cinema
Bhool Chuk Maaf Movie Update: New Theatrical and OTT Release Dates
Buzz continues to build around the much-anticipated Bollywood feature as ‘Bhool Chuk Maaf’ prepares for its big-screen and digital arrivals. The theatrical debut is now scheduled for May 23, 2025, while its OTT premiere shifts from May 16 to June 6, 2025. Let’s unpack the full slate of updates, including the cast, team, and theme.
The Team Behind Bhool Chuk Maaf: Movie Makers and Cast
This science fiction film has been produced under the collaboration of Maddock Films and world-renowned film house Amazon MGM Studios. It marks Amazon’s Indian film debut. The distribution rights go to PVR INOX Pictures, Pen Marudhar, and Yash Raj Films.
Directed and penned by Karan Sharma, the romantic comedy movie stars Wamiqa Gabbi, Rajkummar Rao, and Seema Pahwa in lead roles.
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The supporting cast comprises Sanjay Mishra, Zakir Hussain, Raghubir Yadav, Ishtiyak Khan, Anubha Fatehpuria, and Jay Thakkar.
Dhanashree Verma makes a special appearance in the track ‘Ting Ling Sajna’.
A refreshed version of the 2009 hit ‘Chor Bazaari Phir Se’ finds new life in this film’s soundtrack. The song was originally voiced by Sunidhi Chauhan and Neeraj Shridhar in the film ‘Love Aaj Kal’.
Tanishk Bagchi scores the soundtrack with lyrics by Irshad Kamil, while Ketan Sodha handles the background music.
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Storyline Based on Sci-fi Comedy Theme
Set against the vibrant backdrop of Varanasi, the movie explores the charm of small-town romance. At its heart is Ranjan, played by Rajkummar, a sincere dreamer who lands a government job to win the hand of his beloved.
Wamiqa portrays Titli Mishra, his spirited fiancee. Just as their wedding approaches, something strange begins. A time loop traps Ranjan in a never-ending rewind to their Haldi ceremony. Titli, unaware of the loop, leaves him battling the bizarre repetition alone.
Controversy Surrounding Theatrical and OTT Releases
The film’s journey to release has been anything but smooth. With over 5,000 tickets already sold through box offices and online platforms, generating more than Rs. 3 crore in revenue. However, a last-minute decision by Maddock Films to cancel the theatrical release sparked immediate backlash.
This sudden shift to a digital launch triggered legal action. PVR INOX, citing major financial setbacks and breach of contract, filed a lawsuit seeking Rs. 60 crore in damages. They argued that the eleventh-hour cancellation had caused irreversible losses across distribution and exhibition networks.
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On May 9, 2025, the Bombay High Court stepped in. It granted ad-interim relief to PVR INOX, prohibiting Maddock Films from releasing the movie on any digital or non-theatrical platform. This restriction remains in place until the mandatory eight-week holdback period has passed following a theatrical premiere.
Just days later, on 14 May, both parties reached a compromise. The film will now hit theatres on May 23, 2025. Hindi films typically follow an eight-week gap before reaching OTT platforms. However, this title will stream on Prime Video in just two weeks, on June 6, 2025. This rare exception was ordered by the court and will not serve as precedent for future releases.
In a final turn, PVR INOX has chosen to drop its Rs. 60 crore compensation claim. Maddock Films will not owe any financial settlement. A formal joint statement from both sides is expected to clarify the resolution and terms of this agreement.
Bottom Line
New release dates for ‘Bhool Chuk Maaf’ are set for May 23, 2025, in theatres and June 6, 2025, on Prime Video. Karan Sharma’s direction and the cast led by Rajkummar Rao and Wamiqa Gabbi signify Amazon’s maiden Hindi-language production. This sci-fi romantic comedy unfolds around a time loop trapping the protagonist during a wedding ceremony. The release faced legal hurdles after a last-minute shift from theatres to digital. However, the dispute was resolved with a delayed theatrical release and a shortened OTT window.
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7 months ago
Tom Cruise gets emotional as 'Mission: Impossible – The Final Reckoning' earns 5-minute ovation at Cannes
Tom Cruise made a triumphant return to the Cannes Film Festival with Mission: Impossible – The Final Reckoning, the much-anticipated final chapter of the action-packed franchise that spans over three decades.
The film’s world premiere received a thunderous five-minute standing ovation, bringing Cruise to the verge of tears during the emotional moment.
