United News of Bangladesh

Brendan Fraser has won the best-actor Oscar for “The Whale,” a transformative role in which he revived a career that was once so bright. “I started in this business 30 years ago and things didn’t come easily to me,” said Fraser, breathing heavily. “I just want to say thank you for this acknowledgement.” Fraser was one of five first-time nominees in the category, the first time that had happened since 1935. Fraser beat out Austin Butler of “Elvis,” Colin Farrell of “The Banshees of Inisherin,” Paul Mescal of “Aftersun,” and Bill Nighy of “Living.” Fraser figures the role of Charlie, a 600-pound reclusive gay English teacher who tries to restore his relationship with his teenage daughter, found him at the perfect time. Also Read: Michelle Yeoh makes history with best actress Oscar win Any earlier in his career and Fraser has said he wouldn't have had the life experience or heartache to authentically play a character who lives with sadness, pain and life-threatening obesity. Fraser's portrayal earned him standing ovations at film festivals in Venice and Toronto, and the early praise continued building through the fall and winter. In addition to receiving the best reviews of his career, he earned a SAG Award for his performance. Along the way, he's given emotional acceptance speeches, unafraid to cry at times. It's a career comeback, which Hollywood has always loved. The 54-year-old American Canadian actor broke out in the early 1990s with the comedy “Encino Man” and the drama “School Ties.” He was the face on movie posters for "George of the Jungle” and “The Mummy” trilogy, where he worked with fellow Oscar nominee Michelle Yeoh. He did dramatic turns in “Gods and Monsters,” “The Quiet American” and 2006 best-picture winner “Crash.” He had his share of projects that bombed, too. Then Fraser all but disappeared. He was off the big screen for several years dealing with a series of personal issues involving divorce, his mother's death, health problems and an alleged assault by the then-president of the Hollywood Foreign Press Association. He boycotted this year's Golden Globes as a result. He regained career momentum with a series of cable TV shows before appearing in director Steven Soderbergh's movie “No Sudden Move” two years ago.

The metaphysical multiverse comedy “Everything Everywhere All at Once” wrapped its hot dog fingers around Hollywood’s top prize Sunday, winning best picture at the 95th Academy Awards, along with awards for Michelle Yeoh, Ke Huy Quan and Jamie Lee Curtis. Though worlds away from Oscar bait, Daniel Kwan and Daniel Scheinert’s anarchic ballet of everything bagels, googly-eyed rocks and one messy tax audit emerged as an improbable Academy Awards heavyweight. The indie hit, A24’s second best-picture winner following “Moonlight,” won seven Oscars in all. Fifty years after “The Godfather” won at the Oscars, “Everything Everywhere All at Once” triumphed with a much different immigrant experience. Its eccentric tale about a Chinese immigrant family – just the second feature by the Daniels, as the filmmaking duo is known – blended science fiction and alternate realities in the story of an ordinary woman and laundromat owner. “Everything Everywhere,” released all the way back in March 2022, helped revive arthouse cinemas after two years of pandemic, racking up more than $100 million in ticket sales. And despite initially scant expectations of Oscar glory, “Everything Everywhere All at Once” toppled both blockbusters (“Top Gun: Maverick,” “Avatar: The Way of Water”) and critical darlings (“Tar,” “The Banshees of Inisherin”). Yeoh became the first Asian woman to best actress, taking the award for her lauded performance in “Everything Everywhere All at Once.” The 60-year-old Malaysian-born Yeoh won her first Oscar for a performance that relied as much on her comic and dramatic chops as it did her kung fu skills. She’s the first best actress win for a non-white actress in 20 years. “Ladies, don't let anyone ever tell you you're past your prime,” said Yeoh, who received a raucous standing ovation. Also Read: Michelle Yeoh wins best actress award, making Oscar history In winning best director, the Daniels — both 35 years old — won for just their second and decidedly un-Oscar bait feature. They're just the third directing pair to win the award, following Robert Wise and Jerome Robbins (“West Side Story”) and Joel and Ethan Coen (“No Country for Old Men”). Scheinert dedicated the award “to the moms of the world.” Best actor went to Brendan Fraser, culminating the former action star’s return to center stage for his physical transformation as a 600-lb. reclusive professor in “The Whale.” The best-actor race had been one of the closest contests of the night, but Fraser in the end edged Austin Butler. “So this is what the multiverse looks like,” said a clearly moved Fraser, pointing to the “Everything Everywhere All at Once” crew. The former child star Quan capped his