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Disney’s evolving strategy around live-action remakes has reached an unprecedented height. With upcoming releases riding on high expectations and past disappointments fresh in memory, the stakes have never been higher. The next wave of remakes may not just reflect creative ambition but redefine the future of this billion-dollar trend. Let’s explore how upcoming releases like ‘Moana’ and ‘Lilo & Stitch’ are poised to shape the studio’s future. Disney’s Live-Action Blueprint in 2025 Once a reliable box office formula, the remakes are now treading uncertain ground. Despite recent setbacks, the moviehouse isn’t stepping away just yet. Two major projects, ‘Lilo & Stitch’ (releasing May 23, 2025) and ‘Moana’ (set for July 10, 2026), are already in the pipeline. Each of them carries significant production costs and expectations. These two titles are more than just adaptations; they are litmus tests for the direction Disney might take next. Their performance will likely shape the company’s willingness to continue mining its animated library. However, that doesn’t guarantee results in a marketplace where audience preferences are increasingly unpredictable. Should either film fail to deliver, the studio could be forced to reassess its playbook. While a total departure from live-action remakes may not be immediate, a dramatic slowdown, or even a full creative overhaul, might become inevitable. Read more: A Minecraft Movie Levels Up Theatres with Sing-along Block Party Edition Aftershocks of Snow White: Tangled and Others Left in Limbo The ripple effect from the 2025 film Snow White's underwhelming box office showing has disrupted Disney’s confidence. As one of the studio’s most treasured animated classics, ‘Snow White’ was expected to carry the banner of guaranteed success. Instead, the film’s lacklustre reception has introduced caution into what was once an aggressive remake strategy. In the aftermath, a growing sense of hesitation is becoming apparent. Tangled had already gained early momentum with the 2017 film The Greatest Showman’s Michael Gracey attached as director. But it has now been shelved indefinitely. Casting remained speculative, with stars like Sabrina Carpenter or Florence Pugh rumoured for Rapunzel. However, the project’s sudden freeze speaks volumes about the broader uncertainties at play. Disney seems reluctant to proceed with ambitious remakes until they regain clarity and confidence in the direction of this trend. This isn't just about one film. Projects like ‘Hercules,’ ‘Robin Hood,’ ‘Bambi,’ and ‘The Aristocrats’ are now adrift without firm release dates. Even the planned Prince Charming feature, once attached to big names like Daisy Edgar-Jones and Chris Hemsworth, sits quietly on the shelf. Read more: Weapons’ 2-Hour Footage Ignites Trailer Buzz: USD 38 Million Bet for an Original Horror Pays Off Diminishing Returns and a Shrinking Library While ‘Mufasa: The Lion King’ (2024) delivered a solid performance at the box office, it failed to match the explosive success of its 2019 predecessor. Similarly, ‘The Little Mermaid’ managed to outperform ‘Snow White’ but still fell short of expectations. All credits go to its global revenue, hovering around USD 569 million. These results, though not catastrophic, reflect a downward trend in audience enthusiasm for Disney’s live-action adaptations. This tempered reception is now forcing Disney to rethink its strategy. The golden age of reimagining nostalgic classics appears to be tapering off. With most of its cornerstone animated titles already adapted, Disney has started leaning on newer properties. However, the studio can no longer bank on brand loyalty alone. Future remakes, including potential blockbusters like Frozen, carry higher risks. If viewers continue to respond with indifference, Disney may find itself repairing a strained relationship with its audience. Read more: Meta's Movie Mate to Chat with M3GAN in Theater: Interactive Experience or Distraction

Blending gaming’s endless creativity with cinematic excitement, ‘A Minecraft Movie’ has carved out a remarkable place in theatres. Its explosive success, fuelled by passionate fans and undeniable box office power, now prepares for a new chapter. With the sing-along Block Party Edition screening, excitement is mounting again. Let’s dive into how the theatrical format is reshaping the movie’s journey and keeping the Minecraft magic alive. Viral Fandom Meets the Box Office When Warner Bros. and Legendary Pictures greenlit ‘A Minecraft Movie,’ expectations were high, but the results exceeded even the most optimistic projections. Directed by Jared Hess, the movie brings the voxel-based universe of Mojang Studios to life with a playful blend of absurdity and heart. The fantasy-comedy features a charismatic cast that includes Jason Momoa, Jack Black, Emma Myers, Sebastian Hansen, and Danielle Brooks. Eventually, the film drew large crowds and secured its spot as one of the year’s most impactful theatrical releases. Despite being critically panned, the epic adventure broke records with a stunning USD 313 million global debut. It was the highest opening ever for a video game movie adaptation. Its momentum didn’t slow down; the figure has already hit USD 816 million in global ticket sales. Read more: Weapons’ 2-Hour Footage Ignites Trailer Buzz: USD 38 Million Bet for an Original Horror Pays Off Now, to keep that momentum alive, Warner Bros. is gearing up for a new theatrical wave. On May 2nd, fans will be invited to return for a sing-along screening experience. While clearly aimed at building repeat attendance, this version also responds to something unexpected that unfolded in theatres during the film’s original run. The Enthusiasm Went Too Far What began as celebratory fandom soon turned into a theatrical spectacle of its own. Upon release, the fantasy movie didn’t just draw large crowds; it ignited an intense wave of youthful energy. The audiences turned screenings into social events, complete with chants, memes, and spontaneous cheers for Jack Black’s scene-stealing figure. Lines such as “I am Steve!” and “chicken jockey!” became instant crowd triggers. A viral trend quickly caught on, where moviegoers screamed during pivotal scenes, tossed popcorn, and treated the auditorium like a live concert. In some theatres, the situation escalated enough to prompt police intervention. Showtimes across various chains began issuing warnings, reminding patrons of acceptable behaviour. Read more: Meta's Movie Mate to Chat with M3GAN in Theater: Interactive Experience or Distraction On one hand, the fan reaction demonstrated intense affection for the film and the world it built. On the other hand, traditional