United News of Bangladesh

Kim Kardashian is set to testify in a Paris court regarding the traumatic 2016 armed robbery she endured during Fashion Week, in which over $6 million in jewelry was stolen. The trial begins Monday and will continue until May 23, with ten individuals facing charges related to the robbery, kidnapping, and assault of Kardashian and the building's concierge. Kardashian has previously recounted the ordeal, describing intense fear for her life as masked men tied her up at gunpoint in her Paris apartment. On David Letterman’s Netflix show in 2020, she emotionally recalled fearing sexual assault and pleading for her life, thinking of her children and family. Originally, 12 people were due in court, but one has died and another is too ill to stand trial. Investigators say five of the remaining ten suspects were at the scene. Dubbed the "Granddad Robbers" by French media due to their advanced age and history of bank crimes, the group allegedly carried out the high-profile heist with careful planning. Kardashian told investigators she was bound and left in a bathtub while the thieves escaped on bicycles and on foot. She eventually freed herself and alerted her sister, Kourtney. The robbers stole numerous high-value items, including a ring worth over $6 million. Only one piece — a diamond cross — has been recovered after being dropped during their escape. Some defendants have partially confessed, including Yunice Abbas, who claimed to be a lookout and admitted shared responsibility. Another suspect, Aomar Aït Khedache — “Old Omar” — had his DNA on the tape used to bind Kardashian and allegedly left the scene by bicycle before meeting his son at a nearby station. Didier Dubreucq, known as “Blue Eyes,” is another alleged intruder. He denies involvement, although investigators cite surveillance footage and communications linking him to the crime. Other defendants are accused of helping to sell the stolen jewelry in Belgium or informing the robbers about Kardashian’s whereabouts. Kardashian’s lawyers confirmed she will appear in person but declined further comment, citing her respect for the French judicial process.

A US judge has dismissed a lawsuit that challenged Warner Bros’ ownership of “Superman” copyrights in 10 countries, ruling that federal courts lack jurisdiction over the matter. Mark Peary, nephew of the late “Superman” co-creator Joe Shuster, filed the suit against Warner Bros. and its DC Comics division in January, claiming Shuster’s estate had the right to terminate the “Superman” copyrights in the United Kingdom, Canada, Ireland, and other regions. In a decision on Thursday, US District Judge Jesse Furman stated that the court had no authority to decide the estate’s rights under foreign copyright laws, according to Variety. “The Court concludes that it lacks subject-matter jurisdiction over this case; the case therefore must be and is dismissed,” Furman wrote. However, Peary quickly responded by lodging a near-identical case in New York state court on Friday morning. The new action seeks an injunction that could potentially disrupt the scheduled 11 July release of “Superman,” a reboot directed by James Gunn and starring David Corenswet. Previously, Peary’s lawyer, Marc Toberoff, had attempted to secure a federal injunction to prevent the film’s release in the UK, Canada, Australia, and Ireland unless the Shuster estate received compensation. China's Ne Zha 2 Stays Atop Hollywood's ‘A Minecraft Movie’ at the Worldwide Box Office By dismissing the federal case, Judge Furman also rendered the requested injunction moot. Copyright claims involving “Superman” have sparked decades of legal battles since Shuster and Jerome Siegel created the iconic character and sold the rights for $130 in 1938. In 2013, the 9th Circuit Court of Appeal ruled against the Shuster estate, determining that Shuster’s sister had relinquished all claims following his death in 1992. Toberoff maintained that while the 9th Circuit decision resolved the matter under US law, the estate’s international rights remained unaddressed. He argued that British law allowed the estate to terminate copyright in 2017, marking 25 years after Shuster’s death. He further contended that the Berne Convention, an international copyright treaty, gave US courts the power to enforce foreign copyrights. Warner Bros’ lawyers rebutted that the Berne Convention is not enforceable in federal courts. Toberoff has yet to initiate proceedings in the UK or other jurisdictions, citing practical difficulties. Warner Bros’ legal team also emphasised that “Superman” copyright issues had been thoroughly litigated and concluded. The character is expected to enter the public domain in 2034.