own extraordinary comeback with the Oscar for best supporting actor for his performance in the indie hit “Everything Everywhere All at Once.” Quan, beloved for his roles as Short Round in “Indiana Jones and the Temple of Doom” and Data in “Goonies,” had all but given up acting before being cast in “Everything Everywhere All at Once.” His win, among the most expected of the night, was nevertheless one of the ceremony's most moving moments. The audience — including his “Temple of Doom” director, Steven Spielberg — gave Quan a standing ovation as he fought back tears. “Mom, I just won an Oscar!” said Quan, 51, whose family fled Vietnam in the war when he was a child. “They say stories like this only happen in the movies. I can't believe it's happening,” said Quan. "This is the American dream." Minutes later, Quan's castmate Jamie Lee Curtis won for best supporting actress. Her win, in one of the most competitive categories this year, denied a victory for comic-book fans. Angela Bassett (“Black Panther: Wakanda Forever”) would have been the first performer to win an Oscar for a Marvel movie. It also made history for Curtis, a first-time winner who alluded to herself as “a Nepo baby” during her win at the Screen Actors Guild Awards. She's the rare Oscar winner whose parents were both Oscar nominees, something she emotionally referenced in her speech. Tony Curtis was nominated for “The Defiant Ones” in 1959 and Janet Leigh was nominated in 1961 for “Psycho.” Curtis thanked “hundreds” of people who put her in that position. The German-language WWI epic “All Quiet on the Western Front” — Netflix’s top contender this year — took four awards as the academy heaped honors on the craft of the harrowing anti-war film. It won for cinematography, production design, score and best international film. Though Bassett missed on supporting actress, Ruth E. Carter won for the costume design of “Wakanda Forever,” four years after becoming the first Black designer to win an Oscar, for “Black Panther.” This one makes Carter the first Black woman to win two Oscars. “Thank you to the Academy for recognizing the superhero that is a Black woman,” said Carter. “She endures, she loves, she overcomes, she is every woman in this film.” Carter dedicated the award to her mother, who she said died last week at 101. The telecast, airing live on ABC, opened traditionally: with a montage of the year's films (with Kimmel edited into a cockpit in “Top Gun: Maverick") and a lengthy monologue. Kimmel, hosting for the third time, didn't dive right into revisiting Will Smith's slap of Chris Rock at last year's ceremony. The late-night comedian struggled to find lessons from last year's incident, which was followed by Smith winning best actor. If anyone tried any violence this year, Kimmel said, “you will be awarded the Oscar for best actor and permitted to give a 19-minute-long speech.” But Kimmel, hosting for the third time, said anyone who wanted to “get jiggy with it” this year will have to come through a fearsome battalion of bodyguards, including Michael B. Jordan, Michelle Yeoh, Steven Spielberg and his show's “security guard” Guillermo Rodriguez. After landmark wins for Chloé Zhao ("Nomadland") and Jane Campion ("The Power of the Dog"), no women were nominated for best director. Sarah Polley, though, won best adapted screenplay for the metaphor-rich Mennonite drama “Women Talking.” "Thank you to the academy for not being mortally offended by the words ‘women' and ‘talking,’" said Polley. Daniel Roher's “Navalny,” about the imprisoned Russian opposition leader Alexei Navalny, took best documentary. The film’s win came with clear overtones to Navalny’s ongoing imprisonment and Vladimir Putin’s continued war in Ukraine. Yulia Navalnaya joined the filmmakers on the stage. “My husband is in prison just for telling the truth,” said Navalnaya. “Stay strong my love.” Some big names weren’t in attendance for other reasons. Neither Tom Cruise, whose “Top Gun: Maverick” is up for best picture, nor James Cameron, director of best-picture nominee “Avatar: The Way of Water,” were at the ceremony. Both have been forefront in Hollywood’s efforts to get moviegoers back after years of pandemic. “The two guys who asked us to go back to theater aren’t in the theater,” said Kimmel, who added that Cruise without his shirt on in “Top Gun: Maverick” was “L. Ron Hubba Hubba.” After last year's Oscars, which had stripped some categories from being handed out in the live telecast, the academy restored all awards to the show and leaned on traditional song and and dance numbers. That meant some show-stopping numbers, including the elastic suspenders dance of “Naatu Naatu” from the Telugu action-film sensation “RRR," an intimate, impassioned performance by Lady Gaga of “Hold My Hand” from “Top Gun: Maverick," and an Super Bowl follow-up by Rihanna. Best song went to “Naatu Naatu.” It also meant a long show. “This kind of makes you miss the slapping a little