moviegoers and exhibitors needed structure. The studio’s official stance attempted to acknowledge both sides, releasing notices discouraging rowdiness while expressing appreciation for the passion. The Block Party Edition: Channeling Chaos into Celebration This theatrical presentation is nothing but a response to fan fervour without compromising the cinema experience. This sing-along and meme-along version invites audiences to participate actively. It is a curated environment that welcomes energy and interaction while protecting the theatregoing experience. Universal’s Wicked (2024) had previously set the tone with its sing-along edition, backed by a strong soundtrack. It debuted at No. 2 on the Billboard 200, marking a milestone for musical adaptations. Read more: Karate Kid Legends Unites Two Miyagi-verse Icons- Jackie Chan and Ralph Macchio Although Minecraft does not ride on a stage-musical legacy, it still boasts memorable tracks. Particularly, Jack Black’s now-iconic “Lava Chicken” number has become a crowd favorite. This version allows fans to shout, sing, and react during select moments, transforming standard screenings into participatory events. It’s a strategic balance between honouring the fanbase’s enthusiasm and maintaining order. Rather than suppressing audience expression, the studio has effectively redirected it. Box Office Power-Up: Can the Craze Keep Climbing? With its initial wave of success setting a strong foundation, ‘A Minecraft Movie’ now enters a new phase with the sing-along Edition. This fresh release aims to reinvigorate public interest, encouraging audiences to experience the chaos more, this time with their voices included. Read more: Sinners Makes Horror History: Blockbuster, Top Ratings, and Oscar Buzz As the summer box office schedule intensifies, this adventure comedy will soon face off with heavyweights like Marvel’s upcoming ‘Thunderbolts*’. These new releases bring direct competition, meaning the new version is not only a creative venture but also a tactical one. The film’s long-term performance will depend on whether this second wind translates into sustained momentum. It may not be poised to unseat ‘The Super Mario Bros. Movie’ as the all-time video game adaptation leader. However, it has carved a path all its own, defined by spontaneous fandom, unexpected incidents, and a studio that listened. In the crowded blockbuster arena, this reinvention might just be what keeps Minecraft mining box office gold. Read more: Best 10 Korean Dramas Releasing in May 2025 Summing Up Amidst big hype, A Minecraft Movie faces chaos from moviegoers, with viral antics prompting concern from theatres. In response to that over-enthusiasm, Warner Bros. introduces a sing-along block party edition to channel fan energy more constructively. The new format resonates with the community’s passion, offering an interactive and controlled outlet for expression. This theatrical version re-engages audiences and equips the movie to compete with contemporary blockbusters entering the fray in the coming weeks. Read more: Thunderbolts*: The First Non-Sequel Movie Breaking the 13-year Marvel Trend

Featuring the original horror idea, ‘Weapons’ is already stirring major conversations across the film industry. Scheduled for release on August 8, 2025, this upcoming title promises a rich blend of mystery and horror. A fierce bidding war unfolded among multiple major studios, eventually driving the deal to USD 38 million. Let’s explore how this intense bidding battle played out and how the recent two-hour footage sent the trailer response soaring. Weapons: Making, Plot, and Cast Penned, directed, and produced by Zach Cregger, this mystery horror marks his second feature film. The production team also includes Roy Lee, Miri Yoon, J. D. Lifshitz, and Raphael Margules. Julia Garner, Josh Brolin, Benedict Wong, Alden Ehrenreich, Cary Christopher, Amy Madigan, and Austin Abrams headline the cast. The storyline revolves around a small community shaken when seventeen classmates vanish at the same moment, leaving only one behind. As panic spreads, the town hunts for answers to a mystery darker than they imagined. Release date: Meta's Movie Mate to Chat with M3GAN in Theater: Interactive Experience or Distraction This joint production from New Line Cinema, Subconscious, Vertigo Entertainment, and BoulderLight Pictures is slated for release by Warner Bros. Pictures. Bidding War to Make Weapons In Hollywood, where adaptations and franchise reboots often dominate the headlines, 'Weapons' made waves for a refreshingly different reason. It was neither a prestige drama nor based on a bestselling novel. Instead, the bidding frenzy that erupted in Hollywood was for something increasingly rare, a wholly unique horror concept. After the breakout success of Barbarian in 2022, filmmaker Zach Cregger returned with a new spec script. That script, 'Weapons,' ignited intense interest. Multiple studios jumped in, eager to claim the next big thing in genre storytelling. By January 2023, the competition had narrowed to just two: New Line Cinema and Universal. Jordan Peele, renowned for ‘Get Out’ (2017) and ‘Nope’ (2022), along with his production banner Monkeypaw, was in the running. He had a strong vision for the project. But Universal’s offer fell short, about USD 7 million lower than what New Line put on the table. New Line’s winning bid reached a staggering USD 38 million. That deal included USD 5 million for Cregger to direct and an additional USD 10 million package for writing and producing. Release date: Karate Kid Legends Unites Two Miyagi-verse Icons- Jackie Chan and Ralph Macchio Soon after losing the bid, Peele made headlines by cutting ties with his long-time managers, including Peter Principato and Joel Zadak, at Artists First. Interestingly, Principato also manages Cregger. Both artists began their careers in comedy, which adds a curious layer to the situation. The timing suggested Peele may have shown them the door, though whether that move was personal or purely professional remains open to speculation. Weapons in the Post-Bidding War Whatever his feelings were about losing out on ‘Weapons,’ Peele isn’t exactly nursing wounds. In fact, he’s moving full speed ahead. One of his latest projects, ‘HIM,’ a sports horror set for September 19, 2025, is already drawing early praise. However, Weapons’ test screenings have gone so well that the release, originally slated for January 2026, has been pushed up to sometime in 2025. That kind of audience buzz speaks volumes. Release date: Sinners Makes Horror History: Blockbuster, Top Ratings, and Oscar Buzz Meanwhile, Cregger isn’t slowing down either. One of his next projects is the remake of the iconic ‘Resident Evil.’ Sony has reportedly offered him a USD 20 million deal, plus a slice of the box office, for directing this movie. That offer alone suggests studios are already impressed with what he’s done on ‘Weapons,’ long before its release. Pre-release Footage Boosting the Vibe Weapons’ trailer immerses viewers in the eerie mystery of Maybrook, a small town where 17 children disappear without a trace one Wednesday morning. The children, seemingly compelled by something unknown, run off into the night and never return. Julia Garner takes on the role of the class teacher, who finds herself at the centre of the mounting suspicion surrounding the vanishings. The trailer has stirred early excitement, especially among those who appreciate finely crafted horror. Its eerie tone has struck a chord, offering just enough to provoke curiosity without revealing too much. The use of a child’s narration adds a chilling layer, evoking the unsettling charm of childhood ghost stories whispered late at night. With Cregger’s name already carrying weight after ‘Barbarian,’ expectations are rising, and this trailer has only amplified the anticipation. Release date: Best 10 Korean Dramas Releasing in May 2025 In an unconventional promotional move, Warner Bros. has released an unlisted two-hour video that plays like a surveillance tape. The footage shows multiple children running from their homes late at night, captured from a first-person camera perspective. There’s no description, leaving viewers to piece together their theories. The video raises unsettling questions: Who is behind the camera? What’s the purpose of looping these moments together? With such a cryptic release, the film’s mystery deepens, drawing viewers further into its chilling narrative. Verdict The enormous USD 38 million bid for Zach Cregger’s original horror concept, 'Weapons,' set the stage for high expectations. Meanwhile, Jordan Peele’s split from his managers added intrigue to the behind-the-scenes drama. The trailer has captivated audiences, building anticipation with its chilling narrative, while an unconventional two-hour unlisted video deepens the mystery. With its impeccable storytelling, ‘Weapons’ is poised to be one of the summer's most anticipated horror releases. Release date: Thunderbolts*: The First Non-Sequel Movie Breaking the 13-year Marvel Trend

Marvel Studios' latest release Thunderbolts* opened to a solid $31.5 million on Friday, including earnings from Thursday previews across 4,330 theatres, setting the stage for a projected domestic debut of $70 million to $75 million. The action-packed ensemble film follows a group of lesser-known Marvel characters teaming up, many of whom were previously introduced in other Marvel Cinematic Universe (MCU) titles. Boosted by screenings in Imax and premium large-format theatres, the film marks a fresh direction for Marvel, steering away from traditional sequels for the first time in over a decade, according to Variety. Despite the promising figures, Thunderbolts* signals a shift in Marvel’s box office dominance. If projections hold, it will be among the lower opening weekends in the MCU’s history, likely trailing behind 2021’s Black Widow ($80 million), which starred Scarlett Johansson and introduced key Thunderbolts* cast members Florence Pugh and David Harbour. Thunderbolts*: The First Non-Sequel Movie Breaking the 13-year Marvel Trend It also falls short of 2014’s Guardians of the Galaxy ($94 million), another debut featuring an ensemble of quirky heroes. Compared to Marvel’s most recent release, Captain America: Brave New World, which earned $40.9 million on its first day and finished its opening weekend with $88 million, Thunderbolts is off to a slower start.

Meta has launched an experimental feature, Movie Mate. It allows theatregoers to engage in real-time conversation with the AI character M3GAN during screenings. M3GAN, a horror sci-fi blend, already blurs the line between technology and terror. Now, the viewing experience itself takes a bold new turn. Let’s explore whether this move signals a thrilling innovation or an unwelcome audience distraction. Introducing Movie Mate Blumhouse, the production house of ‘M3GAN,’ partnered with Meta to pilot a new kind of theatrical tech experiment: Movie Mate. This interactive chatbot was designed not to scare but to interact with, prompting viewers to tap away on their handheld screens. As the movie progressed, users received timed trivia drops and AI-generated quips, all in sync with the onscreen chaos. Meta, the parent company of Facebook and Instagram, pitched this as a bold strategy to pull distracted audiences back into theatre seats. The rollout, however, wasn’t grand or heavily publicised. On April 30, 2025, Blumhouse and Universal quietly reintroduced ‘M3GAN,’ the horror-sci-fi tale of AI gone rogue. The horror movie marks the first title to feature Movie Mate integration. The occasion was Blumhouse’s “Halfway to Halloween” event, a nod to fans of the spooky season. Read more: Karate Kid Legends Unites Two Miyagi-verse Icons- Jackie Chan and Ralph Macchio Roughly 70 attendees gathered at AMC Universal CityWalk in Los Angeles. As the lights dimmed, a soft glow lit up the auditorium, dozens of phones ready for digital dialogue. During the opening scenes, the app delivered around ten messages. One, cheeky and in-character, asked, “Do you think they’re inventing other dolls like me?” A simple yes was met with the wry retort, “Don’t be delulu.” People’s Response At first glance, the novelty of Movie Mate sparked genuine curiosity among some theatregoers. As the AI chatbot introduced itself in the voice of M3GAN, the initial reactions were light-hearted and intrigued. The tech felt fresh, almost playful, in its attempt to personalise the cinematic experience. Read more: Sinners Makes Horror History: Blockbuster, Top Ratings, and Oscar Buzz But that early excitement didn’t hold for long. Many audience members found themselves second-guessing the very act of looking at their phones. The fear of seeming rude or disruptive in a darkened theatre overshadowed the fun. Several admitted to ignoring most of the chatbot’s messages until the film had ended. It was unable to fully balance the screen in their hands with the one in front of them. Industry observers echoed this ambivalence. Trade publications quietly questioned its staying power, suggesting that it leaned more toward a marketing stunt than meaningful innovation. Mashable noted that the real intent may be to hype ‘M3GAN 2.0,’ set for June 27, 2025, and boost Meta’s push for second-screen engagement. M3GAN Makers’ Take Blumhouse isn’t blind to shifting audience behaviour. Data from the National Research Group shows nearly 20% of moviegoers aged 6–17 text during films, despite