The High Court today (January 09, 2024) asked Bangladesh Telecommunication and Regulation Commission (BTRC) to remove the distorted re-composition of Bangladesh’s National Poet Kazi Nazrul Islam’s timeless song “Karar Oi Louho Kopat” from all online platforms, including Facebook and YouTube. The HC bench of Justice JBM Hassan and Justice Razik-Al-Jalil passed the order after hearing a writ petition. Barrister Mohammad Humayun Kabir, on behalf of ten lawyers of the Supreme Court and a human rights organisation Law and Live Foundation Trust, filed the writ petition on December 6. Read: Benapole Express fire: Fire Service has no clue on the cause yet   Secretaries to the Information and Broadcasting Ministry, Information and Communication Technology Ministry, Cultural Affairs Ministry, Bangladesh Telecommunication and Regulation Commission and Kabi Nazrul Institute were made respondents. On November 19, Barrister Mohammad Humayun Kabir sent a legal notice to the respondents seeking directives to remove the “distorted” re-composition of the national poet’s song from all online platforms. Read: Pirojpur-2: Legal action recommended against Manju's wife   The original composer and lyricist of the song is National Poet Kazi Nazrul Islam, according to the writ petition. Renowned Indian music composer AR Rahman re-composed the song which is used in the film “Pippa.” “Karar Oi Louho Kopat” is an immortal song and generations of listeners will be confused if both the familiar tune composed by Bangladesh’s national poet and the “distorted” version are available on online platforms, reads the writ. 

After massive backlash over AR Rahman’s interpretation of Bangladesh’s National Poet Kazi Nazrul Islam’s song "Karar Oi Louho Kopat" in the latest Bollywood war film “Pippa”, the makers have issued an apology on ‘X’ (formerly Twitter). The Raja Krishna Menon-directed film, starring Ishaan Khatter, Mrunal Thakur, Priyanshu Painyuli, Soni Razdan and others, was released on November 10 on Amazon Prime Video. The film features battle between India and Pakistan in then East Pakistan during the 1971 Liberation War. Produced by RSVP Movies and Roy Kapur Films, the film features a remake of the Nazrul song "Karar Oi Louho Kopat". The remake version has been composed by Oscar winning-music composer AR Rahman and features Indian singers Rahul Dutta, Tirtha Bhattacharjee, Pijush Das, Shrayee Paul, Shalini Mukherjee and Dilasa Chowdhury. After the release of the song, Nazrul exponents and admirers along with general audiences in both Bangladesh and India expressed massive dissatisfaction over the remake. Read: “Leelabati Nag: The Rebel” premiered at Liberation War Museum In response to that, the film’s makers stated: “We understand the emotional attachment that audiences may have to the original composition, and while all art is inherently subjective, if our interpretation has hurt sentiments or caused unintended distress, we offer our sincere apologies.” The statement notes that the producers, director and music composer of the film “Pippa” wish to clarify that their rendition of the song is a sincere artistic interpretation, embarked upon only after securing the necessary adaptation rights from the estate of the Late Kazi Nazrul Islam. According to the statement, they approached the making of this song by faithfully following both the letter and the spirit of the license agreement for the lyrics, as duly signed by the late Kalyani Kazi and witnessed by Anirban Kazi. “Our intent was to pay homage to the cultural significance of the song while adhering to the terms set forth in our agreement, which permitted us to use the lyrics with a new composition,” the statement claims. Read: Something Like An Autobiography: Real Story or Just a Film? Earlier on Saturday, several of the country’s eminent Nazrul exponents shared their official statements against the “distortion” of the song at a press conference held at the Kabi Nazrul Institute in Dhaka’s Dhanmondi. General Secretary of Bangladesh Nazrul Sangeet Sangstha (BNSS) Khairul Anam Shakil, Kazi Nazrul Islam’s granddaughter Mistee Kazi, Nazrul exponent Sadya Afreen Mallick, veteran Nazrul singer Shaheen Samad, singer Bulbul Islam and others were present at the press conference. According to the prominent Indian newspaper The Times of India, Kalyani Kazi’s agreement to the makers mentioned that she was "represented" to the production house as the "sole surviving legal heir" and "all rights, title and interest in the literary work are owned and vests" on her. It also stated that she was "authorized to grant the licence". "We came to know about the agreement through the media. Legally, I am not sure if Kalyani Kazi could ignore all of us and enter into an agreement saying she is the only heir," Mistee Kazi told The Times of India. Read: First-ever Arka Fashion Week concludes in style