bit, right?” Kimmel said mid-show. The night’s first award went to “Guillermo del Toro’s Pinocchio” for best animated film. That handed Netflix its first Oscar in the category. After last year's slap, the academy created a crisis management team to better respond to surprises. Neither Rock, who recently made his most forceful statement about the incident in a live special, nor Smith, who was banned by the academy for 10 years, attended. The Academy Awards is attempting to recapture some of its old luster. One thing working in its favor: This year’s best picture field was stacked with blockbusters. Ratings usually go up when the nominees are more popular, which certainly goes for “Top Gun: Maverick" and “Avatar: The Way of Water." Neither won much, though. “The Way of Water,” with more than $2.28 billion in box office, won for best visual effects. The “Top Gun” sequel ($1.49 billion), took best sound. Last year, Apple TV’s “CODA” became the first streaming movie to win best picture. But this year, nine of the 10 best picture nominees were theatrical releases. After the movie business cratered during the pandemic, moviegoing recovered to about 67% of pre-pandemic levels. But it was an up and down year, full of smash hits and anxiety-inducing lulls in theaters. This year, ticket sales have been strong thanks to releases like “Creed III” and “Cocaine Bear" — which made not one but two cameos at Sunday's show. But there remain storm clouds on the horizon. The Writers Guild and the major studios are set to begin contract negotiations March 20, a looming battle that has much of the industry girding for the possibility of a work stoppage throughout film and television. The Oscars, too, are seeking steadiness. Last year's telecast drew 16.6 million viewers, a 58% increase from the scaled-down 2021 edition, watched by a record low 10.5 million.

Michelle Yeoh has won the Academy Award for best actress and made history all at once. The Malaysian-born actor became the first Asian woman to win the Academy Award for best actress on Sunday for her multifaceted performance in the multiversal “Everything Everywhere All at Once.” “I have to dedicate this to my mom and all the moms in the world because they are really the superheroes and without them none of us would be here tonight,” she said. “For all the little boys and girls who look like me watching tonight, this is a beacon of hope and possibility. This is proof that dreams dream big and dreams do come true. And ladies, don't let anyone ever tell you you're past your prime.” Yeoh's victory comes almost 90 years after Luise Rainer, a white actor, won the same category for donning “yellowface” to play a Chinese villager in “The Good Earth.” As a nominee, Yeoh was the first in the category who identified as Asian. Merle Oberon, who was nominated in 1935 for “The Dark Angel” but didn't win, hid her South Asian heritage, according to birth records. Also Read: Ke Huy Quan wins Oscar in an inspiring Hollywood comeback Yeoh beat out past Oscar winner Cate Blanchett ("Tár"), as well as Michelle Williams (“The Fabelmans”), Ana de Armas ("Blonde") and Andrea Riseborough ("To Leslie"). The category also received notice for who wasn't nominated: In a year of strong performances from Black women like Viola Davis ("The Woman King") and Danielle Deadwyler ("Till"), they were shut out. Meanwhile some criticized the grassroots campaigning by A-listers on social media for Riseborough. Yeoh appeared a lock after winning seemingly every award everywhere, including the Golden Globe and Screen Actors Guild award, for her nuanced portrayal of Evelyn, an immigrant Chinese wife, mother and laundromat operator bracing for a tax audit. Jamie Lee Curtis and Ke Huy Quan from the film also won best supporting actor Oscars. Daniel Kwan and Daniel Scheinert won for best directors and original screenplay for “Everything Everywhere All at Once” and it took home best picture as well. Yeoh got her start in the kung fu cinema world but rose to stardom in 1992 as Jackie Chan's co-star in “Supercop." American audiences got to know her even better over the next decade with hits like “Tomorrow Never Dies” and Ang Lee's “Crouching Tiger Hidden Dragon." When she first read the script for “Everything Everywhere,” Yeoh thought it was “an independent film on steroids.” She was ultimately swayed by the opportunity to give voice to immigrant mothers and grandmothers who go unnoticed. The multiverse movie was also a showcase across a bevy of genres — drama, comedy, sci-fi and fantasy. At 60, Yeoh has been heavily in demand since her standout turn as a controlling matriarch in “Crazy Rich Asians.” From there, she has done everything from a “Star Trek” spinoff to Marvel’s “Shang-Chi and the Legend of the Ten Rings.” Yeoh will be seen later this year in the Disney+ series “American Born Chinese." She is also preparing to reunite with “Crazy Rich Asians” director Jon M. Chu for the screen adaptation of the musical “Wicked.”

