The songs are a mixed bag, as some lyrics stand out for their plain sincerity, even if the compositions themselves don’t linger long. Jagdeep Warring-Josh’s Guzaara and Danish Sabri-Paradox’s Akeli Laila bring fleeting freshness. Sameer Anjaan’s Marjaana and Yeh Mera Husn lean on formula, though the latter, set to Tanishk Bagchi’s tune, feels like a deliberate echo of Pathaan’s Besharam Rang. The resemblance is no accident; Shilpa Rao, who lent her voice to the Shah Rukh Khan hit, reprises her place here.
Box Office: An Early Surge
Commercially, the Nadiadwala production, completed with a Rs 25 crore budget, is off to a striking start. Pre-release sales suggested momentum, crossing Rs. 5 crore gross even before accounting for blocked seats. With those included, the figure jumped past Rs 7.75 crore, and that was still with an hour left before showtime. For perspective, this easily outstripped Aamir Khan’s Sitaare Zameen Par, which had closed its opening-day pre-sales at Rs. 3.31 crore gross.
The first-day collections told a similar story. Around Rs. 12 crore net from India alone put the film ahead of Aamir’s recent outing, which had opened at Rs. 10.70 crore.
Read more: Vash Level 2 (2025) Movie: Review, Ratings, Earnings
Piling Up
‘Baaghi 4 (2025)’ starred by Tiger Shroff, Harnaaz Sandhu, and Sanjay Dutt has triggered considerable hype across Bollywood, riding on both star power and franchise memory. Sajid Nadiadwala’s production and pen, however, leave the story uneven and often predictable. What it does deliver without restraint is action at full throttle and unsettled music. Advanced bookings underline its staggering pull at the box office. That momentum alone proves how spectacle can outweigh storytelling lapses.
6 months ago
The Conjuring: Last Rites X Reviews: Fans Say “Slow-Burn Yet Engaging”
The final film in The Conjuring franchise, The Conjuring: Last Rites, is now in theatres, starring Patrick Wilson and Vera Farmiga as paranormal investigators Ed and Lorraine Warren.
Early reactions on social media are mixed. Some fans praised the movie as a “beautiful end to the series,” while others called it “a slow burn” with “predictable jump scares.” Many highlighted the performances of Wilson and Farmiga as a strong point.
The ninth and final installment is based on the real-life Smurl hauntings in West Pittston, Pennsylvania, and also explores the history of the Warrens’ family.
Source: NDTV
6 months ago
Lokah Chapter 1 – Chandra: Female-Led Malayalam Superhero Blockbuster
The highly talked-about ‘Lokah Chapter 1: Chandra’ has quickly turned heads across the industry. Since its release on August 28, 2025, the female-led South Indian spectacle has sparked waves of discussion. The superhero film is currently the third-highest-grossing Malayalam movie of the year. The premiere hasn’t even stayed confined to Kerala either. It’s already out in Telugu, Hindi, Tamil, and Kannada, which reflects just how determined the makers are to pitch this story to a wider audience. Let’s dive into how its story, cast, visuals, and spotlight come together on screen.
About Chandra and the Rise of a Superhero Cinematic Universe
Bankrolled by Dulquer Salmaan through his own studio, Wayfarer Films, the movie comes from director Dominic Arun. Designed as the opening entry in the Wayfarer Cinematic Universe, it introduces Mollywood’s first structured attempt at a superhero franchise.
Kalyani Priyadarshan takes on the central role of Chandra, laying the foundation for what is intended to be a multi-chapter saga.
The lineup feels thoughtfully mixed; there’s Naslen, Arun Kurian, Sandy, Chandu Salimkumar, Raghunath Paleri, Nishanth Sagar, Sarath Sabha, Nithya Shri, and Vijayaraghavan holding the ground. Then viewers have got those fleeting but eye-catching appearances from Dulquer Salmaan, Tovino Thomas, and Sunny Wayne. And, of course, Mammootty’s voice in the narration adds that unmistakable gravitas.