theatre rules. Rather than resist the habit, the studio sees it as a chance to redirect it in support of the film experience. Read more: Best 10 Korean Dramas Releasing in May 2025 The M3GAN maker believed the experiment was worthwhile, particularly because younger audiences seemed to embrace it. From their perspective, this indicated a growing appetite for interactive elements that enhance, rather than replace, traditional moviegoing. The criticism hasn’t gone unnoticed, but the studio seems unbothered. They acknowledge that this approach won’t appeal to everyone and that not all innovations are meant for universal acceptance. There also seems to be a strategic vision behind the app. Blumhouse executives view it as a way to turn movie releases into events. It would be experiences that generate buzz and compel younger viewers to participate. They see younger audiences as eager to interact with the media they consume. Read more: Thunderbolts*: The First Non-Sequel Movie Breaking the 13-year Marvel Trend Even so, there’s recognition of its limitations. For now, Blumhouse and Universal have no plans to extend Movie Mate to upcoming titles, including ‘M3GAN 2.0’. Where Movie Theaters Stand Movie Mate fits into a broader vision from Meta’s CEO, Mark Zuckerberg, who aims to integrate AI chatbots across his platforms and beyond. In Zuckerberg’s futuristic world, these chatbots are designed for personalised, fun interactions at any moment. This includes, it seems, even during movie screenings. The timing for such a move comes amid significant challenges for the movie industry. Comscore reports a 33% drop in the North American box office since 2019, despite hits like ‘A Minecraft Movie’ and ‘Sinners,’ as the pandemic accelerated the shift to streaming. Given this, Hollywood is looking for innovative ways to lure audiences back into theatres. Read more: South Indian Films Releasing in May 2025: Must-watch Lineup However, not all movie theatres are eager to embrace this new technology. Alamo Drafthouse Cinema, known for catering to passionate film lovers, opted out of the AI chatbot experiment. Even several smaller theatres across the country followed in their footsteps. Yet, the major chains, Regal Cineworld and AMC Entertainment, decided to test the waters. Their only condition: ticket buyers would be fully informed about what they were signing up for before entering the theatre. Influential Backdrop In many ways, it’s the younger audience that’s reshaping the theatre experience—often on their own terms. Take A Minecraft Movie from Warner Bros., for instance. It turned into a surprise hit last month, not just for the story on screen but for the chaos unfolding in the aisles. Teen viewers ignored theatre etiquette. They shouted lines like ‘chicken jockey,’ climbed on each other’s shoulders, tossed popcorn in the air, and filmed it all for TikTok. Read more: China's Ne Zha 2 Stays Atop Hollywood's ‘A Minecraft Movie’ at the Worldwide Box Office The trend isn’t isolated. Universal’s Wicked soared to USD 754 million last year, helped by fans who turned screenings into sing-alongs and social media events. Similarly, Sony’s ‘Anyone but You’ (2023) pulled in a surprising USD 220 million after viewers began recording their reactions to the finale. The creators behind ‘M3GAN’ paid close attention to all of this. Takeaways Meta's Movie Mate app brought real-time chatbot interaction into theatres, aiming to engage audiences during ‘M3GAN’ screenings. Reactions were mixed—some curious, others hesitant or distracted. Blumhouse viewed it as a chance to enrich the experience for younger fans. Meanwhile, theatres remained divided, with major chains on board and boutique cinemas opting out. In this early phase of AI-led second-screening, whether it’s an interactive experience or a distraction remains unsettled. Read more: Tom Cruise’s Mission: Impossible 8 - The Final Reckoning Marks the Longest Film of the Franchise

Uniting legacy and nostalgia, ‘Karate Kid: Legends’ brings together two iconic figures from the beloved Miyagi-verse. Scheduled for release on May 30, 2025, this martial arts drama promises to bridge generations through its powerful blend of tradition and discipline. With Jackie Chan and Ralph Macchio sharing the screen, anticipation runs high. Let’s explore what makes this cinematic reunion so momentous. Karate Kid 2025: Plot and Team Behind the Screen Penned by Rob Lieber, this martial arts movie flourishes with the directorial debut of Jonathan Entwistle in the feature film. Set three years after the events of the television series ‘Cobra Kai’ (2018-2025), the story picks up where the saga left off. Serving as the sixth installment in the Miyagi universe, it follows the legacy revived by its predecessor in 2010. Ralph Macchio and Jackie Chan return to their respective iconic roles from previous movies. Joining them is Ben Wang, embodying the main lead alongside Joshua Jackson, Ming-Na Wen, and Sadie Stanley. Read more: Sinners Makes Horror History: Blockbuster, Top Ratings, and Oscar Buzz The storyline centres on kung fu prodigy Li Fong, who, after moving to New York City, finds himself targeted by a fierce local karate champion. With guidance from Mr. Han and Daniel LaRusso, he sets out to prove himself in the ultimate karate showdown. Bankrolled by Columbia Pictures, the drama film makes its way to theatres courtesy of Sony Pictures Releasing. From TV Series to Cinematic Spotlight After more than a decade, the iconic franchise reclaims its spot in theatres. But releasing it right after Cobra Kai’s emotional finale adds an extra weight that fans will instantly feel. That final season tied up many beloved character arcs. It makes the movie’s continuation feel like the next natural step in a saga that spans generations. Entwistle steps into feature filmmaking after a successful television career. While it's his debut on the silver screen, the stakes couldn’t be higher. With a property cherished by a fiercely loyal global fanbase, Entwistle brings not just technical skill but a fan’s heart. He understands the world he’s building on because he grew up inside it, just like the audience he’s speaking to. Read more: Best 10 Korean Dramas Releasing in May 2025 Questions around continuity have been put to rest. The upcoming release respects the foundation laid by ‘Cobra Kai’, treating it as canon and picking up only a few years after its events. Writer Rob Lieber, alongside the creative team, has clearly worked to preserve the franchise's spirit. The result is a new chapter that honours its roots while inviting in new energy. While the film holds its own ground with a fresh story, it doesn’t lose sight of its ancestry. The Legends moves forward while staying deeply