Ke Huy Quan won best supporting actor, “RRR” brought the house down, “Cocaine Bear” tried to maul Malala and Ruth Carter made history at the 95th Academy Awards on Sunday, as Hollywood looked to move past the infamy of last year’s Oscars. The former child star Quan capped his extraordinary comeback with the Oscar for best supporting actor for his performance in the indie hit “Everything Everywhere All at Once.” Quan, beloved for his roles as Short Round in “Indiana Jones and the Temple of Doom” and Data in “Goonies,” had all but given up acting before being cast in “Everything Everywhere All at Once.” His win, among the most expected of the night, was nevertheless one of the ceremony's most moving moments. The audience — including his “Temple of Doom” director, Steven Spielberg — gave Quan a standing ovation as he fought back tears. “Mom, I just won an Oscar!” said Quan, 51, whose family fled Vietnam in the war when he was a child. “They say stories like this only happen in the movies. I can't believe it's happening,” said Quan. "This is the American dream." Also Read: Ke Huy Quan wins Oscar in an inspiring Hollywood comeback Minutes later, Quan's castmate Jamie Lee Curtis won for best supporting actress. Her win, in one of the most competitive categories this year, denied a victory for comic-book fans. Angela Bassett (“Black Panther: Wakanda Forever”) would have been the first performer to win an Oscar for a Marvel movie. It also made history for Curtis, a first-time winner who alluded to herself as “a Nepo baby” during her win at the Screen Actors Guild Awards. She's the rare Oscar winner whose parents were both Oscar nominees, something she emotionally referenced in her speech. Tony Curtis was nominated for “The Defiant Ones” in 1959 and Janet Leigh was nominated in 1961 for “Psycho.” Curtis thanked “hundreds” of people who put her in that position. “Everything Everywhere All at Once,” which came in with a leading 11 nominations, later also won for best original screenplay for the script by Daniel Kwan and Daniel Scheinert, the filmmaking duo known as the Daniels. “My imposter syndrome is at an all-time high,” said Kwan. The German-language WWI epic “All Quiet on the Western Front” — Netflix’s top contender this year — took four awards as the academy heaped honors on the craft of the harrowing anti-war film. It won for cinematography, production design, score and best international film. Also Read: 2023 Oscars: What to know about the best actor nominees Though Bassett missed on supporting actress, Ruth E. Carter won for the costume design of “Wakanda Forever,” four years after becoming the first Black designer to win an Oscar, for “Black Panther.” This one makes Carter the first Black woman to win two Oscars. “Thank you to the Academy for recognizing the superhero that is a Black woman,” said Carter. “She endures, she loves, she overcomes, she is every woman in this film.” Carter dedicated the award to her mother, who she said died last week at 101. The telecast, airing live on ABC, opened traditionally: with a montage of the year's films (with Kimmel edited into a cockpit in “Top Gun: Maverick") and a lengthy monologue. Kimmel, hosting for the third time, didn't dive right into revisiting Will Smith's slap of Chris Rock at last year's ceremony. But after a number of jokes — including one that noted two stars of “Encino Man,” Quan and Brendan Fraser are nominated — Kimmel noted that there are numerous Irish actors up for Oscars, “which means the odds of another fight on stage just went way up.” The late-night comedian struggled to find lessons from last year's incident, which was followed by Smith winning best actor. If anyone tried any violence this year, he said, “You will be awarded the Oscar for best actor and permitted to give a 19-minute-long speech.” But Kimmel, hosting for the third time, said anyone who wanted to “get jiggy with it” this year will have to come through a fearsome battalion of bodyguards, including Michael B. Jordan, Michelle Yeoh, Steven Spielberg and his show's “security guard” Guillermo Rodriguez. After landmark wins for Chloé Zhao ("Nomadland") and Jane Campion ("The Power of the Dog"), no women were nominated for best director. Sarah Polley, though, won best adapted screenplay to “Women Talking.” "Thank you to the academy for not being mortally offended by the words ‘women' and ‘talking,’" said Polley. Daniel Roher's “Navalny,” about the imprisoned Russian opposition leader Alexei Navalny, took best documentary. The film’s win came with clear overtones to Navalny’s ongoing imprisonment and Vladimir Putin’s continued war in Ukraine. Yulia Navalnaya joined the filmmakers on the stage. “My husband is in prison just for telling the truth,” said Navalnaya. “Stay strong my love.” Some big names weren’t in attendance for other reasons. Neither Tom Cruise, whose “Top Gun: Maverick” is up for best picture, nor James Cameron, director of best-picture nominee “Avatar: The Way of Water,” were at the ceremony. Both have been forefront in Hollywood’s efforts to get moviegoers back after years of pandemic. “The two guys who asked us to go back to theater aren’t in the theater,” Kimmel said, who added that Cruise without his shirt on in “Top Gun: Maverick” was “L. Ron Hubba Hubba.” After last year's Oscars, which had stripped some categories from being handed out in the live telecast, the academy restored all awards to the show and leaned on traditional song and and dance numbers. That meant some show-stopping numbers, including the elastic suspenders dance of “Naatu Naatu” from the Telugu action-film sensation “RRR," and an intimate, impassioned performance by Lady Gaga of “Hold My Hand” from “Top Gun: Maverick.” Her appearance was also