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Defining Superhero Milestone in Mollywood
The film distinguishes itself from other large-scale fantasy ventures not with sheer size but with its command over visual language. The pre-interval block is where the film flexes its muscles. Yannick Ben’s stunt direction lands with a kind of sharpness that feels deliberate, every move thought through, nothing tossed in just to dazzle.
The camera, guided by Nimish Ravi, keeps pace with that rhythm. At times it stretches wide, letting audiences take in the sweep of the moment, and then suddenly it’s right up close. It catches the smaller beats that stop the action from floating off into spectacle. Meanwhile, Jakes Bejoy’s score threads the whole thing together. He swings between hard-driving, heart-racing bursts and quieter passages that almost sit in the background but keep the tension alive. It feels at home in the superhero world, sure, but it doesn’t just imitate the usual formulas; it carves out a tone that feels distinctly its own.
Optimal Sync of Visual Spectacles with Screenplay
At its heart, the story follows a young woman who stumbles upon extraordinary powers while still caught in the messiness of her own personal battles. As a dark force rises, she is pushed toward embracing both her power and her fate.
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Dominic Arun does more than just direct here; he also lays down the spine of the story, sharing writing duties with Santhy Balachandran. What they’ve built is not just spectacle but a layered world, folding in immortals, folklore, and present-day anxieties. That mix gives the fantasy a sense of weight, something rooted rather than drifting.
At times of surfacing cameos of major stars, they feel stretched, yet they remain tied to the story without completely distracting from Chandra’s arc. Their presence is also designed to feed into later installments, which makes early judgement difficult. What stands out is the writing of supporting characters, handled with restraint and dignity.
The filmmaking and editing never feel careless. Lighting, cuts, and pacing follow the mood of the scene rather than any formula, so the rhythm feels organic. There’s richness in the textures, but it never tips into indulgence. Visual polish stays in service of the story, not the other way around. The balance between spectacle and storytelling holds steady.
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6 months ago
Court dismisses plea against Akshay Kumar, Arshad Warsi’s Jolly LLB 3
A division bench of Justice Sangeeta Chandra and Justice Brij Raj Singh watched the teaser and trailers of Jolly LLB 3 and ruled that there was nothing objectionable in them.
The petitioner, Jay Vardhan Shukla, had argued that the film shows the legal profession in a bad light. He said the teaser and trailer, which are widely shared on social media, have already influenced lawyers and harmed the image of the judiciary. According to him, the negative portrayal discourages people from joining the legal profession and misguides law students, which could affect the future of the justice system.
Deputy Solicitor General SB Pandey replied that the petitioner had not complained to the proper authority before coming to court. He also pointed out that under the 2021 IT Rules, anyone unhappy with online content should first approach the platform or publisher. The court agreed with this argument and dismissed the petition.
Earlier, a Pune Civil Court had summoned actors Akshay Kumar and Arshad Warsi after another petition claimed that Jolly LLB 3 shows lawyers and judges in a disrespectful way. The film is scheduled to release on September 19.
The Jolly LLB franchise began in 2013 with Arshad Warsi playing the lead role of lawyer Jagdish Tyagi, known as Jolly. The film told the story of his fight for justice for six innocent workers and exposed corruption in the judiciary. The second part, released in 2017, featured Akshay Kumar as lawyer Jagdishwar Mishra, with Huma Qureshi, Annu Kapoor, Kumud Mishra, and Saurabh Shukla, who returned from the first film.
Source: NDTV
6 months ago
Don 3: Amitabh Bachchan and Shah Rukh Khan to join Ranveer Singh?
Speculation continues around Farhan Akhtar’s Don 3, with Ranveer Singh set to play the lead role. Reports have suggested that Kiara Advani and Vikrant Massey are exiting the film, while Kriti Sanon may step in as the female lead, adding to the buzz.
According to a recent report, Bollywood legends Amitabh Bachchan, who starred in the original 1978 Don, and Shah Rukh Khan, who played the titular character in Don (2006) and Don 2 (2011), have been approached to appear in Don 3 alongside Ranveer Singh. An industry insider told India Today that both actors are considering the offer.
If confirmed, this would mark the first time Amitabh Bachchan, Shah Rukh Khan, and Ranveer Singh appear together on the big screen, exciting fans eager to see three generations of actors in the celebrated franchise.