stitched into the saga that shaped it. Ralph Macchio and Jackie Chan: Two Legends in One Production Set Coming back to cinemas with decades of legacy, Macchio remains a name long intertwined with The Karate Kid since 1984. He first stepped into the role of Daniel LaRusso, a timid high schooler. The character was transformed into a resilient fighter under the guidance of the wise Mr. Miyagi, portrayed by the late Pat Morita. Macchio’s portrayal extended through Part II (1986) and Part III (1989). It elevates him to international stardom and solidifies Daniel as a pop culture icon. His presence in ‘Cobra Kai’ only deepened fans' connection to the character. Read more: Thunderbolts*: The First Non-Sequel Movie Breaking the 13-year Marvel Trend Meanwhile, Chan brought a fresh dynamic to the Miyagi-verse with the 2010 reboot, playing the quietly powerful Mr. Han. His return to the franchise marks the first-ever crossover between the original continuity and the rebooted world. This convergence introduces Ben Wang as Li Fong, a kung fu prodigy under the dual mentorship of LaRusso and Mr. Han. Through them, he will navigate two distinct martial philosophies, kung fu and karate, each with its discipline and depth. As two martial arts legacies merge on-screen, Legends quickly rises as one of the year’s most anticipated cinematic events. Even in brief glimpses from the trailer, Chan’s Mr. Han appears more reflective, no longer just grieving but quietly evolving. For director Entwistle, collaborating with a star like Chan presented both a challenge and a thrill. It opened the door to honouring both traditions with sincerity, fusing them into a story that feels both nostalgic and remarkably new. Read more: Tom Cruise’s Mission: Impossible 8 - The Final Reckoning Marks the Longest Film of the Franchise Visualizing Two Disciplines of Martial Arts ‘Karate Kid: Legends’ bridges two martial arts traditions, kung fu and karate, into a story that's as visually dynamic as it is thematically rich. What initially seemed like a creative hurdle soon turned into one of the film’s defining strengths. This fusion took shape when a veteran Hong Kong wirework team joined the production. They bring a cinematic style rooted in authenticity and fluid motion. Chan’s deep ties to that tradition helped unlock a clear vision. What results is full-body, in-camera martial arts choreography—raw, physical, and immersive. It’s not just a stylistic choice; it’s one of the film’s boldest promises. Read more: China's Ne Zha 2 Stays Atop Hollywood's ‘A Minecraft Movie’ at the Worldwide Box Office In a Nutshell ‘Karate Kid: Legends’ unites Ralph Macchio and Jackie Chan, bridging generations in a franchise that has evolved across four decades. With Jonathan Entwistle stepping confidently into feature filmmaking, the plot moves ahead from the final moments of ‘Cobra Kai.’ Honouring its roots while expanding its reach, the upcoming release blends heartfelt mentorship with thrilling action. By showcasing both kung fu and karate in visually compelling ways, it offers a fresh yet faithful chapter in the enduring Miyagi-verse. Read more: South Indian Films Releasing in May 2025: Must-watch Lineup

A chilling new force in cinema, Sinners (2025) has swiftly captured the spotlight across box offices and critical circles alike. Released on April 18, 2025, this genre-defying entry in modern horror is generating widespread acclaim and stirring early awards season conversations. Its influence continues to ripple through the industry, drawing crowds and reshaping expectations. Let’s uncover how this groundbreaking film is poised to carve its name into cinematic history. Team Sinners: Behind the Making of a Masterpiece Backed by Proximity Media and released by Warner Bros., this horror film boasts Ryan Coogler as its writer, co-producer, and director. Set against the backdrop of the 1932 Mississippi Delta, this psychological thriller unfolds with a slow-burn intensity. Michael B. Jordan takes on the challenge of portraying twin brothers, each striving to escape their tumultuous past. Returning to their hometown in search of a fresh start, they soon find themselves facing an insidious force. Read more: Best 10 Korean Dramas Releasing in May 2025 The ensemble cast features Hailee Steinfeld, Jack O'Connell, Miles Caton, Wunmi Mosaku, Omar Miller, Li Jun Li, Delroy Lindo, and Jayme Lawson. Box Office Journey with Immersive Breakthrough Sinners (2025) has made a massive impact on the horror box office. The vampire movie debuted with an impressive USD 48 million, securing the top spot over Warner Bros.' own ‘A Minecraft Movie.’ This achievement marks the first time in over a decade that a studio has had two films surpass USD 40 million each in a single weekend. The opening was the best start for an original film since Jordan Peele's Us in 2019, which grossed USD 71 million. Read more: Thunderbolts*: The First Non-Sequel Movie Breaking the 13-year Marvel Trend By Monday, it had grossed an additional USD 7 million, pushing its domestic total to USD 55 million. This feat placed it among the top 100 highest-grossing horror films in domestic history. Meanwhile, it claimed the title of the second-top-grossing Monday for an R-rated horror movie, surpassed only by 2017’s ‘IT.’ Produced on a budget of USD 90 million, ‘Sinners’ is now regarded as a major triumph for original filmmaking in the horror space. By April 28, 2025, the film had earned USD 128.7 million domestically, bringing its global total to USD 168.7 million. Critical Acclaim and Audience Reception The blockbuster’s position among critics and audiences was more than expected. On Rotten Tomatoes, the film boasts an impressive 98% critic score from 329 reviews, alongside 97% from over 10,000 verified raters. Read more: Tom Cruise’s Mission: Impossible 8 - The Final Reckoning Marks the Longest Film of the Franchise On IMDb, ‘Sinners’ claims the title of the highest-rated horror film in terms of both popularity and user ratings. With a solid 8.2 rating from 58,000 users, it has clearly resonated with audiences. Additionally, the film enjoys an 84% Metascore, reflecting its positive critical reception. Out of 55 critic reviews, 93% were favourable, with only 7% offering mixed feedback, further reinforcing the movie's strong standing. CinemaScore surveys audiences on opening night, capturing immediate reactions and whether a film lived up to expectations. Among all genres, horror has traditionally struggled to earn top marks. Even critically praised titles such as ‘Nope’ (2022) and ‘A Quiet Place Part II’ (2020) managed no higher than an A-, long considered the ceiling for the category. Read more: China's Ne Zha 2 Stays Atop Hollywood's ‘A Minecraft Movie’ at the Worldwide