United News of Bangladesh

The weeklong printmaking workshop and exhibition 'From Darkness to Light: When Guanlan Meets Dhaka' recently concluded at the Safiuddin Ahmed Printmaking Studio in the capital's Dhanmondi, with leading Bangladeshi artists praising the initiative for nurturing young talents. Eminent artist Professor Rafiqun Nabi attended the closing ceremony on Wednesday evening as the chief guest, while noted artist and freedom fighter Professor Abul Barq Alvi was present as the special guest. Dhaka University Faculty of Fine Art Professor and renowned printmaker Professor Anisuzzaman Anis, who conducted the workshop, also joined the ceremony, which was presided over by artist Ahmed Nazir Khokon, founder of the Safiuddin Shilpalay. The workshop, held from August 20 to 27 with the participation of selected students from different universities and 40 artists chosen by Safiuddin Ahmed Printmaking Studio, ended with a certificate distribution ceremony. Speaking on the occasion, Professor Rafiqun Nabi reflected on the evolution of woodcut practice in Bangladesh. Sharing his own journey as a printmaker, he said, “In the early days, there were limited opportunities for printmaking training, and we had to overcome many obstacles." "Fortunately, I learned from various workshops at home and abroad. I hope the participants of this training will continue to practice not only academically but also at home as much as possible,” Prof Nabi said. Professor Abul Barq Alvi congratulated the participants, urged them to pursue regular practice, and lauded the activities of the Safiuddin Ahmed Printmaking Studio. Trainer of the workshop, Anisuzzaman Anis told UNB, “On the occasion of master artist Safiuddin Ahmed’s birth anniversary, the Safiuddin Shilpalay has previously organized a number of artistic initiatives. I have also been part of many workshops at different places, including Cosmos Atelier-71 of Gallery Cosmos. Recently, I visited Guanlan in China, and earlier in Japan, and I studied various aspects of woodcut art." "Inspired by those experiences, I have guided 40 participants from across the country, who worked here from August 20 to 27; and I only demonstrated the techniques, but they blended their own creativity into the work, which deeply impressed me. I believe more such workshops should be held so that aspiring artists can truly benefit,” Professor Anis told UNB. Coordinator of the workshop, artist Shakil Mazumder, told UNB, “In this workshop organized by Safiuddin Shilpalay marking the birth anniversary of master artist Safiuddin Ahmed, Professor Anis Sir taught us woodcut printmaking in a very friendly way. We worked for seven days, and on the last day we arranged the closing exhibition to demonstrate the 40 artworks of our 40 participants from Dhaka and other parts of the country, and the entire workshop was free of cost.” Chair of the event and Safiuddin Shilpalay founder Ahmed Nazir Khokon thanked the esteemed dignitaries of art alongside Professor Anisuzzaman Anis and all participants before formally concluding the programme. The event was also joined by Ekushey Padak-winning artist Kanak Chanpa Chakma, DU Faculty of Fine Art teachers Sheikh Mohammad Rokonuzzaman, Abdullah Al Bashir, Juton Chandra Roy, Asmita Alam Shammy, Mohammad Kamal Uddin, artist Shahanoor Mamun, and Gallery Cosmos Artistic Director Sourav Chowdhury, among others.