The film has been surrounded by rumours for months, including reports that Farhan Akhtar had approached Priyanka Chopra Jonas and that Shah Rukh Khan might return for the third installment. Vikrant Massey has officially confirmed his exit, while actors like Aditya Roy Kapur and Vijay Deverakonda were reportedly being considered for the antagonist role.
Don 3 continues to generate anticipation with every update, and fans are closely following reports of Amitabh Bachchan and Shah Rukh Khan potentially joining Ranveer Singh in the latest installment of the iconic franchise.
6 months ago
Param Sundari Box Office Collection Day 5: Janhvi Kapoor, Sidharth Malhotra's movie reaches Rs 34.25 cr
The film experienced a slight increase in earnings on Tuesday, helped by discounted ticket prices, bringing its total domestic box office collection to Rs 34.25 crore.
On Sunday, the movie earned Rs 10.25 crore, following Rs 7.25 crore on Friday and Rs 9.25 crore on Saturday, according to Sacnilk data.
Janhvi Kapoor’s previous theatrical release, Ulajh, collected Rs 11.05 crore.
Sidharth Malhotra’s last film Yodha did not perform well but earned Rs 35.74 crore, while Thank God, featuring both Ajay Devgn and Sidharth, grossed Rs 36.35 crore.
In addition to films, Sidharth made his OTT debut with Rohit Shetty’s Indian Police Force on Amazon Prime.
Before the release, Param Sundari attracted attention due to alleged resemblances to Shah Rukh Khan and Deepika Padukone’s Chennai Express. Janhvi Kapoor also faced criticism from a Malayali actress and influencer regarding her accent in the movie.
Responding to these claims, Janhvi said in a recent interview, “My character is from Kerala, and not everyone from the South can be generalized. This film presents a different setting, and it's not a repetitive storyline. While 2 States had similarities with Chennai Express, it released after that film, and such films aren't made every year. People aren’t comparing us to something insignificant; Chennai Express was iconic with legendary actors and characters.”
Param Sundari centers on a cross-cultural romance between two protagonists, one from Delhi and the other from Kerala. Besides Sidharth Malhotra and Janhvi Kapoor, Rajeev Khandelwal and Aakash Dahiya play important roles. The film is directed by Tushar Jalota and produced by Maddock Films.
6 months ago
Tamil actors Vishal, Sai Dhanshika get engaged, wedding postponed
Tamil film stars Vishal and Sai Dhanshika have officially announced their engagement. The couple exchanged rings in an intimate ceremony held at Vishal’s residence in Chennai, surrounded by close friends and family.
Vishal shared joyful moments from the event on social media platform X, posting pictures of the couple in traditional outfits, smiling and showing off their engagement rings. One photo featured a happy family group portrait. Alongside the pictures, Vishal wrote:
"Thank you to all my lovely friends from every corner of this universe for your warm wishes and blessings on my special birthday. I'm thrilled to announce the wonderful news of my engagement that took place today with @saidhanshika, surrounded by our families. Feeling grateful and blessed. Always seeking your blessings and positive vibes."
Wedding Plans Postponed
Earlier this year, in May, the couple had announced plans to tie the knot on August 29, 2025, during a press event in Chennai. However, Vishal recently confirmed that their wedding has been postponed, citing the unfinished Nadigar Sangam building as the reason.
The Couple Opens Up About Their Relationship
At the Yogi Da press conference, both actors spoke about their growing relationship and decision to marry.
Sai Dhanshika shared,"Vishal and I plan to get married on August 29. We've known each other for 15 years. He has always treated me with respect. During a difficult time, he visited my home and stood by me — no other hero has ever done that. It was a very touching gesture."
She added, "We only recently started speaking more often and realized our bond was growing. We mutually decided to take the next step. I love him and just want him to be happy."
Vishal confirmed the relationship with heartfelt words: "My marriage is set. I’ve found my partner. With Dhanshika’s father’s blessings, I am introducing her as the one I’m going to marry. She is truly a wonderful person."