Box Office Against this backdrop, ‘Sinners’ delivered a rare breakthrough, securing the elusive A rating. This marks the first time an R-rated horror movie has received an A on CinemaScore since the grading system's inception. Before this, the last to reach such a milestone was the PG-13 ‘Five Nights at Freddy’s’ in 2023. Notably, this also extends Coogler’s streak of success in movie direction. His ‘Creed’ (2015) and ‘Black Panther: Wakanda Forever’ (2022) have earned A ratings, with ‘Black Panther (2018)’ even achieving a rare A+. Further adding to the film’s prestige, ‘Sinners’ has made history in premium formats. With 20% of its screenings in IMAX, it has become the highest-grossing and best-indexing horror film ever in this format. Read more: South Indian Films Releasing in May 2025: Must-watch Lineup It ranks among the top 10 films of all time for large-format exhibitors, sitting behind the following iconic films: 2014’s Interstellar (26%)2023’s Oppenheimer (26%)2010’s Tron (24%)2017’s Dunkirk (23%)2024’s Dune 2 (22%)2013’s Gravity (21%)

Marking the occasion of legendary Indian filmmaker Satyajit Ray’s 104th birth anniversary, Prasun Rahman directed tribute film 'Priyo Satyajit' has been released on popular OTT platform Chorki. Born on May 2, 1921 in Kolkata (then Calcutta), India, Ray was a towering figure in South Asian cinema, continues to inspire generations of filmmakers. On his birth anniversary, Chorki marks the day by streaming the tribute film as an homage to his enduring legacy. Originally made to commemorate Ray’s birth centenary, the film has been screened at multiple international festivals and received awards. It is now available to the general audience via Chorki through both regular subscription and pay-per-view. Director Prasun Rahman noted that while the film was conceived as a centenary tribute, it is not tied to any particular time. “It is a film about love—for literature, for cinema, and for art that mirrors life. It is our love letter to cinema,” he said. Faisal Rahman, Head of Marketing and Business Development at Chorki, said, “Priyo Satyajit has been released exclusively on Chorki; and we’ve made it available through the transactional video-on-demand model to ensure wide access. Three other titles are currently available this way, and more are expected.” The story of the film revolves around three filmmakers from three generations. The first is Satyajit Ray himself, present in spirit; and the other two are fictional characters from later eras. Late prominent actor Ahmed Rubel plays veteran filmmaker Asif Mahmud, while Moutushi Biswas appears as emerging director Aparajita. Supporting roles are played by Pankaj Majumder, Said Babu, Sangeeta Chowdhury, Labonno Chowdhury, Ehsanul Haque, Nusrat Jahan Nodi, and Abir. Entertainment industry stands for Iresh Zaker on social media after murder case Financed independently, Prasun Rahman said he took up the project because there were no notable Bangladeshi initiatives marking Ray’s centenary, unlike India and global platforms. “So I decided to make a full-length film myself,” he added. On releasing the film through Chorki, Rahman said, “This is not a commercial film, and I never intended it to be. Just as Satyajit Ray inspired many young dreamers, I hope this film will encourage today’s independent filmmakers.” Shooting locations included Ray’s ancestral home in Masua, Kishoreganj, two other nearby sites, and a historic residence in Old Dhaka. Chorki subscribers can watch the film at no additional cost. Non-subscribers can access it for BDT 35 by installing the Chorki app and logging in with a phone number or email. After selecting the film under the ‘Buy Ticket’ option, viewers can pay using their preferred method. The film is also available in India for INR 35, and in other countries for USD 1.99.

Superman already has a lot on his broad shoulders. It seems unfair to add the fate of Hollywood to his worries. But that’s the kind of pressure that comes with being one of the biggest stars in the comic book universe, who is getting a grand reintroduction at a tumultuous time. Thankfully he’s not doing it alone — Marvel Studios is also returning to theaters in a big way with two movies this summer, “Thunderbolts” and “The Fantastic Four: First Steps.” Five years after the COVID-19 pandemic brought movie business to a halt, and two years after the strikes, the industry has yet to fully recover. Critics may have complained of superhero fatigue, but after several summers of depleted offerings, it’s clear that they're a vital part of the mix — especially when they're good. The $4 billion summer of “Barbenheimer” may be most remembered for those two movies, but it didn’t get to that number without the “Guardians of the Galaxy” and “Spider-Man ” movies, the second- and third-highest grossing of the season. The filmmakers behind s ome of the summer's biggest movies spoke to The Associated Press about what to expect in 2025. Summer Movie Math Summer begins early in Hollywood, on the first weekend in May. Kids might still be in school, and pools might still be closed, but that kickoff can make or break that pivotal 123-day corridor that has historically accounted for around 40% of the annual box office. Last year was the first in many that didn’t launch with a Marvel movie and it showed — the business limped along for weeks until Disney came to the rescue with “Inside Out 2” and “Deadpool & Wolverine.” This year, the powerful studio is back in that familiar spot with “Thunderbolts,” which brings together misfits and antiheroes like Yelena Belova (Florence Pugh), Red Guardian (David Harbour) and Bucky Barnes (Sebastian Stan). “It’s a fun twist on what a movie like this could be,” said director Jake Schreier. “There are some places we’re gonna go that are different from what you would normally expect.” He added: “It’s trying to be a movie about something and the moment we’re in — not in a political sense, but just where everybody’s at and what everyone’s been going through.” The Memorial Day weekend could also be a behemoth a few weeks later with the live action “Lilo & Stitch” and “Mission: Impossible – The Final Reckoning” storming theaters. With a new “Jurassic World,” a live-action “How to Train Your Dragon” and a Formula One movie also on the schedule through June and July, the summer 2025 season has the potential to be the biggest in the post-COVID era. Before the pandemic, all but one summer since 2007 broke the $4 billion mark. Since 2020, only one has: 2023, led by “Barbie.” After Andaz Apna Apna Re-Release, Salman Khan shows off his physique in pool photos: "Eelloji Sanam Hum Aa Gaye" Saving Superman (and the DC Universe) After three “Guardians” movies, James Gunn knows enough to know