The High Commission of India in Dhaka, through its Indira Gandhi Cultural Centre (IGCC), on Thursday organized a cultural evening titled ‘Nazrul Sandhya’ at the ICC in Gulshan to commemorate the 49th death anniversary of National Poet Kazi Nazrul Islam. The programme drew a large audience, including eminent artistes, cultural dignitaries, Nazrul scholars, youth delegates and art enthusiasts, who together paid homage to the 'Bidrohi Kobi' (Rebel Poet). High Commissioner of India to Bangladesh Pranay Verma, in his address, reflected on the multifaceted legacy of Nazrul, describing him as “an icon of the shared cultural connection between India and Bangladesh.” Recollecting Nazrul’s role in India’s freedom struggle, Verma said, “His poems stirred a subjugated nation, awakened its soul and inspired an entire country to break free of the chains of colonial oppression.” Highlighting Nazrul’s relevance in today’s world, he added, “He is an ardent symbol of youthfulness, whose appeal for inclusive, plural humanism transcends national boundaries. He is a philosopher whose message of equality and harmony continues to inspire the world — a lighthouse of our collective conscience.” In her welcome remarks, IGCC Director Ann Mary George underscored the enduring cultural bonds between India and Bangladesh. She reaffirmed IGCC’s role as a hub for cultural exchange, noting its commitment to celebrating literary and artistic figures like Kazi Nazrul Islam who embody the region’s shared heritage. The highlight of the evening was the performances by acclaimed Nazrul Sangeet exponents Dr Chanda Chakraborty and Shahid Kabir Polash, whose soulful renditions brought alive the revolutionary zeal and lyrical beauty of Nazrul’s timeless works. Dr Chakraborty, an award-winning artiste and scholar, is an Assistant Professor at Government Music College and a senior instructor at leading institutions including Bangladesh Nazrul Institute. With a Ph.D. on Nazrul’s devotional music from Dhaka University, she has performed widely at home and abroad, receiving honors such as the National Nazrul Samaj Padak (2009) and Channel i Best Performance in Nazrul Sangeet (2018). Shahid Kabir Polash, a foremost Nazrul Sangeet and classical vocalist, trained under legendary maestros Sohrab Hossain and Sudhin Das. A ‘special grade’ artiste of Bangladesh Television and Betar, he has performed on prestigious stages internationally, including Nazrul Mela in Churulia, India. He has also been recognized with awards including the Citycell-Channel i Music Award (2010). Their renditions — from fiery verses of Bidrohi to Nazrul’s devotional and romantic compositions — deeply moved the audience, reaffirming the timelessness of his art. The evening served as a solemn musical tribute to Nazrul Islam (1899–1976) — poet, musician, freedom fighter and philosopher — whose writings championed freedom, equality and communal harmony, inspiring generations and symbolizing the shared cultural heritage of Bangladesh and India.

The nation on Wednesday is observing the 49th death anniversary of National Poet Kazi Nazrul Islam, recalling his undying legacy of defiance against injustice as well as his profound messages of love, humanity, and equality. The poet, lyricist, composer and revolutionary voice of Bengali literature and music, affectionately known as ‘Dukhhu Mia,’ passed away on 12 Bhadra, 1383 (August 29, 1976) at the then PG Hospital (now BSMMU) in Dhaka. Various socio-cultural organisations chalked out elaborate programmes to mark the day, including discussions, prayers and cultural events. National Poet Kazi Nazrul Islam Institute organised a discussion titled 'Mrityunjayi Nazrul' alongside Hamd-Naat recitations and doa mahfil. Bangla Academy paid tributes at the poet’s grave and arranged solo lectures and cultural performances. National Poet Kazi Nazrul Islam’s 126th birth anniversary today In a Facebook post, the Nazrul Institute said, “On the morning of the 49th death anniversary of our National Poet Kazi Nazrul Islam, we gathered beside his grave to pray for his eternal peace. The Ministry of Cultural Affairs and Nazrul Institute jointly offered prayers, attended by Secretary Md Mofidur Rahman and Additional Secretary Abdullah Khan. The dua was conducted by Nazrul Institute’s Executive Director Md Latiful Islam Shibli, who prayed that tomorrow’s Bangladesh becomes the egalitarian, fraternal, and harmonious nation envisioned by the poet.” Although Nazrul’s creative period lasted only 23 years, his literary works — poems, songs, essays and novels — remain timeless treasures of Bengali literature, inspiring generations in their struggles against exploitation and oppression. At the same time, he is revered as the eternal poet of love. Following Bangladesh’s independence, Nazrul was brought to Dhaka with his family on May 24, 1972, with special permission from the Government of India. He was accorded the status of National Poet, provided state accommodation in Dhanmondi, awarded an honorary D.Litt. by Dhaka University in 1974, and granted Bangladeshi citizenship in 1976. The same year, he was honoured with the Ekushey Padak. Despite being popularly revered as the National Poet for decades, no official gazette notification had been issued until this year. In January 2025, the interim government formally declared Kazi Nazrul Islam as Bangladesh’s 'National Poet' effective from May 4, 1972, finally granting him long-awaited state recognition.