He added, "I believe God saves the best for last — and that’s Dhanshika for me. I’m excited to build a beautiful life with her. We share great understanding and trust, which I hope continues always."
Vishal and Sai Dhanshika are now engaged. While they had originally planned to marry on August 29, 2025, the wedding has been postponed due to delays in completing the Nadigar Sangam building. Vishal shared the engagement news with heartfelt messages and photos online, expressing gratitude for the blessings and support.
6 months ago
Param Sundari Film Review, Ratings, Earnings: Cross‑Cultural Romance in Bollywood
On August 29, 2025, Maddock Films' Param Sundari, directed by Tushar Jalota, hit the silver screens. This 136-minute "North-meets-South" romantic comedy highlights cultural discovery, family conflict, and fate that is determined by algorithms. Let's take a look at the first review of the movie Param Sundari and the box office earnings.
Casting & Performances
The key roles are played by Sidharth Malhotra as Param Sachdev and Janhvi Kapoor as Sundari Damodaram Pillai.
Janhvi Kapoor emerges as the emotional anchor in this film. The critics laud the sincerity and grounding effect in her performance. She kept the film afloat despite its uneven pacing. The narrative flourishes when she is on screen. She gave a romantic feel with a touch of sorrow.
Sidharth Malhotra's charm and physicality are entertaining. However, his comic timings lack deeper emotional engagement. Malhotra and Kapoor's chemistry on screen is "electric" or "breezy".
Read more: The Voice of Hind Rajab (2025): Gaza’s Cry Echoes Through Cinema
Among the supporting cast of Param Sundari, Sanjay Kapoor, Manjot Singh, Renji Panicker, and Inayat Verma contribute commendably. They added emotional heft, comic flair, or narrative drive in the film where needed.
Plot & Storyline
Besides direction, Tushar Jalota contributes to the screenplay of the Param Sundari film. He shared writing credits with Aarsh Vora. The story is further enriched by Gaurav Mishra and Vora.
The storyline follows Param (starred by Sidharth Malhotra), a tech entrepreneur and son of a wealthy businessman. Several failed startups lead him to a dating app that matches soulmates through an algorithm. This app connects Param with Sundari (starred by Janhvi Kapoor), a Malayali homestay owner. Thus, Param starts his journey in pursuit of love. The storyline leads to cultural differences and romantic possibility.
In the film, the lush backdrop, rolling backwaters, vibrant festivals, and charming village corners of scenic Kerala enthral the audience.
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But the narrative feels well‑worn. Critics pointed out its thin emotional texture. Some people might get bored with the story because of the forced cultural stereotypes and lazy writing.
Tone, Pacing & Overall Reception
The tone is breezy and light‑hearted, aiming for rom‑com comfort. However, in the second half, the storyline drags, diminishing earlier charm.
Bollywood Hungama praised it as a "pleasant rom‑com" with a youth‑friendly emotional hang‑up, rating it 3.5/5. Positive early reception on social media similarly highlights its feel‑good energy. On the other hand, critics like News18 explained this film as nostalgic, safe, and without surprise. Some others criticise it for lacking depth, unreal romance, or artificial humour.
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Musical Tunes
This music of the Param Sundari (2025) has got praise. The soundtrack by Sachin–Jigar, with standout lyrics from Amitabh Bhattacharya, features catchy tracks like “Pardesiya”, already earning acclaim, and “Bheegi Saree”. Reviews frequently cite music as a highlight; its energy, mood‑setting skills, and emotional resonance underscore many of the film’s better moments.
Box‑Office Buzz & Early Booking Momentum
Bookings for the Pram Sundari (2025) film started 3 days before release. It got over 10,000 tickets sold within 24 hours. It was anticipated that opening day net will be around Rs 7 to 10 crore, backed up by positive buzz and social media traction. The film has since been cleared by the CBFC, though with muted dialogue in select spots. As for streaming, an OTT release is expected roughly eight weeks post‑release, tentatively landing on Amazon Prime Video around late October 2025.
Param Sundari collected Rs. 7.37 crores on its opening day (August 29, 2025).