confirmed just before the ceremony began. It also meant a long show. “This kind of makes you miss the slapping a little bit, right?” Kimmel said mid-show. The night’s first award went to “Guillermo del Toro’s Pinocchio” for best animated film. That handed Netflix its first Oscar in the category. After last year's slap, the academy created a crisis management team to better respond to surprises. Neither Rock, who recently made his most forceful statement about the incident in a live special, nor Smith, who was banned by the academy for 10 years, attended. The Academy Awards is attempting to recapture some of its old luster. One thing working in its favor: This year’s best picture field was stacked with blockbusters. Ratings usually go up when the nominees are more popular, which certainly goes for “Top Gun: Maverick" and “Avatar: The Way of Water." Neither won much, though. “The Way of Water,” with more than $2.28 billion in box office, won for best visual effects. Last year, Apple TV’s “CODA” became the first streaming movie to win best picture. But this year, nine of the 10 best picture nominees were theatrical releases. After the movie business cratered during the pandemic, moviegoing recovered to about 67% of pre-pandemic levels. But it was an up and down year, full of smash hits and anxiety-inducing lulls in theaters. At the same time, the rush to streaming encountered new setbacks as studios questioned long-term profitability and reexamined their release strategies. This year, ticket sales have been strong thanks to releases like “Creed III” and “Cocaine Bear" — which made not one but two cameos at Sunday's show. But there remain storm clouds on the horizon. The Writers Guild and the major studios are set to begin contract negotiations March 20, a looming battle that has much of the industry girding for the possibility of a work stoppage throughout film and television. The Oscars, meanwhile, are trying to reestablish their position as the premier award show. Last year's telecast drew 16.6 million viewers, a 58% increase from the scaled-down 2021 edition, watched by a record low 10.5 million.

Ke Huy Quan had mostly disappeared from Hollywood for over two decades, dispirited by the lack of on-camera work for Asian Americans. He returned in a big way, winning the supporting actor Oscar to cap an inspiring comeback story. Quan accepted the trophy Sunday night for his role in “Everything Everywhere All at Once,” becoming just the second Asian winner ever in the supporting actor category, joining Haing S. Ngor for “The Killing Fields” in 1984. As his name was announced, Quan rose and hugged co-stars Michelle Yeoh and Jamie Lee Curtis, who won supporting actress honors after him. He clasped his hands to his mouth. “My mom is 84 years old and she’s at home watching,” Quan said. “Mom, I just won an Oscar!” An emotional Quan kissed his statue repeatedly and sniffled into the microphone on stage after receiving a standing ovation. Presenter Ariana DeBose was in tears. “My journey started on a boat. I spent a year in a refugee camp and somehow I ended up here on Hollywood’s biggest stage,” he said. “They say stories like this only happen in the movies. I can’t believe this is happening to me. This is the American dream.” Quan rode a huge wave of momentum into the Oscars, having won every major award except the BAFTA. Quan endeared himself during acceptance speeches as much as he did in his winning performance. He used his position to encourage other struggling actors that one day they also will find success. Also Read: 2023 Oscars: What to know about the best actor nominees Along the awards show trail, the enormously likeable Quan compiled a photo album for the ages as he posed for selfies with everyone from Tom Cruise to directors James Cameron and Steven Spielberg. It seemed anyone famous was happy to smile or make funny faces alongside Quan. The Vietnam-born actor whose family immigrated to California in the late 1970s first gained attention as a pre-teen in the hugely popular 1980s movies "Indiana Jones and the Temple of Doom" and “The Goonies.” He went on to roles in the TV show “Head of the Class” and the movie “Encino Man” (starring fellow Oscar nominee Brendan Fraser ) in the early 1990s before work dried up. Finding few on-camera opportunities, Quan turned elsewhere. He earned a film degree from the University of Southern California and worked behind the scenes as a stunt coordinator and assistant director. “I owe everything to the love of my life, my wife Echo,” he said, “who month after month, year after year for 20 years told me that one day, one day my time will come. Dreams are something you have to believe in. I almost gave up on mine. To all of you out there, please keep your dreams alive.” Inspired by the success of the 2018 movie “Crazy Rich Asians,” Quan returned to acting and landed an audition for “Everything Everywhere All at Once,” which earned a leading 11 Oscar nominations. His former “Goonies” co-star, Jeff Cohen, serves as his lawyer who drew up the contract for his Oscar-winning role. “Thank you to my ‘Goonies’ brother for life, Jeff Cohen,” Quan said. Now, people stop him to talk about a movie he made as a grown-up, “Everything Everywhere All at Once." As Waymond Wang, Quan appears in three different incarnations in the critically acclaimed film. He won a Golden Globe and became the first Asian man to win an individual category at the SAG Awards. The 51-year-old Quan is busy juggling new roles, including joining the Marvel Cinematic Universe series “Loki” on Disney+. Quan won the Oscar over fellow nominees Brendan Gleeson and Barry Keoghan of “The Banshees of Inisherin,” Brian Tyree Henry of “Causeway” and Judd Hirsch of “The Fabelmans."