Spectacle at Cannes premiere
The dazzling Cannes premiere delivered a cinematic spectacle. A 40-piece orchestra opened the night with a live rendition of the franchise’s iconic theme, creating an electrifying atmosphere.
Paramount Pictures shared a video on social media capturing Cruise’s entrance into the theatre to roaring applause. He was accompanied by director Christopher McQuarrie and co-stars Hayley Atwell, Simon Pegg, Hannah Waddingham, Angela Bassett, Esai Morales, Pom Klementieff, and Greg Tarzan Davis.
After the screening, both Cruise and McQuarrie gave emotional speeches, expressing their appreciation to audiences and collaborators. “This response is why we do it. You are why we do it. The big screen experience is why we do it,” Cruise told the crowd.
Addressing McQuarrie, he added, “Grateful for my friend every step of the way — what you’ve done, how you’ve expanded it, how we just went beyond our expectations. Your absolute care, your talent. You’re an amazing human being. It’s been a real privilege, a real pleasure, and I look forward to making a bunch of other kinds of movies with you.”
McQuarrie also shared heartfelt words, commending the perseverance of the cast and crew: “I want to thank this extraordinary cast. It wasn’t just showing up to work every day. This film was made during a pandemic and through two industry strikes. These two films were made over a period of seven years, amid great uncertainty and long gaps. Their faith, dedication, and unquestioning devotion made it possible. This is the most extraordinary cast in the world.”
Critical reception
Reviews from international critics have started rolling in. Peter Bradshaw of The Guardian gave the film a perfect five-star rating, describing it as “world-saving Tom Cruise signs off with a wildly entertaining adventure.” The New York Times wrote, “Tom Cruise defies all,” while Variety hailed the movie, stating, “Tom Cruise flies high in a thrillingly doom-laden series grand finale.”
However, not all feedback has been favorable. The BBC criticized the film as “a miserable, apocalyptic tract,” and some social media users have called it a “mixed bag,” pointing out an overload of exposition and uneven pacing.
Source: The Indian Express
7 months ago
Godzilla x Kong: Supernova Teased for 2027 with Another Epic Monster Clash
Building anticipation across the cinematic world, ‘Godzilla x Kong: Supernova’ has officially been titled and dated. Scheduled for release on March 26, 2027, this upcoming monster movie marks the next chapter in Legendary’s expanding MonsterVerse saga. With speculation intensifying around the forces that could unite the Titans again, excitement continues to rise. Let’s uncover the colossal surprises this next cinematic showdown has in store.
The Team Behind the New Godzilla x Kong Movie
Bankrolled by Legendary Pictures and distributed by Warner Bros. Pictures, this movie got a new director, Grant Sputore. He debuts as a director in 2019 with a Sci-fi thriller, ‘I Am Mother.’
Michael Lloyd Green and David Callaham are leading the writing for the upcoming Godzilla x Kong film. Serving as a sequel to The New Empire (2024), it marks the sixth installment in the MonsterVerse. Additionally, it stands as the 39th film in the Godzilla franchise and the 14th in the King Kong series.
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Dan Stevens is set to return as Trapper, reprising his role from The New Empire. The new cast members are Kaitlyn Dever, Jack O’Connell, Delroy Lindo, Matthew Modine, and Alycia Debnam-Carey.
Joining them is the legendary actor, ‘Jurassic Park’-famed Sam Neill.
What Supernova Teases
The newly released teaser offers a chilling glimpse into what's ahead. A cataclysm looms, one that may push both Godzilla and Kong to the brink. Though brief, the footage bursts with flashes of otherworldly energy, evoking the raw force behind the ‘Supernova’ title.
Hints of unimaginable power ripple through the teaser. Not just from our alpha Titans, but also from the unknown enemies they’re destined to face.
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While the plot remains tightly guarded, fans are already speculating. The immediate predecessors of 2021 and 2024 have taken the Titans deep into the Hollow Earth. It feels only natural that their next journey might launch skyward, toward the stars.
Buzz Over New Monster: New Epic Battle For Supremacy Follows
SpaceGodzilla remains one of the most discussed candidates for ‘Supernova.’ Introduced in ‘Godzilla vs. SpaceGodzilla’ (1994), this villain is a space-born clone. It was formed from Godzilla’s genetic material and a crystalline organism. After passing through a black hole and emerging from a white hole, it gained the ability to create and control crystals. Though defeated by Godzilla’s red heat ray, SpaceGodzilla’s legacy lived on in games like ‘Godzilla Battle Line’ (2021) and anniversary merchandise.