Conclusion
The Param Sundari (2025) is a film of two halves. First, it offers majestic visuals, entertaining music, and the introduction of two leads. Second, the predictable story, intermittent pacing, and occasional cultural clichés hold the film back from becoming a memorable drama.
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For viewers looking for a light, visual delight, scenic splendour, catchy tunes and easy charm, this film can be enjoyable. However, for those who prefer depth in storytelling or a romance that leaves them truly moved, Param Sundari may feel a little too surface‑level.
6 months ago
The Voice of Hind Rajab (2025): Gaza’s Cry Echoes Through Cinema
The Voice of Hind Rajab (2025) is a film centring on the tragic real-life story and the final moments of Hind Rajab, a young Palestinian girl who was killed in January 2024 in Gaza. Directed by Tunisian filmmaker Kaouther Ben Hania, this film will premiere at the 82nd Venice International Film Festival on 3 September 2025. This work of art also serves as an act of remembrance. Let's take a look at the details of the film The Voice of Hind Rajab.
Storyline
The film portrays the true story of Hind Rajab, a minor Palestinian girl. She was trapped in a car in Gaza in January 2024. After Israeli gunfire killed her family members, Rajab desperately called to the Palestinian Red Crescent. The child pleaded for rescue as she remained surrounded by violence and was unable to move. Her voice was recorded during that phone call. And this record turned into a haunting document of a life cut short. Rajab’s body was later discovered along with those of paramedics who attempted to reach her.
This film makes an extraordinary effort of incorporating Hind’s actual recorded voice into the narrative, rather than recreating it through actors. Thus, the director ensures that audiences confront the raw immediacy of her words, an echo of a child’s cry for survival that transcends borders and politics.
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Powerful Direction
Kaouther Ben Hania is praised for her ability to blend documentary realism with innovative fiction. In The Voice of Hind Rajab, the director focuses on sound, silence and absence rather than graphic depictions of violence. Rajab’s humanity was honoured in the film instead of turning suffering into spectacle.
The film places itself between drama and testimony. It creates a cinematic space where Rajab’s last words reverberate. Hania carries the ethical responsibility she felt in shaping the story. Going beyond revealing the suffering of a single child in Gaza, the film points out the global failure to protect children in conflicting areas and war zones.
As stories from Gaza and Palestine are rarely given centre stage in mainstream cinema, The Voice of Hind Rajab arrives as a trailblazer.
Cast and Performances
Rajab’s presence is conveyed through her real voice. The film also features a strong ensemble of actors who embody those around her story. The cast includes Saja Kilani, Motaz Malhees, Clara Khoury and Amer Hlehel. Their roles portray paramedics, family members and aid workers whose lives were connected with Rajab’s final call.
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The performances are restraint, allowing the audience to absorb the reality of Rajab’s voice. Rather than overshadowing her, the actors provide context, framing and emotional depth to a real-life story already marked by its devastating authenticity.
The Venice Premiere
Set to premiere at the Venice International Film Festival 2025, The Voice of Hind Rajab will enter one of the world's most prestigious film competitions.
The festival's decision to include this film shows that they understand how important the story is for people and politics right now. The world premiere of the movie will show how important movies are for showing horrible things and giving people a voice who have been quieted.
Brad Pitt and Joaquin Phoenix are executive producers on this film, which gave it more exposure around the world. Their support helped get interest in global distribution and brought attention to the role of well-known Hollywood actors in important real-life stories that come from places that are often ignored or left out.
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Gaza and the World
The events that inspired the movie Voice of Hind Rajab happened during one of the worst times in the Gaza conflict. The film gives the overwhelming destruction a human scale. Rajab's voice, which is preserved in the recording and echoed throughout the film, serves as both a personal testimony and a symbol of many unheard cries for help.
The connection between this movie and Gaza isn't just where it takes place; it's the heart of the story. The film confronts audiences with the vulnerability of children in war, forcing reflection on the responsibilities of governments, humanitarian organisations and ordinary citizens. In this way, the film operates as both cinema and moral intervention.
Selection for Oscars 2026
Tunisia has officially selected The Voice of Hind Rajab as its submission for the Best International Feature Film category at the 98th Academy Awards.