Chorki, a Bangladeshi subscription-based over-the-top media service, is back with another web series titled ‘Mercules’.   This drama-thriller revolves around the true story of a girl. Directed by Abu Shahed Iman, this series stars Zakia Bari Momo, Sabila Noor, Fazlur Rahman Babu, Rawnak Hasan, Giyas Uddin Selim, Iresh Zaker, and many more. Related: Shuvoo and Bindu Starrer “Unish 20” to Hit Chorki on 13th February Sabila Nur talked about her first-time experience acting in a web series, “My character's name in this series is Jayita. Stories of this drama are revealed through her journey. The main plot of this series is about how a girl gains control of her life after a new incident occurs.” “We don't get to work with such a large team on a TV show. This work experience will stay with me for the rest of my life. Working with the co-stars of this series has been a fantastic experience. Shahid Bhai is a fantastic director,” she added.    

Hollywood is gearing up for the 95th Academy Awards, where “Everything Everywhere All at Once” comes in the lead nominee and the film industry will hope to move past “the slap” of last year’s ceremony. Here’s everything you need to know about the 2023 Oscars, including when they are, where to watch the live show and this year’s controversies. WHEN ARE THE OSCARS? The Oscars will be held Sunday, March 12, at the Dolby Theatre in Los Angeles. The ceremony is set to begin at 8 p.m. EST and be broadcast live on ABC. CAN YOU STREAM THE OSCARS? The broadcast can be streamed with a subscription to Hulu Live TV, YouTubeTV, AT&T TV and Fubo TV. Some of these services offer brief free trials. You can also stream the show on ABC.com and on the ABC app by authenticating your provider. WHO’S HOSTING? Jimmy Kimmel will host for the third time and his first time since 2018. That was also the last Oscars to feature a solo host. The show went hostless for several years after Kimmel’s last outing. Last year, Regina Hall, Amy Schumer and Wanda Sykes hosted as a trio. In an ad for this year’s show styled after “Top Gun: Maverick,” Kimmel made his humble case for being the right person for the job while noting that he can’t get slapped because “I cry a lot.” WHAT’S NOMINATED FOR BEST PICTURE AT THE 2023 OSCARS? The 10 movies competing for best picture are: “All Quiet on the Western Front,” “Avatar: The Way of Water,” “The Banshees of Inisherin,” “Elvis,” “Everything Everywhere All at Once,” “The Fabelmans,” “Tár,” “Top Gun: Maverick,” “Triangle of Sadness,” “Women Talking.” Here’s a guide to how you can watch them. WHAT’S NOMINATED FOR BEST PICTURE AT THE 2023 OSCARS? The 10 movies competing for best picture are: “All Quiet on the Western Front,” “Avatar: The Way of Water,” “The Banshees of Inisherin,” “Elvis,” “Everything Everywhere All at Once,” “The Fabelmans,” “Tár,” “Top Gun: Maverick,” “Triangle of Sadness,” “Women Talking.” Here’s a guide to how you can watch them. Read more: Oscar 2022 Best Picture Winner Prediction WHO’S PRESENTING? Presenters include: Halle Bailey, Antonio Banderas, Elizabeth Banks, Jessica Chastain, John Cho, Andrew Garfield, Hugh Grant, Danai Gurira, Salma Hayek Pinault, Nicole Kidman, Florence Pugh and Sigourney Weaver. They join a previously announced group including: Riz Ahmed, Emily Blunt, Glenn Close, Jennifer Connelly, Ariana DeBose, Samuel L. Jackson, Dwayne Johnson, Michael B. Jordan, Troy Kotsur, Jonathan Majors, Melissa McCarthy, Janelle Monáe, Deepika Padukone, Questlove, Zoe Saldaña and Donnie Yen. A third wave was announced Thursday: Halle Berry, Paul Dano, Cara Delevingne, Harrison Ford, Kate Hudson, Mindy Kaling, Eva Longoria, Julia Louis-Dreyfus, Andie MacDowell, Elizabeth Olsen, Pedro Pascal and John Travolta. WHAT ELSE IS IN STORE FOR THE SHOW? The Academy of Motion Pictures Arts and Sciences has said that winners to all categories will be announced live on the show. (Last year, some categories were taped in a pre-show, something that caused an uproar among academy members.) All signs point to a full slate of musical performances, with Rihanna performing “Lift Me Up” from “Black Panther: Wakanda