Bangladeshi filmmaker Adnan Al Rajeev’s short film 'ALI' has been officially selected for the prestigious Official Competition at the Festival de Cannes — marking a historic first for Bangladesh. Announcing the news in a Facebook post on Friday, Rajeev shared his journey behind the film. “Some journeys don’t start with a script. They begin with a quiet belief — that the stories from where we come from deserve a place on the world’s biggest stages,” he wrote, stating that “ALI was that belief." Last year, he attended Cannes as a producer; this year, he returns as a director, stepping into the Official Competition. “Cinema was never meant to be a solo journey. It’s beautiful chaos, a symphony of hearts beating together,” he wrote, acknowledging the extensive team behind ALI, including producers Kristine De Leon and Tanveer Hossain, writer Arvin Belarmino, and several members of the cast and crew. Rajeev also highlighted 'Katalog.', the production company behind 'ALI', calling it “a bridge between South Asia and Southeast Asia” that now stands tall at Cannes. He expressed deep gratitude to his wife and longtime partner, actress Mehazabien Chowdhury, calling her his “silent strength” and “lucky charm.” Curtain falls on Maheen Khan’s ‘Crafting The Many Threads of Cultural Textiles’ Renowned filmmaker and Cultural Adviser Mostofa Sarwar Farooki also shared his excitement about the achievement. Adnan Al Rajeev was groomed as a director by Farooki, as part of his Chabial team. In a social media post, Farooki wrote, “Some news makes you emotional. This is one such! When Adnan first came to my den in Mohakhali some 18 years ago, I saw a boy eager to leave a mark! Yesterday when he called me to share the news… I was over the moon!” Farooki called it a “historic feat,” noting that ALI is the first Bangladeshi short film to be selected in competition at Cannes. “This is the best news from my gang of bhai-brothers so far! But I know this is not the last. More to follow!” he added. Rajeev ended his post with a powerful message for all South Asian storytellers: “This isn’t just a Cannes moment. It’s a message to every Bangladeshi filmmaker — we belong here. Our stories matter. And finally, the world is listening.” The 78th edition of the Cannes Film Festival will take place from May 13 to May 23. This year, a total of 11 films will compete in the Short Film category, and Bangladesh’s 'Ali' is one of the contenders in the category.

As Kunal Kapoor prepares for the release of Jewel Thief—premiering on Netflix on April 25, 2025—he recently took a moment to reflect on one of his most iconic films, Rang De Basanti. During an interview with the YouTube channel Khaane Mein Kya Hai, Kapoor shared an interesting behind-the-scenes moment involving Aamir Khan and the film's powerful climax. Kapoor, who played Aslam in the 2006 hit alongside Aamir Khan, Siddharth, Sharman Joshi, R. Madhavan, Atul Kulkarni, and Soha Ali Khan, revealed that the emotional radio scene at the film’s end was originally intended to feature the entire group. However, Aamir suggested a major change: only one character should take the lead. Most assumed that Aamir, being the star, would take center stage. But in a surprising move, he insisted Siddharth be the one to deliver the scene, arguing it would be more impactful. "Everyone thought it would be Aamir,” Kunal said. “But he asked, 'Who's the smartest, most articulate guy in the group?' and we all knew it was Siddharth. So Aamir said, ‘Let him speak on the radio.’” Pakistani actor's return film faces boycott calls in India Kunal praised Aamir’s selflessness and vision, recalling him saying, “If every character in the film works, the film works. And if the film works, it’s good for all of us.” Aamir Khan’s decision is still remembered as a moment of true collaboration in Bollywood, contributing to Rang De Basanti being hailed as one of his most iconic performances to date.    

Snoop Dogg has signed a multi-year partnership with NBCUniversal, bringing his production company, Death Row Pictures, into a wide-ranging collaboration across film, television, streaming and sports content. The agreement, described as a first-look deal, was announced by NBCUniversal chairman Donna Langley, who expressed enthusiasm about the partnership, according to The Hollywood Reporter. “There’s only one Snoop, and we’re so excited for him to join our unbelievable roster of creative partners,” said Langley. Under the deal, Death Row Pictures is already developing a biopic about the rap icon. The film will be written by Joe Robert Cole and produced by Brian Grazer. Meanwhile, Snoop is also set to return as a judge on Season 28 of NBC’s popular singing competition, The Voice, airing this autumn. He previously appeared as part of NBC and Peacock’s coverage of the 2024 Olympic Games in Paris. A new Netflix film features hurtling Japanese bullet train with ticking bomb Commenting on the new collaboration, Snoop said, “Not everyone has the courage and vision to see what Death Row Pictures can bring to the table, but Donna and the NBCUniversal team have always understood, which is why I am proud to call NBCUniversal my new home. The Dogg has officially moved into the neighbourhood, ya dig?” Death Row Pictures, led by Snoop and President Sara Ramaker, includes team members Kevyn Woods, Keifer Moore and Torre Blake. The company will now be headquartered at the Universal Studios Lot in Los Angeles. Snoop Dogg is represented by WME and Yorn Levin.