that he doesn’t have much control over whether people buy tickets for his movies. His job is to make something good, entertaining and “worthy” of the audience. But that’s also possibly underplaying the pressure of taking on Superman and overseeing a unified DC universe that kicks off with “Superman” on July 11. He considers it the first true superhero movie he’s ever made. “It’s a personal journey for Superman that’s entirely new,” Gunn said. “It is, first and foremost, about what does Superman learn about himself. But it’s also about the robots and the flying dogs and all that stuff. It’s taking a very real person and putting them in the middle of this outrageous situation and outrageous world and playing with that. I think it’s a lot of fun because of that.” The film introduces a new actor to the role of Superman/Clark Kent in David Corenswet, who stars alongside Rachel Brosnahan as Lois Lane and Nicholas Hoult as Lex Luthor. Gunn said to expect different things from both. “It was a lot of fun making a Lex that is actually going to kill Superman,” he said. “He’s pretty scary.” The film is also “seeding the rest of the DCU,” Gunn said. “If it works as a movie in a basic way, that’s what we need to happen, that’s what I care about.” Superman as a brand has always trailed Batman at the box office. None of the Zack Snyder films crossed $1 billion, not accounting for inflation, while both Christopher Nolan “Dark Knight” sequels did. But Gunn isn't thinking a lot about that. “I just want to make a decent movie that makes a little money,” Gunn said. Marvel’s First Family Superman’s not the only legacy brand getting a splashy reintroduction this summer. A new Fantastic Four crew, assembled for the first time under umbrella of the Marvel Cinematic Universe and Kevin Feige, is heading to theaters July 25. “Fantastic Four is a comic I’ve loved since I was a kid,” said director Matt Shakman. “They are the legendary heroes of the '60s that the Marvel silver age was built on.” Created by Stan Lee and Jack Kirby, The Fantastic Four is among Marvel’s longest-running comics series. But it has not had the most distinguished history on film, including two with Chris Evans and one with Michael B. Jordan. “The Fantastic Four: First Steps” is set in a retro-futuristic 1960s New York, where Pedro Pascal’s Reed Richards is “basically Steve Jobs meets Einstein who’s creating technology that’s changing the world” and Vanessa Kirby’s Sue Storm is “essentially the secretary-general of the U.N.,” Shakman said. A television veteran with directing credits on shows like “WandaVision” and “It’s Always Sunny in Philadelphia,” Shakman said he wants to do right by the characters, and audience. “It’s working on an incredibly large scale in terms of world building, but it’s also no different from all of the great comedies and dramas that I’ve done,” Shakman said. “In the end, it comes down to character, it comes down to relationships, it comes down to heart and humor.” Plus, he feels a responsibility to the idea of the big summer movie. Thunderbolts*: The First Non-Sequel Movie Breaking the 13-year Marvel Trend “It was the joy of my childhood. ... A lot of it has to do with building worlds and entering into a place of wonder,” he said. “That’s what I felt when I saw ‘Indiana Jones’ when I was a kid and it’s what I hope people feel when they see ‘Fantastic Four’ this summer.” Why summer 2025 might be a big year for movies Studios know that superheroes alone don’t make a robust theatrical marketplace and there are plenty of other options on the menu including franchises, event movies and independents: There are family pics (“Smurfs,” “Elio,” “The Bad Guys 2”); action and adventures (“Ballerina,” “The Karate Kid: Legends”); horrors, thrillers and slashers (“28 Years Later,” “I Know What You Did Last Summer,” “M3GAN 2.0”); romances (“Materialists,” “Jane Austen Wrecked My Life”); dramas (“Sorry, Baby,” “The Life of Chuck”); a new Wes Anderson movie (“The Phoenician Scheme”); and comedies (“Freakier Friday,” “Bride Hard,” “The Naked Gun”) — though one of the most anticipated, “Happy Gilmore 2,” will be on Netflix. “The frequency of movies, the cadence, the sheer number of them and the perceived quality and excitement surrounding this lineup is like almost like never before,” said Paul Dergarabedian, senior media analyst for Comscore. “Draw me a blueprint of a perfect summer lineup: 2025 is it.” One of the biggest movies of the season may be “Jurassic World Rebirth,” the seventh movie in a $6 billion franchise. Even its poorly received predecessor made $1 billion. This time they enlisted a new filmmaker, self-proclaimed “Jurassic Park” superfan Gareth Edwards, and the original’s screenwriter for a new adventure with Scarlett Johansson, Mahershala Ali and Jonathan Bailey. “People say, like, do you feel pressure and the most pressure I feel is from myself as a fan and to Steven Spielberg, to not disappoint him,” Edwards said. “Weirdly what’s great about doing a ‘Jurassic’ movie is that everybody knows deep down that like half the reason they’re in this business is because of that film and Steven’s work.” It’s fitting, in a way, that 2025 marks the 50th anniversary of what’s considered the first summer blockbuster: “Jaws.” Edwards said he was born into that world of big summer blockbusters that shaped his early love of movies. Directing one, he said, “is kind of the dream. You get the chance to swing for the fences.” And the unstable economy might work in the industry’s favor, at least when it comes to moviegoing. Even with increased ticket prices, theatrical movies remain the most affordable entertainment outside of the home and attendance tends to increase during recession years. The annual domestic box office crossed $10 billion for the first time in 2009. Tom Cruise’s Mission: Impossible 8 - The Final Reckoning Marks the Longest Film of the Franchise More recently, the week the tariffs were announced, “A Minecraft Movie” doubled its opening weekend projections, and all of those ticket buyers saw trailers and posters for everything to come. It was, Dergarabedian noted, one of the only positive financial stories that week. “Top Gun: Maverick” filmmaker Joseph Kosinski knows a few things about launching a pricey big screen spectacle into a turbulent marketplace. But he's feeling good about the summer and “F1’s” place within it. Warner Bros. will release “F1” on June 27. “This is the summer where all this product that we’ve all been working on for the last few years is finally coming into the marketplace, so I’m very optimistic,” Kosinski said. “By the end of this summer, hopefully people aren’t talking about being in a funk anymore and it feels like we got our mojo back and we’re off to the races.”