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This announcement was confirmed by the National Centre for Cinema and Image (CNCI), Tunisia’s film authority, shortly after news that high-profile Hollywood figures, including Brad Pitt, Joaquin Phoenix, and Rooney Mara, had signed on as executive producers ahead of the film’s anticipated premiere in Venice.
The final nominees will be announced on 22 January 2026. Not to mention, Tunisia’s support marks a significant step in The Voice of Hind Rajab's journey in international cinema.
Conclusion
The Voice of Hind Rajab isn't just a movie. It makes sure that Rajab's voice will not be silenced. Kaouther Ben Hania's visionary direction, the real recordings of Hind Rajab's last call, and the sensitive performances of the cast all make the film go beyond the usual limits of drama and documentary. The film's premiere in Venice will make it one of the most important films of 2025.
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The movie makes us listen to not only Rajab but also the many other voices that violence has silenced by putting the words of a 6-year-old Palestinian girl at its centre. So, the movie The Voice of Hind Rajab (2025) is an important work of art and a humanitarian statement in modern cinema.
6 months ago
Vash Level 2 (2025) Movie: Review, Ratings, Earnings
Vash Level 2 is a Gujarati supernatural psychological horror film. It is a sequel to the 2023 film Vash. Written and directed by Krishnadev Yagnik, the film hit the silver screen on August 27, 2025. The original film Vash (2023) portrayed psychological dread related to a single farmhouse and a single family, while the sequel takes the fear on a wider canvas. Let's take a look at Vash Level 2 film's review and box-office earnings.
Direction and Craft
Krishnadev Yagnik and Yash Vaishnav are the directors of Vash Level 2. The film was produced by Kalpesh Soni and Krunal Soni under the banners of K S Entertainment Studios, Ananta Businesscorp, Patel Processing Studios, and Big Box Series Pvt Ltd.
Krishnadev Yagnik shows that he is a good director by using shadows, silence, and sudden jolts to keep the audience on edge. The cinematography often puts characters in small spaces, making it feel like they are being held back by unseen forces. Some of the pictures, especially in the first hour, have a nightmarish quality that stays with you after the credits.
Andrew Samuel's music score is very important. It goes from quiet dread to sudden crescendos. It can be a little too much at times, but for the most part, it does a good job of building tension. The editing keeps the story moving quickly, but the last act feels rushed, like there were too many revelations in too little time.
Read more: Param Sundari Film Review, Ratings, Earnings: Cross‑Cultural Romance in Bollywood
Overall, the film’s craft surpasses what most regional industries attempt in horror, signalling that Gujarati cinema is increasingly ready to compete on a national level in genre filmmaking.
Prashant Gohel and Haresh S. Bhanushali provide tense cinematography. Editing by Shivam Bhatt keeps the runtime to a taut 103 minutes, though some critics feel the pacing falters midway.
Storyline
The story picks up 12 years after the events of the first film, Vash (2023). Atharva (starred by Hitu Kanodia) once saved his daughter Aarya (played by Janki Bodiwala) from the grip of Pratap (Hiten Kumar), but it soon becomes clear that evil never truly left her.
When a group of schoolgirls mysteriously begin to behave like lifeless puppets under unseen control, Atharva realises that the dark force has returned and perhaps never fully departed in the first place. What follows is a tense confrontation with Pratap, who reemerges as a chilling embodiment of unrelenting evil.
Read more: The Voice of Hind Rajab (2025): Gaza’s Cry Echoes Through Cinema
The film portrays a chilling new chain of events when a mysterious, malevolent force takes control of a group of high school girls, forcing them to act in a horrifying, synchronised manner.
Thematically, the film explores the endurance of trauma, the cyclical nature of evil, and the lengths to which a parent will go to protect a child.
The fear depicted in the sequel points out how a group of people were stripped of their free will, becoming instruments of destruction. This shift from an intimate, personal horror to a broader, societal one is a daring move that largely pays off.
Comparison with the Original Vash
The first Vash (2023) was a Gujarati horror film, praised for its unique script, scary atmosphere, and fresh approach to regional cinema. It was a suspenseful thriller that relied on a sense of intimate psychological horror. The film made a family's farmhouse feel like a prison. The terror was personal and immediate.