When Hurricane Katrina struck 20 years ago, it devastated New Orleans and transformed its schools, leaving behind the nation’s first all-charter district. For many who lived through that upheaval, the experience shaped their futures — inspiring some to become educators themselves. Ahead of the storm’s anniversary, three survivors shared with The Associated Press how Katrina altered their lives and careers. A displaced student finds inspiration in TexasChris Dier, now a history teacher in New Orleans, was starting his senior year in neighboring Chalmette when Katrina hit. Evacuated to Texas, he finished school there after months in a trailer offered by strangers. Teachers stepped up in his darkest moments — providing supplies, tutoring, and even soccer cleats. “They made me feel like I belonged, not just a statistic,” he recalled. Once determined never to follow his mother into teaching, Dier said Katrina changed his outlook. “I saw how teachers responded. That inspired me.” An eighth grader longs for New Orleans’ ‘love and attention’Jahquille Ross, now an educator and nonprofit leader, was in eighth grade when he evacuated. Shuttled through four schools in a year, he felt isolated and struggled academically. “The teachers didn’t go out of their way. I didn’t get the love and attention I was used to in New Orleans,” he said. Returning months later, he found strength in family and community. Inspired by supportive educators, Ross chose to teach, hoping to give young children — especially from Black communities — the same encouragement he once received. Vermont’s dog mountain honors the bond between humans and their pets A teacher loses her school and memoriesMichelle Garnett, who taught kindergarten for three decades, recalled the heartbreak of finding her school destroyed. Floodwaters ruined her classroom, along with irreplaceable keepsakes her parents had given her. “All was lost,” she said. Still, living with 23 family members in Baton Rouge, she found comfort in safety and togetherness. Garnett entered teaching out of necessity while caring for her ill daughter, but Katrina deepened her sense of purpose. “We think we choose a path, but God puts us where he wants us. Teaching is where I needed to be.” Their stories reflect how Katrina’s devastation reshaped not just schools but lives — and how resilience, care, and community became lessons for a new generation of educators. Source: Agency 

A special photography exhibition titled 'Shotoborshe Sultan' will begin on Friday evening at Bengal Shilpalay in Dhanmondi marking the birth centenary of legendary Bangladeshi artist SM Sultan. Bengal Foundation organised the exhibition in collaboration with HSBC Bangladesh. The exhibition will showcase a rare and intimate visual journey of artist Sultan through the lens of eminent photographer Nasir Ali, widely known as the 'Poet with the Camera.' It will feature portraits of the iconic artist alongside original negatives, handwritten letters, diary entries, drawings, and other memorabilia from Mamun’s private collection.  Many of these artifacts will be displayed publicly for the first time, offering an evocative glimpse into the extraordinary life of one of Bangladesh’s most visionary painters. Marking his 65th solo exhibition, Mamun described the initiative as a significant milestone in his artistic career.  “For the first time, items from my personal collection— including three of his teeth, handwritten letters, diary pages with writings and drawings, unpublished sketches, and original negatives—will be on public display. To mark the occasion, Bengal Foundation and HSBC Bangladesh are jointly publishing a 160-page catalogue titled 'Seeding the Soul' - and altogether, this will be an important exhibition,” Nasir told UNB. "It feels like the State has finally honored me with what I deserve:" Nasir Ali Mamun 'Shotoborshe Sultan' will remain open to visitors every day from 4 to 8 pm (except Sundays) until September 27 at Bengal Shilpalay, House 42, Road 27, Dhanmondi. The inauguration ceremony will be attended by distinguished artist Monirul Islam and Matiur Rahman, Editor of The Daily Prothom Alo, as Guests of Honour. Md Mahbub ur Rahman, Chief Executive Officer of HSBC Bangladesh, will also be present on the occasion.