Set to arrive on May 2, 2025, Marvel Studios prepares for a defining shift with the launch of Thunderbolts*. Breaking a 13-year tradition of sequels, this upcoming film charts a bold new course for the Marvel Cinematic Universe (MCU). A new addition to the super-antihero genre, it stands apart as an original addition that redefines the studio’s approach to storytelling. Let's explore how ‘Thunderbolts*’ breaks new ground and what this film means for the future of the MCU. Thunderbolts*: Grand Finale of MCU’s Phase Five Based on Marvel Comics’ Thunderbolts team, the action film flourishes with Jake Schreier as its director and Eric Pearson and Joanna Calo as screenwriters.  The ensemble cast features Sebastian Stan, Florence Pugh, David Harbour, Wyatt Russell, Olga Kurylenko, Julia Louis-Dreyfus, Geraldine Viswanathan, Lewis Pullman, and Hannah John-Kamen. Read more: Tom Cruise’s Mission: Impossible 8 - The Final Reckoning Marks the Longest Film of the Franchise The screenplay, penned by Joanna Calo and Eric Pearson, sets the stage for a narrative where a group of antiheroes is forced into an alliance. They navigate a perilous mission that pushes them to their limits. As the 36th installment in the MCU, Thunderbolts* marks a pivotal moment, closing the universe’s Phase 5, which kicked off with ‘Ant-Man and the Wasp: Quantumania’ in 2023. The phase has since unfolded with ‘Guardians of the Galaxy Vol. 3,’ ‘The Marvels,’ and ‘Deadpool & Wolverine’ in 2024. It follows the action-packed trajectory leading into ‘Captain America: Brave New World’, released earlier this year on February 14th. Universe Boosting Addition: It’s All About May ‘Thunderbolts*’ is set to disrupt the MCU’s familiar rhythm, ushering in a new era that challenges the franchise’s established release tradition. Slated for a May release, it will be the first non-sequel film in the franchise to land in this month since ‘The Avengers’ in 2012. Read more: China's Ne Zha 2 Stays Atop Hollywood's ‘A Minecraft Movie’ at the Worldwide Box Office The MCU’s journey began in May 2008 with ‘Iron Man,’ followed by its sequel just two years later. By 2011, Thor arrived, fresh and original, further cementing the month as prime real estate for Marvel’s new entries. Then came ‘The Avengers’ in 2012, paving the way for what would become a steady stream of Marvel sequels. As the universe expanded, its May releases predominantly featured sequels to its most successful franchises. From The Avengers to Captain America and even Guardians of the Galaxy, the trend continued, establishing May as the go-to month for Marvel's blockbuster returns. ‘Thunderbolts*’, however, represents a departure from this pattern, bringing a fresh story into the mix. Looking ahead, Phase 6 will kick off with ‘Fantastic Four: First Steps’ in July 2025, and the phase will close with ‘Avengers: Secret Wars’ in 2027. Interestingly, the next Avengers films, including ‘Avengers: Doomsday,’ will continue the May tradition, set to release in 2026 and 2027. This makes ‘Thunderbolts*,’ the last non-sequel Marvel film for at least the next two years, set it apart as a rare entry in the universe. Read more: South Indian Films Releasing in May 2025: Must-watch Lineup More Surprises to Follow Marvel Studios stands firmly confident as it embraces change after 13 years. Far from being a filler, ‘Thunderbolts*’ is ready to shake up the MCU with an unpredictable twist. Early glimpses from the trailer provide tantalising clues, setting the stage for dramatic character arcs and shocking revelations. The mystery deepens with every clip, sparking theories and raising questions. A standout moment features Geraldine Viswanathan’s character, Mel, wearing a necklace that closely resembles Songbird’s iconic symbol. Whether tied to Valentina or not, fans are increasingly convinced that she’s hiding her true identity as Melissa Gold. Read more: Kesari Chapter 2 Review: Akshay Kumar Fronts a Bold Patriotic Courtroom Saga Moreover, the trailer teases the arrival of the powerful and dangerous Sentry, with Lewis Pullman embodying the Void, the sinister alter ego. This marks a darker turn for the narrative, shifting the tone in unexpected ways. Meanwhile, the Thunderbolts team—Bucky, Yelena, Ghost, John Walker, Taskmaster, and Red Guardian—seems to be operating under tension. Strained alliances and glimpses of brutal action hint at deep fractures within the team. Movies and Series That Lead to This Game Changer Breaking free from the sequel-heavy formula of the MCU, Thunderbolts allows the story to unfold without the burden of previous expectations. By drawing together both heroes and villains from various corners of the universe, the film explores fresh dynamics and complex histories, weaving together characters from past films and series. Read more: Top Pakistani Dramas in 2025 Showcasing Strong Female Leads From ‘Black Widow’ (2021), Florence Pugh’s Yelena Belova and David Harbour’s Red Guardian return, continuing their storylines. Julia Louis-Dreyfus' Valentina Allegra de Fontaine also plays a pivotal role. ‘Captain America: The Winter Soldier’ (2014) deepens the character of Bucky Barnes, now free from Hydra’s grasp and navigating a new life. Meanwhile, ‘Ant-Man and the Wasp’ (2018) introduces Ghost, played by Hannah John-Kamen, whose mysterious arc is bound to play a key role in the Thunderbolts team. Read more: May 2025 Bollywood Releases: 10 Most Hyped Hindi Films To Watch In ‘The Falcon and the Winter Soldier’ (2021), Bucky’s journey toward redemption unfolds, while John Walker and Valentina’s alliance begins to take shape. Similarly, in ‘Hawkeye’ (2021), Yelena’s pursuit of Clint Barton, driven by her anger at the loss of her sister Nat, adds emotional depth that will carry over into ‘Thunderbolts*’. As Yelena returns, her quest for purpose and revenge promises to be a compelling emotional core of the film. Final Words Thunderbolts* breaks the MCU's 13-year trend as the first non-sequel film, marking a pivotal turn in the franchise’s evolution. The fresh release brings together both anti-heroes and villains from past installments, adding unexpected twists and deepening the stakes. This final entry of Phase 5 lays the groundwork for the next two years of MCU movies, making it a crucial addition to the universe. Read more: May 2025 Amazon Prime Video Originals Streaming Lineup: Movies, Series, Shows