While not a top-tier antagonist, its signature move—Corona Beam, later retitled Void Invader in ‘Magic: The Gathering-bears cosmic themes. The imagery and name have sparked renewed interest in this forgotten foe.
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Another possibility is Gigan, the alien cyborg first seen in ‘Godzilla vs. Gigan’ (1972). Modified by the Nebulans to conquer Earth, Gigan returned in ‘Godzilla vs. Megalon’ (1973) and ‘Final Wars’ (2004), where it met repeated defeat. Still, Gigan has maintained a presence in recent media, including ‘GigaBash’ and ‘Chibi Godzilla Raids Again.’
If ‘Supernova’ brings back a legacy villain, it would follow the pattern set by MechaGodzilla in ‘vs. Kong.’ Kong’s story has expanded through tribes, lineage, and weapons. So, the stage is set for Godzilla to reclaim focus and for the MonsterVerse to re-balance its leading Titans.
End Note
‘Godzilla x Kong: Supernova’ is officially slated for release on March 26, 2027. With new director Grant Sputore, the film sees iconic actor Sam Neill joining the cast. The first look hints at the Titans venturing into uncharted territory beyond Earth. Possible returning antagonists include cosmic threats like SpaceGodzilla or Gigan, whom the legendary monster duo may be up against.
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7 months ago
Tom Cruise returns to Cannes with ‘Mission: Impossible — The Final Reckoning’
Tom Cruise is making his return to the Cannes Film Festival on Wednesday, three years after debuting Top Gun: Maverick there. This time, he arrives with Mission: Impossible — Final Reckoning, the latest entry in the action-packed franchise directed by Christopher McQuarrie.
The film is the most prominent Hollywood blockbuster featured at Cannes this year, further intensifying attention on Cruise’s appearance at the festival.
Suriya’s ‘Retro’ Roars: A Bold Comeback With Myth, Action, And Box Office Glory
Back in 2022, Cruise was honored with an honorary Palme d'Or and surprised festival-goers with a dramatic fighter jet flyover during the Top Gun premiere. With the 62-year-old actor known for grand gestures—like his recent rooftop appearance at the British Film Institute in London—expectations are high for what he might do this time.
The Final Reckoning premiered in Tokyo last week and is set for release in North American theaters on May 23.
7 months ago
Suriya’s ‘Retro’ Roars: A Bold Comeback With Myth, Action, And Box Office Glory
Marking Suriya’s powerful comeback after nine long years, ‘Retro’ lands with a flair on the cinematic stage. Released on May 1, 2025, this Tamil-language film has already stirred early conversations across theatres and online platforms. From its striking visuals to its strategic box-office climb, this film is steadily gaining traction. Let's unpack what makes this title a focal point of current film discussions.
Story Development
Karthik Subbaraj steers the romantic action movie with his directing prowess. Pooja Hegde was the main co-star of Suriya.
Paarivel ‘Paari’ Kannan’s journey in ‘Retro’ is a layered tale of identity, destiny, and unresolved love. Orphaned and raised under the wing of a gangster, Paari's life is anything but ordinary. He uncovers traces of his lost past; he finds himself entangled in betrayal, hunted by a dangerous cult. He is driven by a prophecy that points to a greater purpose. At the heart of it all lies his longing to reunite with Rukmini, the woman he once loved.
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From the very first scene, director Subbaraj lays the groundwork for a story deeply rooted in mythology. A spiritual discourse about Lord Krishna sets a symbolic tone. The visuals follow a child with a scar shaped eerily like a peacock feather being taken in by a gangster’s compassionate wife. The symbolism is clear, but the narrative avoids spoon-feeding. In a sharp twist, the boy grows up seeking approval not from his adoptive father but from his scheming uncle. Coincidentally, his lover’s name is Rukmini. The myth parallels eventually begin to deepen.
Years later, Paari becomes a reluctant symbol of hope for an oppressed island community. In a raw and intense arena sequence, he rises quite literally as ‘The One’ by defeating their brutal tyrant. The crowd sees a saviour. But within, Paari is still torn.