The 76th birth anniversary of eminent playwright and theatre personality Selim Al Deen, widely known as 'Natyacharya', is being celebrated across the country through theatre festivals, seminars, exhibitions, processions and commemorative programmes. On Monday morning, teachers, students and cultural organisations paid floral tributes at Selim Al Deen’s grave on the Jahangirnagar University (JU) campus. The JU Drama and Dramatics Department arranged daylong programmes featuring theatre songs, a photography exhibition, a commemorative rally, and a seminar where Dhaka University’s Theatre and Performance Studies teacher Sudip Chakraborty presented a keynote paper. Meanwhile, Dhaka Theatre and Gram Theatre jointly organised a four-day festival at Bangladesh Mahila Samity, which began on Friday with the staging of Deen’s Liberation War-based play 'Deyal'. The festival will conclude Monday evening with the Dhaka Theatre Awards ceremony and the staging of Deen’s play 'Nimmojon', directed by Nasiruddin Yousuff. Theatre troupe Swapnadal launched its two-day festival titled 'Natyacharya Selim Al Deen Janmotsab 2025' on Monday at Jahangirnagar University and Bangladesh Shilpakala Academy (BSA). The programme features special stagings of Deen’s iconic plays 'Hargaj' and 'Chitrangada', directed by his student Zahid Repon. On Monday evening, 'Hargaj' will be staged for the 49th time at BSA’s Experimental Theatre Hall, while 'Chitrangada' will be staged on Tuesday evening to close the festival. In Gaibandha, Sarathi Theatre is hosting a three-day festival at Dariapur featuring tree plantations, art competitions, cultural performances, and the staging of Kalindir Git on Wednesday. Bogura Theatre is also marking the occasion with art competitions, recitations, and theatrical readings at its office premises. Separately, Selim Al Deen Sangrohashala arranged a two-day programme including a seminar on “Henrik Ibsen and Selim Al Deen: Eastern and Western Theatrical Forms and Modernity” at the National Theatre Hall, followed by a staging of 'Rupchan Sundarir Pala' by Bangalok. Born on August 18, 1949, in Senerkhil village of Feni’s Sonagazi upazila, Selim Al Deen studied Bangla literature at Dhaka University and later joined Jahangirnagar University, where he founded the Drama and Dramatics Department. A co-founder of Dhaka Theatre and Gram Theatre, he was awarded the Ekushey Padak in 2007, the Bangla Academy Award in 1984, and the National Film Award for Best Dialogue in 1994. Selim Al Deen passed away on January 14, 2008, and was laid to rest near the central mosque of Jahangirnagar University.

Alliance Française de Dhaka (AFD) on Thursday inaugurated 'Troubling Rain', a solo photography exhibition by award-winning photographer and educator Abir Abdullah, at its La Galerie in the capital’s Dhanmondi. The opening ceremony was attended by prominent artist Dhali Al Mamoon, architect Saif Ul Haque, Ekhon TV editorial head Tushar Abdullah, and art critic Moinuddin Khaled. In the exhibition, Abir captures the contrasting faces of Dhaka’s monsoon season — celebrated in Bengali literature for its beauty and romance, yet marked by disruption and hardship. Shot over two decades, his images portray flooded streets, overturned umbrellas, and fragile urban infrastructure under relentless rain, offering intimate glimpses into the resilience of the city’s residents. Abir Abdullah, currently the Photography Workshop Coordinator at AFD, studied at the Bangladesh Photographic Institute and Pathshala, later advancing his skills through global workshops and documentary projects. His career has been recognised with prestigious honours including the Mother Jones International Fund for Documentary Photography and the Alexia Foundation professional grant. His works have been published in The New York Times, Asiaweek, and TIME, and exhibited in cities including London, Amsterdam, San Francisco, Perpignan, Quebec, and Sharjah. 'Troubling Rain' will remain open to visitors until August 23, from Monday to Saturday between 3 pm and 9 pm, at La Galerie, Alliance Française de Dhaka.

A two-day travelling photo exhibition by Pathshala South Asian Media Institute titled “Photography in the People’s Uprising: July Photography – Witness to History and Tool of Struggle” began on Monday morning at Dhaka University’s Swoparjito Swadhinata Chattar, bringing to the streets powerful images that documented the July–August 2024 uprising. The exhibition features works by 14 photographers who risked their lives to capture moments of intense street protests, violent crackdowns, and the spirit of resistance that defined the movement. Organised as an open-air gallery, it aims to revisit key locations in Dhaka that turned into battlefields during the historic months — including the Central Shaheed Minar, TSC, Mohammadpur Beribadh, Mirpur, Jatrabari, Rampura, and Hatirjheel. Renowned photographer and human rights activist Shahidul Alam, along with fellow photographers, teachers, students and other professionals, joined the opening event. “This initiative has brought the gallery to the people — even working-class passers-by are stopping to see the images. Without photographers, perhaps Sheikh Hasina would still be in power; their work should be honoured and protected with proper copyright recognition,” Shahidul Alam said at the event. Photographer Taslima Akhter said the exhibition serves to remember the days of the uprising, while Pathshala teacher Jannatul Mawa noted that when the media was unable to play its role, the photographs spoke the truth. Photographer Jibon Ahmed, who also has a solo exhibition running almost simultaneously at Alliance Francaise Dhaka (AFD) of the photos he took during the Uprising, recalled facing live gunfire from the BGB targeting protestors, while Syed Ashraful Alam shared memories of capturing images amid the chaos in Uttara, and Suman Kanti Pal recounted similar experiences in Rampura. Before setting out, the participating photographers reflected on the challenges of documenting the unrest that happened in July 2024. Following the reminiscences, five vans carrying the photographs embarked on their journey through the city’s flashpoint areas, engaging with the public along the way. The exhibition will continue until Tuesday. Participating photographers include Syed Ashraful Alam, Istiak Karim, KM Asad, Jibon Ahmed, Dipu Malakar, Noor Alam, Moin Bulu, Md Shafiqul Islam, Raihan Ahmed, Rahat Karim, Shuvra Kanti Das, Sultan Mahmud Mukut, Suman Kanti Pal, and Habibul Haque.