Forever” and Rahul Sipligunj and Kaala Bhairava singing Chandrabose and M.M. Keeravaani’s “Naatu Naatu” from “RRR.” Nominee Lady Gaga, on the other hand, will not sing “Hold My Hand,” from “Top Gun: Maverick,” during the show. On Monday, show producers announced that Lenny Kravitz will deliver the “In Memoriam” performance. WHO ARE THE FAVORITES? Daniel Kwan and Daniel Scheinert’s indie sci-fi hit “Everything Everywhere All at Once” comes in with a leading 11 nominations. Close on its heels, though, is the Irish friends-falling-out dark comedy “The Banshees of Inisherin,” with nine nods, a total matched by Netflix’s WWI film “All Quiet on the Western Front.” Michelle Yeoh (“Everything Everywhere All at Once”) may have a slight edge on Cate Blanchett (“Tár”) for best actress. Best actor is harder to call, with Brendan Fraser (“The Whale”) and Austin Butler (“Elvis”) in the mix. In the supporting categories, Angela Bassett (“Black Panther: Wakanda Forever”) and Ke Huy Quan (“Everything Everywhere All at Once”) are the frontrunners, though Jamie Lee Curtis’ Screen Actors Guild Awards win may have thrown a wrench into the supporting actress category. Steven Spielberg (“The Fabelmans”) may win his third best director Oscar, though the Daniels may have emerged as the frontrunners. AP Film Writers Lindsey Bahr and Jake Coyle are predicting a big haul for “Everything Everywhere All at Once.” WHAT’S BEEN CONTROVERSIAL THIS YEAR? Aside from the usual snubs and surprises, this year’s biggest to-do has been the debate surrounding Andrea Riseborough’s unexpected nomination for best actress. Riseborough was nominated for the little-seen, Texas-set drama “To Leslie” after many A-list stars rallied around her performance. When two other best-actress contenders — Danielle Deadwyler (“Till”) and Viola Davis (“Woman King”) — were snubbed, some saw that as a reflection of racial bias in the film industry. The academy launched an inquiry into the star-studded, grassroots campaign for Riseborough but found no reason to rescind her nomination. WHAT ELSE SHOULD YOU LOOK FOR? Just the reading of the title to one of this year’s short film nominees should prompt a wave of giggles. John Williams (“The Fabelmans”), up for best score, is the oldest nominee ever, at 90 years old. After historic back-to-back best-director wins by Chloé Zhao (“Nomadland”) and Jane Campion (“The Power of the Dog”), no women were nominated this year for best director. Also don’t expect to see Will Smith at the Oscars anytime soon. After striking Chris Rock at last year’s ceremony, Smith was banned by the film academy from attending for 10 years. In a live Netflix special on Saturday, Rock finally punched back at Smith with a blistering stand-up set about the incident.

A minute's silence was observed at the Joy Bangla Concert 2023 in Dhaka’s Army Stadium today to pay homage to the victims of yesterday’s blast in a Gulistan building. Young Bangla, a youth platform of the Center for Research and Information (CRI), is organizing the Joy Bangla Concert for the seventh time. At least 17 people were killed after an explosion ripped through a commercial building in the capital's Gulistan area yesterday. More than 100 people were injured in the blast. The concert began with condolences for the people killed and injured in the blast. Read more: Joy Bangla Concert 2023: Young music lovers counting hours The Centre for Research & Information (CRI) and its youth secretariat, Young Bangla, have been organizing the concert since 2015 to commemorate the historic March 7 speech of Father of the Nation Bangabandhu Sheikh Mujibur Rahman. The concert was not held in the past two years due to the Covid-19 pandemic. Although the concert is generally held on March 7, this year's event was moved to March 8 due to the holy Shab-e-Barat. After two years of hiatus, the concert returned, aiming to instill the spirit of the Liberation War in young minds. According to the organizers, Artcell, Avoid Rafa, Lalon, Chirkutt, Cryptic Fate, Karnival, Meghdol, Nemesis, and Arekta Rock Band are performing today at the Joy Bangla Concert 2023.  