Read more: Vash Level 2 (2025) Movie: Review, Ratings, Earnings
On the other hand, the sequel, Vash Level 2, is louder, more expansive, and visually striking. It is a more chaotic horror spectacle. It trades the slow-burn psychological tension for a more suspenseful horror experience.
The film’s music is composed by Andrew Samuel. Going beyond a collection of eerie sounds, it enhances the tension, building a pervasive sense of dread.
In simple words, the sequel is more of a horror-action film than a psychological thriller, with a faster pace and more overt supernatural elements. While this shift might disappoint some fans of the original's quiet dread, it pushes the genre's boundaries.
However, the film is not without its flaws. Its narrative can feel a bit rushed at times, and the ending, while a twist, lacks the profound emotional weight of the original's conclusion.
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Cast and Performances
The cast features Janki Bodiwala reprising her role as Aarya, Hitu Kanodia as her father Atharva, and Hiten Kumar returning as the malevolent black magician Pratap. Supporting performances include Monal Gajjar, Hency Bapat, Chetan Daiya, and Prem Gadhavi.
Hitu Kanodia delivers a powerful, emotionally charged performance as Atharv, the father who is once again thrust into a supernatural battle. He portrays the emotional feeling of a father who fights against letting his daughter be influenced by the evil force again. His heroic role is burdened by the past and desperate to protect others from a similar fate.
Hiten Kumar, as the antagonist, reprising Pratap, once again steals scenes with his terrifying portrayal of evil. He exudes a sinister charisma that is both terrifying and captivating. His calm menace and chilling rage give the film its most frightening moments. He brings a sense of grounded menace through powerful acting.
Janki Bodiwala (who starred as Aarya) was a key highlight of the original film. But in the sequel, her role is more limited. Her subtle but powerful appearances have an effect, serving as a haunting reminder of the past. The horror scenes are believable because she can make people feel scared with very few words. Going beyond just a victim, she is portrayed as a haunted person who has to deal with things she can't control while carrying the scars of the past.
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Monal Gajjar, the school principal, does a good job of showing how scary and helpless it is to see a force she can't understand or fight.
Chetan Daiya and other supporting actors add depth, but their characters are more like plot devices than fully developed arcs. Still, they contribute to the overall sense of a community under siege.
Reviews
Critics have offered a mixed response. Some critics said that Vash was scarier in its simplicity; the sequel brings higher stakes and more elaborate mythology. The sequel advances from a psychological thriller to a broader supernatural saga.
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Audiences, however, appear enthusiastic. The film opened strongly in Gujarat and notable traction for its Hindi version. Vash Level 2 (2025) movie has got 8.1/10 ratings at IMDb so far based on 155 reviews.
Box Office & Gross Income
Commercially, Vash Level 2 has already made history. On the opening day, the film earned approximately Rs 1.5 to 1.75 crores in India. It is one of the highest-ever openings for a Gujarati film. Considering its modest Rs 5 crore budget, the film is well on its way to profitability.
Conclusion
Vash Level 2 takes the franchise in a more expansive direction. It may lack the tightly focused horror of the original Vash (2023), but it compensates with scale, mythology, and powerful performances. Janki Bodiwala and Hitu Kanodia deliver emotionally compelling turns, while Hiten Kumar’s Pratap remains one of Gujarati cinema’s most chilling antagonists. The direction, music, and cinematography elevate the film, even if the screenplay occasionally falters.
While the original Vash (2023) focuses on possession and the power struggle between human resilience and demonic control, Vash Level 2 (2025) shows how such evil seeps into communities, affecting more than just one family. It is less intimate but more ambitious, portraying a broader social menace. However, for a sequel that seeks to outperform its predecessor in scale and spectacle, Vash Level 2 is a commendable effort.
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As a commercial and critical venture, the Vash Level 2 film marks an important step for regional horror, showing that Gujarati cinema can sustain sequels, franchise-building, and wider national attention. If the Vash (2023) film was the spark, its sequel Vash Level 2 (2025) is the fire, which is burning brighter, louder, and leaving behind a lingering trail of horror.
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