Today (August 10) marks the 101st birth anniversary of legendary Bangladeshi artist SM Sultan, born on August 10, 1924 in Machimdia village of Narail, Bangladesh. The birth centenary of the revered artist will be celebrated through a two-year programme featuring discussions, exhibitions, book publications and research initiatives, organisers announced these on Saturday evening at Bengal Shilpalay in the capital’s Dhanmondi. The inaugural event, a discussion titled 'The Legacy of Artist Sultan: Imagination, Beauty and the Politics of Uplifting the Common Man', was organised by the SM Sultan National and International Birth Centenary Celebration Committee. Ekushey Padak-winning eminent photographer and Member Secretary of the committee Nasir Ali Mamun, in his welcome speech, said the centenary festivities had been stalled last year due to the post-uprising situation of the country in August 2024. “This year, we are beginning a series of activities that will continue over two years, including art and photography exhibitions, seminars, symposiums, workshops and the SM Sultan Memorial Lectures,” Mamun said, adding that books on the artist’s life, works and philosophy would be published throughout the celebrations. A video documentary by Mamun featured tributes from late sculptor Hamiduzzaman Khan; eminent artists Mustafa Monwar, Farida Zaman, Rokeya Sultana, Samarjit Roy Chowdhury, Kanak Chanpa Chakma; 1952 Language Movement veteran Ahmed Rafiq; writer Hasan Azizul Haq; educationist Professor Abdullah Abu Sayeed; researcher Badruddin Umar; art critic Moinuddin Khaled; and researcher Shahman Moishan, among others. This was followed by the unveiling of the book 'Sultan Khonon', edited by Mamun. Dhaka University Professor-researcher Dr Shahman Moishan delivered the keynote speech, calling Sultan as an artist who rejected colonial cultural structures and modernist conventions to develop his own visual language rooted in humanity. “Full of adventure and thrill — moving from town to town, sometimes suddenly disappearing and reappearing — Sultan’s life is for us wrapped in mystery, illusion and curiosity; we see how Tareque Masud’s film 'Adam Surat' and Nasir Ali Mamun’s photographs capture that inward mystery. Sultan fashioned a mythic persona within history that mirrors the common people, and his life should be studied with utmost care," Shahman said. Committee convenor and artist Monirul Islam highlighted Sultan’s distinctive portrayal of muscular human figures without conventional backgrounds or shading. “In his paintings, Sultan depicted people with powerful musculature; his works do not employ conventional backdrops or shading, yet this self-taught artist forged his own distinctive style,” Monirul said. Bengal Foundation Chairman Abul Khair, Sultan’s disciple Bimanesh Biswas, art critic Prof Abdus Sattar, Prof Abul Mansur and art critic Mustafa Zaman also spoke at the event.  

Alliance Française de Dhaka (AFD) wrapped up its two-day staging of 'Songs of Hawkers', an imaginative theatrical production by French director Zazie Hayoun, with a performance on Saturday at the Experimental Theatre Hall of Bangladesh Shilpakala Academy (BSA) in the capital. Drawing from her long-held fascination with everyday life, Zazie transformed the spirited and chaotic world of Bangladeshi street hawkers into a playful, poetic and comedic stage performance. The production paid tribute to these tireless figures whose rhythmic calls, colourful wares and boundless energy form an integral part of the city’s streets.