Pooja Hegde’s Rukmini challenges this internal struggle. She pleads for peace, urging him to take a path of compassion, like Buddha. But suspense grows whether his fate aligns more with Krishna, who restores balance through destruction. This tug-of-war between violent justice and moral rebirth forms the emotional spine of the movie.
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Moving Toward Climax With Some Glitches
One of the most curious threads of tension is the ‘goldfish,’ a classic McGuffin. It drives an emotional wedge between Paari and his adoptive father, Thilagan, played by Joju George. What begins as a simple quest quickly spirals, setting off a chain of betrayals, misunderstandings, and heartbreak between Paari and Rukmini.
As the story progresses, another layer unfolds through Paari’s clash with King, a ruthless cult leader portrayed by Vidhu. This antagonist fuels a much larger conflict, one rooted in the suffering of a silenced community. They believe in a saviour who will rise to free them, and Paari, knowingly or not, is pushed into that role.
Director Subbaraj attempts to weave all these elements into the main narrative. While the intention is clear, the execution occasionally falters. Some of the film’s ambitious choices, particularly in the final act, don’t always land as intended. The climax, echoing shades of Jigarthanda Double X, feels bold but polarising. At times, the relentless violence stretches longer than it needs to. Even Rukmini’s stance on peace, while thematically important, lacks depth in key moments. Her repeated breakups with Paari feel abrupt, especially when his violence is portrayed as necessary or protective.
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Direction, Making, And Leading Performance
Subbaraj’s filmmaking bravado often outshines the narrative flaws, drawing the viewer back in just when the momentum threatens to dip.
One standout moment arrives in the form of a 15-minute single-shot sequence. It’s an exhilarating stretch that blends music, emotion, and explosive action without losing rhythm. The choreography, both in movement and camera, is so precise that it nearly demands applause.
Equally captivating is an action set piece set against the glowing beauty of a bioluminescent sea. It’s visually arresting, and Shreyaas Krishna’s cinematography turns it into pure spectacle.
Suriya, at the centre of it all, commands attention with a grounded performance. Unlike some of his recent outings, there’s no trace of theatricality here. His presence feels lived-in, powerful, and sincere.
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Adding to the movie’s energy is the background score crafted by Santhosh Narayanan. The soundtrack pulses with vitality, from vibrant songs to a stirring background music that lifts even the movie’s faltering beats.
Box Office Collection
Suriya’s long-awaited comeback vehicle has carved a strong presence at the box office, riding high on its theatrical momentum. Backed by Stone Bench Creations and 2D Entertainment, ‘Retro’ was mounted on a budget of Rs. 65 crore.
As of 12 May 2025, this movie has collected a robust Rs. 94.35 crore in domestic markets and Rs. 27.75 crore from overseas circuits. That puts its global tally at an impressive Rs. 122.1 crore.
What’s more striking is how it started. Day one saw a worldwide haul of Rs. 46 crore, marking the highest-ever opening day for a Suriya film in Tamil Nadu. With Rs. 17 crore earned just within the state, it soared past his previous record set by ‘Kanguva’ (2024). It also posted the top opening for any Tamil-language movie in 2025, pushing past ‘Good Bad Ugly.’
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By its ninth day, the pan-India net collection across all languages had reached Rs. 56.09 crore. While there were typical mid-week lulls, the overall trajectory remained healthy.
Internationally, it debuted at number three on the global chart during its opening weekend. Within just five days, the earnings crossed Rs. 83 crore, dethroning ‘Madha Gaja Raja’ to become the fourth highest-grossing Tamil venture of the year. That milestone stretched further when the film clocked Rs. 100 crore globally by the end of its first week.
Movie Rating
Critically, the reception mirrored the box office enthusiasm. An IMDb rating of 8/10 and a solid 70% from Rotten Tomatoes signal a largely favourable response. It carries over to platforms like ‘The Times of India’ and Letterboxd, which echo the same steady 3/5 verdict.
Verdict
Suriya’s comeback with ‘Retro’ brings a layered tale of destiny, betrayal, and spiritual conflict under Karthik Subbaraj’s stylised direction. The narrative weaves mythology with gritty action, anchored by Suriya’s powerful presence. Despite some second-half stumbles and uneven emotional beats, the filmmaking craft and visual flair shine through. Critical nods have translated into major box-office success and a broadly favourable reception.