Hit Japanese manga “One Piece” is coming to Netflix as a live-action series — a development that's both exciting and worrisome for fans who have seen mixed success in a growing list of Hollywood adaptations. Chronicling the coming-of-age adventures of Monkey D. Luffy, a young pirate with a heart of gold, the world's bestselling manga series has already been adapted into an anime TV series with over 900 episodes. There are also 13 animated movies, “One Piece” video games and merchandise galore. Ready to give her verdict is Nina Oiki, a gender and politics researcher at Tokyo’s Waseda University who has been a “One Piece” fan since she was in elementary school. She read the manga created by Eiichiro Oda when it first came out in Shonen Jump magazine in 1997, and watched the animated show that followed shortly after. “I know some people are worried about what might happen with the Hollywood remake,” she said, noting how past American attempts at depicting Japanese comics and animated works have at times proved disappointing. Also Read: Top 10 Netflix Originals Shows, Movies Coming in March 2023 The 2017 Netflix movie adaptation of “Death Note,” a manga and anime about a book that can kill people, was widely critiqued as a flop. In December 2021, Netflix canceled “Cowboy Bebop,” its live-action adaptation of the space Western manga and anime of the same name, after just one season. The cross-pollination of Hollywood and Japan goes back for decades. References to Japan, such as the image of a geisha on a screen, are plentiful in the 1982 sci-fi movie “Blade Runner,” directed by Ridley Scott. The film, in turn, influenced anime, including the “Blade Runner: Black Lotus” anime that first aired in 2021. Japanese pop culture expert Roland Kelts says it’s a “stunning moment for anime,” in part due to streaming on platforms like Netflix, which has helped make entertainment borderless. Live-action “One Piece,” expected later this year, comes on the heels of the global success of “Demon Slayer,” another manga that got its start in Shonen Jump and was adapted into a movie and an anime series that was picked up by Netflix. In February, The Pokémon Company announced “Pokémon Concierge,” a stop-motion anime collaboration with Netflix. Pokémon is the world’s most valuable media franchise with estimated all-time sales of $100 billion, according to a 2021 Statista report. Followed by Hello Kitty, the two Japanese products outrank Western offerings like Mickey Mouse, Winnie the Pooh and Star Wars. Hollywood live-action adaptations of other popular Japanese products — from Makoto Shinkai's 2016 body-swap anime “Your Name” to the “Gundam” franchise of giant robots that started in 1979 — are also in progress. Anime has a low production cost compared to live-action films, and computer-generated heroes don’t get sick or injured or make offensive remarks offscreen like real-life actors sometimes do, making it a marketable medium, said Kelts, author of “Japanamerica,” which documents Japanese pop culture's influence in the United States. “They are stylized and stateless characters. What I mean by that is that anime characters travel globally very, very well,” Kelts said. “The human celebrities don’t always travel so well." Established bestsellers offer the advantage of a built-in fanbase, but they also come with strict scrutiny. Some, like “Ghost in the Shell,” have been criticized for “whitewashing” the Asian original. The 1995 animated movie was made into a Hollywood live-action in 2017 amid complaints about casting white American actor Scarlett Johansson as the main character — though Asia largely stayed out of the debate. Live-action “One Piece” will star Mexican actor Iñaki Godoy ("The Imperfects") as Luffy — whose nationality is canonically a mystery — alongside American actor Emily Rudd (“The Romanoffs”) as Nami and Japanese-American actor Mackenyu (“Fullmetal Alchemist: Revenge of Scar,” “Fullmetal Alchemist: Final Transmutation”) as Roronoa Zoro. The main character’s inclusive persona, drawing more and more companions to join his quest throughout the story, highlights the kind of school, office or workplace environment people crave in modern-day society, fan Oiki said. “Luffy is that leader we all want,” she said. “Luffy is a hero but not an extraordinary hero. He is one of us. He wants to be king of the pirates, but not so he can rule, but so everyone can be free."

After a hiatus of two years, the DPS STS Rock Fest 3.0 was held in the capital's Uttara Sector 15 Saturday. The fest showcased performances by various bands formed by school students while three famous bands closed the show. Karnival, Warfaze, and Miles performed at this year's concert. The fest began with performances by new and upcoming bands. Among them, some were formed by school students from institutions such as Scholastica Mirpur, Rajuk School and Sir John Wilson School.