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7 months ago
Carrie: A 49-Year-Old Stephen King Classic Set to Reboot
Nearly five decades after its first release, ‘Carrie,’ the chilling tale, is now poised for a modern revival as a series. Acclaimed horror maestro Mike Flanagan is reportedly attached to the fresh retelling. Backed by Amazon MGM Studios, the reboot is set to stream exclusively on its OTT platform, Prime Video. Let’s explore how the new horror adaptation is shaping up to be a spine-chilling reinvention.
Team Behind the New Reboot
The upcoming series is a full reimagining of the iconic 1976 film, itself adapted from Stephen King’s breakout 1974 novel. Flanagan, known for crafting layered horror with emotional depth, is steering the creative direction. He will write, showrun, and executive produce the eight-episode series. While he won’t direct every episode, he’s confirmed to helm select installments.
Trevor Macy, his long-time producing partner, joins him as executive producer. Flanagan and Macy already have a strong creative foothold at Amazon MGM Studios. They hold overall deals and rights to another major Kingy—the ‘The Dark Tower’ novel.
As of now, there's no official release date for the series.
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Timeless Adaptation of Five Decades
Among the many adaptations of King's works, the original ‘Carrie’ has long stood as a towering achievement. Released in 1976, Brian De Palma’s cinematic take on King’s debut novel became a cornerstone of horror. It earned critical acclaim, securing two Academy Award nominations. One was Best Actress for Sissy Spacek; the other was Best Supporting Actress for Piper Laurie as Carrie’s fanatical mother.
At its core, the story follows Carrie White, a painfully shy, isolated teenager with a deeply religious and overbearing mother. After enduring relentless bullying from her peers, Carrie reaches a breaking point on prom night. It unleashes her telekinetic powers in one of horror’s most memorable climaxes.
Apart from Spacek and Laurie, the cast also included Amy Irving, Betty Buckley, and a young John Travolta.
Next year will mark half a century since this blood-soaked classic first hit the screen. Over the decades, several adaptations and even a sequel have attempted to recapture its impact. The sequel, released in 1999, was a flop.
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The second adaptation came in 2002, which was criticised for poor special effects, lack of a horror atmosphere, and long runtime. However, the performances of Angela Bettis and Patricia Clarkson in lead roles were heavily acclaimed. The 2013 film, with Chloe Grace Moretz and Julianne Moore, offered a modern update. But none of these have matched the original’s raw, lasting imprint.
Now, Flanagan’s upcoming series is going to be a long-form television adaptation for the very first time.
Casts Are in Talks
Casting whispers are already stirring excitement, with two rising talents reportedly in talks for the lead roles. Summer H. Howell, known to horror fans for her appearances in ‘Curse of Chucky’ (2013) and ‘Cult of Chucky’ (2017), is being eyed to play the titular role.
On the other side, Siena Agudong is in discussions to take on the role of Sue Snell, Carrie’s conflicted classmate and eventual nemesis. She is known for her ‘Young Billie Wesker’ role in the Netflix series ‘Resident Evil’ (2022).
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Joining them is Matthew Lillard, a familiar face from the genre’s hall of fame. He is best recognised for his iconic roles as Stu in ‘Scream’ (1996) and Shaggy in the early 2000s ‘Scooby-Doo’ films. Though details of his character remain under wraps, his presence adds a nostalgic weight for longtime horror fans.
Mike Flanagan’s Directorial Edge
In the evolving landscape of modern horror, Flanagan has quietly risen to become one of its most defining creative forces. His television legacy is already significant. His critically acclaimed series are ‘The Haunting of Hill House’ (2018), ‘The Haunting of Bly Manor’ (2020), ‘Midnight Mass’ (2021), and ‘The Fall of the House of Usher’ (2023). They also redefined what long-form horror could look like on a streaming platform.
On the film front, his collaborations with King have been especially notable. From ‘Gerald’s Game’ to ‘Doctor Sleep’, Flanagan has shown a remarkable ability to adapt King’s complex narratives. His upcoming film adaptation of ‘The Life of Chuck,’ starring Tom Hiddleston, marks yet another step in that creative partnership.
‘Carrie’ marks Flanagan’s fourth adaptation of King’s work. Given his proven success across both film and television, his vision for this series offers something reverent and entirely new.
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Potential of this Version to Succeed
This upcoming version arrives with both anticipation and responsibility. It claims to preserve its unsettling essence without compromise. Over the years, many adaptations faltered by trying to reshape Carrie White into someone more digestible. More relatable and likeable, and each time, something essential was lost.
King’s 1974 antihero wasn’t designed for comfort; rather, she is painfully passive and then terrifyingly explosive. Her power lies in that jarring contrast. She isn’t a heroine in the traditional sense. She’s too isolated, too awkward, too broken. That’s precisely why she rings true.
Even King had doubts about capturing the voice of a teenage girl. Carrie was an experiment; one he nearly abandoned. But by letting her stay unpleasant and strange, King uncovered something bold and unforgettable.
Brian De Palma understood that in 1976. His film worked because it didn’t flinch. It didn’t dress Carrie up for the audience. The three attempts that followed did just that and stumbled. Each tried to humanise her into something neater, more palatable.
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If Flanagan resists that same temptation and holds the line, this series could finally reclaim what made Carrie a classic to begin with.
Final Words
Rebooting ‘Carrie,’ a 49-year-old Stephen King classic, promises a chilling return to its original roots. With Amazon backing and Flanagan directing, the project arrives with towering expectations. In talks to join the cast are Summer H. Howell, Siena Agudong, and Matthew Lillard. If it holds to the core and embraces Carrie’s raw truth, it could deliver another unforgettable masterpiece.
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7 months ago
Cannes, Cinema’s Global Arena, prepares for 78th edition amid fresh challenges
Nowhere is cinema’s cross-border power more visible than at the Cannes Film Festival, which begins Tuesday under the shadow of U.S. President Donald Trump's proposed tariffs on foreign films.
Often likened to the Olympics of cinema, Cannes brings together filmmakers, sales agents, and journalists from across the world. At its center is the coveted Palme d’Or, awarded to one of the 22 films in competition. While creators screen their work, dealmakers negotiate around the clock to secure global distribution rights.
“You’re unleashing a film into an arena,” says Brazilian director Kleber Mendonça Filho, who returns with The Secret Agent, a political thriller set during Brazil’s dictatorship. “It’s intense, like the anticipation before a roller coaster ride at the Palais.”
The spotlight is especially bright on this year’s edition, not only for its lineup of major premieres — including work from directors like Spike Lee, Wes Anderson, and Ari Aster — but also for the parade of A-list stars such as Jennifer Lawrence and Denzel Washington.
As the film industry grows increasingly global, Cannes has become an even more vital launchpad — even in Netflix’s continued absence. Recent festivals have yielded Oscar contenders, including this year’s Best Picture winner, Anora.
Politics frequently intersect with cinema at Cannes. This year’s roster features politically significant voices, including Iranian dissident Jafar Panahi, Ukrainian director Sergei Loznitsa, and Akinola Davies Jr., whose My Father’s Shadow is the first Nigerian film selected for the main lineup.
Diverse Paths to the CroisetteThree directors reflected on their journey to Cannes. South Africa’s Oliver Hermanus, in competition for The History of Sound, described it as a milestone for both him and his country. Japan’s Chie Hayakawa, premiering Renoir, her semi-autobiographical second feature, expressed deep appreciation for the motivation Cannes gives filmmakers.
“Cinema is inherently international,” Hayakawa said. “That’s the magic of Cannes.”
Tariffs Threaten the Global StageTrump’s announcement of potential 100% tariffs on foreign films has unsettled the global industry. Though the U.S. administration has yet to confirm the policy, the proposal underscores how fragile the international cultural landscape can be.
Filho, a Cannes veteran, remains skeptical. Recalling Brazil’s tumultuous political climate under Jair Bolsonaro, he views the tariffs as an unlikely threat: “Even for leaders like Trump and Bolsonaro, this just doesn’t add up.”
Cannes’ High StakesBorn as a response to fascism and censorship in Europe, Cannes has long stood as a defender of cinematic freedom. It remains a career-defining platform. Some high-profile stars, including Kristen Stewart, Scarlett Johansson, and Harris Dickinson, will make their directorial debuts in the Un Certain Regard section this year.
Hermanus, reflecting on his return, called Cannes “a gladiator’s arena.”
“You go in with everything on the line,” he said. “We told ourselves — this is going to be intense. But that’s exactly why it matters.”
7 months ago
Now You See Me 3 Trailer: Did Viewers Get Actual Money?
In an unexpected twist befitting its legendary franchise, Now You See Me 3 has stirred global buzz with a more real than illusion promotional move. Viewers of its just-released trailer weren’t left empty-handed; quite the opposite. Let’s unravel how this unique trailer presentation blurred the lines between showmanship and reality.
USD 119.16 Gift to the Trailer’s Audience
In a bold marketing stunt that fused cinematic illusion with real-world surprise, the upcoming heist movie sparked conversations with a financial flourish. On April 29th, two cryptic video billboards appeared in Times Square of New York City, quietly setting the stage for an unconventional reveal. One displayed a large 60-minute countdown, the phrase “TEXT FOR MAGIC”, and a phone number, “315-669-8263.” Just beneath it, another screen streamed endless falling cash, creating a surreal visual echo of the franchise’s hallmark flair for spectacle.
The upper billboard prominently featured the familiar ‘Now You See Me’ title, paired with graphics of paper bills tumbling into a growing pile. As the clock hit zero, the display flipped dramatically, unveiling the words, “Now You Don’t.” It was more than a visual pun. It marked the moment select viewers who had texted the number received an unexpected sum, USD 119.16, transferred directly through Venmo. The payment arrived with a whimsical memo: “Voilà,” followed by a magic wand emoji.
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While the timer and the cash drop may have seemed like a fleeting illusion, the money was very real. Lionsgate confirmed that a total of USD 250,000 was distributed digitally in celebration of the trailer’s release. The gesture was attributed to the Four Horsemen, the fictional troupe of master illusionists central to the film series.
The response was immediate. Social media lit up with screenshots, excitement, and disbelief. A simple text had brought about a payday, seamlessly blending movie mystique with unexpected generosity.
Reaction to the Giveaway
The unexpected cash giveaway tied to the movie triggers a wave of mixed emotions online. Some critics didn’t hold back. One commenter remarked that paying audiences to watch a film signalled an entirely new level of desperation. It dismisses the stunt as a hollow spectacle.
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On the other side of the conversation, others were visibly stunned. A fan observed that the move felt like real-life movie magic, marvelling at the novelty of it all. Another user references the original film’s reversal trick on billionaire Arthur Tressler. Throwing it out as a joke, he points out that it might soon backfire, with accounts slipping into negative balance.
Theories soon began to swirl. Social media became a hive of speculation, with users dissecting every detail of the Times Square stunt. Some suspected the countdown or payment amount might point to a buried Easter egg. The hints also include a script reference or even a storyline clue from earlier films.
While one user doubted the return on such a costly marketing gamble, suggesting the movie couldn’t afford to flop. Others were swept away by the boldness of it all. One post hailed it as the most legendary publicity move in recent memory. Another echoed the sentiment, praising the campaign as possibly the best strategy ever seen for a movie.
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Now You See Me 3 Cast and Crew
Capturing the allure of stagecraft without slipping into cliche is a rare cinematic feat. Yet Now You See Me has managed it twice; first in 2013 and again in 2016.
Helmed by Ruben Fleischer, the third installment is scheduled to hit theatres on November 14, 2025. Backed by Summit Entertainment and Secret Hideout, the film continues to blur the lines between spectacle and subversion. Returning cast members are Jesse Eisenberg, Woody Harrelson, Dave Franco, and Morgan Freeman. Also joining them is Isla Fisher, stepping back into her role in the first movie.
Yet this chapter introduces a generational shift. Ariana Greenblatt, Justice Smith, and Dominic Sessa take on fresh roles as rising illusionists.
Rosamund Pike enters the fold as a layered antagonist, navigating the shadows of a global crime network. Adding further intrigue is the Harry Potter star Daniel Radcliffe.
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First Look Hints Bigger Tricks
The official synopsis sets the stage for a new high-stakes con, where old mastery meets fresh ambition. The veteran Horsemen, this time, are mentors, guiding a new generation through a perilous plot to steal the elusive heart diamond. Their target is a formidable adversary played by Rosamund Pike, whose ties to international crime run dangerously deep.
Set in a world shaped by surveillance, deception, and global power plays, the upcoming movie builds on the franchise’s foundation. The blend of old-school sleight of hand and modern technology returns, this time with sharper edges and wider scope.
The Eye, the secret society that has loomed in the background, finally takes centre stage. Thaddeus Bradley, portrayed by Morgan Freeman, is revealed as the group’s enigmatic leader, pulling strings from within the shadows.
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True to its roots, the thriller promises a cascade of illusions, swift reversals, and strategic spectacle. Every trick feels layered. Every move calculated. With tightly choreographed magic and psychologically driven heists, the narrative dares the audience to keep up.
Wrap Up
With an unprecedented cash giveaway, the trailer of ‘Now You See Me: Now You Don’t’ merges bold marketing with cinematic flair. While some called it desperate, others praised the real-world magic. Crafted under the direction of Ruben Fleischer, the heist movie unites the franchise’s iconic stars with fresh faces. With high-stakes illusions and layered storytelling, the film is poised to deliver grand-scale deception.
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7 months ago
Kangana Ranaut to star in Hollywood horror drama ‘Blessed Be The Evil’ alongside Tyler Posey, Scarlett Rose Stallone
National Award-winning actress Kangana Ranaut is set to make her Hollywood debut in the upcoming horror drama Blessed Be The Evil, as reported by Variety. The film also stars Teen Wolf actor Tyler Posey and Scarlett Rose Stallone, daughter of Sylvester Stallone.
Ranaut will play the lead in the chilling narrative, which centers on a Christian couple grappling with the loss of a child due to miscarriage. They relocate to a remote, long-abandoned farm to rebuild their lives, only to be confronted by a sinister supernatural force that challenges both their faith and their relationship.
The film is being produced by Lions Movies and is slated to begin shooting this summer in New York. The production team opted for a U.S. location to avoid complications related to newly announced Trump-era tariffs affecting the film industry.
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Directed by Anurag Rudra, known for Tailing Pond, Blessed Be The Evil is co-written by Rudra and Gatha Tiwary, the founder and president of Lions Movies.
Reflecting on his rural Indian upbringing, Rudra said, “I grew up hearing folklore that stayed with me forever. These stories were magical, and I always dreamt of sharing them with the world through cinema, a powerful bridge between imagination and reality.”
Producer Gatha Tiwary added, “This story offers a rare mix of suspense and drama, with a narrative designed to resonate with global audiences. It’s ideally suited for both streaming platforms and international theatrical distribution.”
Kangana Ranaut’s involvement brings notable star appeal. Alongside her multiple accolades—including four National Awards and four Filmfare Awards—she is also a filmmaker and currently serves as a Member of Parliament in India’s Lok Sabha. Her latest directorial, Emergency, where she portrayed Prime Minister Indira Gandhi, saw a global theatrical release earlier this year.
Co-star Tyler Posey has a background in horror with roles in projects like Truth or Dare, while Scarlett Rose Stallone has appeared in Reach Me and starred opposite Nicolas Cage in The Gunslingers.
Source: NDTV
7 months ago
Rajkummar Rao, Wamiqa Gabbi's Bhool Chuk Maaf skips theatrical release, to premiere on OTT
The release strategy for Bhool Chuk Maaf, starring Rajkummar Rao and Wamiqa Gabbi, has changed.
Initially slated for a theatrical debut on May 9, the Karan Sharma-directed comedy-drama will now premiere directly on Prime Video on May 16.
The shift to digital release comes amid escalating tensions between India and Pakistan. On May 8, production house Maddock Films shared the update via Instagram.
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Their official statement read: “Given the current circumstances and the increased nationwide security measures, Maddock Films and Amazon MGM Studios have decided to bring our family entertainer Bhool Chuk Maaf straight to your screens on May 16, exclusively on Prime Video, globally.”
The statement added, “Although we were excited to experience the film with you in cinemas, national interest takes priority. Jai Hind.”
Set in the colorful streets of Varanasi, the story follows Rajan (played by Rajkummar Rao), a hopeless romantic who lands a government job just to win over Titli (Wamiqa Gabbi), the woman he loves. But things take a twist when Rajan gets stuck in a time loop, waking up repeatedly on the day of his Haldi ceremony. What ensues is a comical and touching journey about love, fate, and fresh beginnings.
This film marks the first collaboration between Rajkummar Rao and Wamiqa Gabbi on screen.
At a press event, Rajkummar Rao spoke about his role, sharing that his connection to such characters is rooted in his own life experiences: “I’ve lived that life, I’ve seen people like them closely. There’s something very relatable about these roles.”
Most recently, Rajkummar Rao appeared in the 2024 hit Stree 2 with Shraddha Kapoor. Wamiqa Gabbi was last seen in Baby John, co-starring Varun Dhawan.
Source: NDTV
7 months ago