Director Karan Singh Tyagi has spoken out in support of actress Ananya Panday, who has been facing criticism following the release of Kesari Chapter 2. Tyagi revealed that it was her performance in Gehraiyaan that convinced him to cast her in this historical drama. Released in theaters on April 18, 2025, Kesari 2 features Akshay Kumar, R Madhavan, and Ananya Panday in lead roles. The film, directed by Tyagi, is centered around the tragic Jallianwala Bagh Massacre of April 13, 1919. South Indian Films Releasing in May 2025: Must-watch Lineup While the film industry has largely praised the cast's performances, public reactions have been more divided—particularly regarding Panday’s role. However, Tyagi offered a different perspective. Speaking to News18, he said, “I prefer to focus on the appreciation she’s receiving. Just a couple of days ago at a screening in Hyderabad, I received videos showing audiences applauding during her entry scene. She plays a lone female lawyer in a courtroom full of men—just that visual earned a strong response and, to me, that counters the negativity.” Commenting on the current social media climate, Tyagi added, “That’s just the world we live in now. People are quick to judge and clickbait headlines only add fuel to the fire. But like they say, people will always talk. We need to keep working. I welcome healthy criticism because it can help us grow, but a lot of the negativity online is unwarranted and often turns toxic. It’s unfortunate, but part of the digital age.” Tyagi wrapped up by commending Ananya's commitment to the role. He highlighted how she spent a full year preparing for her character, Dilreet Gill, working on her dialect and body language to convincingly portray a female lawyer. Source: NDTV

Bollywood icons Shah Rukh Khan and Salman Khan have strongly condemned the recent terror attack in Pahalgam, Jammu and Kashmir, which left 26 people dead, including two foreign nationals. The actors expressed their grief and anger in heartfelt posts shared on social media platform X. The attack, described as a brutal act of violence, has drawn widespread outrage across the country. Both Shah Rukh and Salman used their platforms to denounce the incident and stand in solidarity with the victims' families. "Words fail to express the sadness and anger at the treachery and inhumane act of violence that has occurred in Pahalgam," Shah Rukh Khan wrote. "In times like these, one can only turn to God and say a prayer for the families that suffered and express my deepest condolences. May we as a Nation, stand united, strong and get justice against this heinous act." Salman Khan echoed similar sentiments, offering prayers and support to those affected. "Deeply saddened by the loss of innocent lives in the Pahalgam attack. My thoughts and prayers are with the families. May peace prevail, and may justice be served," he posted. From Chittisinghpora to Pahalgam: Kashmir’s unending cycle of bloodshed The film fraternity, along with the wider public, has rallied in mourning and outrage following the attack. Authorities have launched a full-scale investigation, vowing to bring the perpetrators to justice. The attack has once again highlighted the vulnerability of civilians in conflict-prone regions and reignited calls for stronger national security and communal unity. Source: With inputs from India Today

Akshay Kumar’s Kesari Chapter 2 is maintaining a steady performance at the box office. On its fifth day, the film earned ₹4.75 crore, according to data from Sacnilk. Directed by Karan Singh Tyagi and jointly produced by Dharma Productions, Leo Media Collective, and Cape of Good Films, the historical drama has now reached a total gross of ₹38.75 crore. As per the report, the film registered an overall 23.25% occupancy in Hindi screenings on Tuesday, April 22. The breakdown of show-wise bookings was 16.66% in the morning, 30.97% in the afternoon, 36.38% in the evening, and peaked at 41.89% during the night shows. Film trade analyst Taran Adarsh noted that the movie performed reasonably well on its crucial Monday. Sharing an update on X, he stated, “Kesari Chapter 2 held up decently on its make-or-break Monday, with evening shows at urban multiplexes showing stronger attendance. The film’s opening day had the advantage of the Good Friday holiday, and while Monday’s hold is encouraging, higher numbers would have been ideal considering the positive word of mouth.” Regarding Tuesday’s collections, Adarsh pointed out that the Blockbuster Tuesdays offer—launched by several major cinema chains with ticket prices starting at ₹99—likely contributed to increased attendance. “A consistent performance throughout the weekdays is now crucial,” he added. Taran Adarsh also shared the film’s day-wise earnings: Friday: ₹7.84 croreSaturday: ₹10.08 croreSunday: ₹11.70 croreMonday: ₹4.50 croreBringing the total to ₹34.12 crore by the end of Monday. With its continued momentum and support from weekday offers, Kesari Chapter 2 is now inching closer to the ₹40 crore mark. Source: With input from NDTV 

Kendrick Lamar, Taylor Swift, Rihanna,Travis Kelce and Simone Biles all won honours at the Webby Awards, which recognize the best internet content and creators. The International Academy of Digital Arts & Sciences announced winners Tuesday in a variety of categories, reports AP. The 29th annual ceremony will take place at Cipriani Wall Street in New York on May 12. The Webby Entrepreneur of the Year Award went to Snoop Dogg for breaking through as a versatile businessman with Death Row Records along with two alcohol brands, an ice cream and cannabis brands. Walton Goggins won best actor award for his performances across streaming projects including “The White Lotus,” “The Righteous Gemstones” and “Fallout.” The ceremony will be hosted by comedian-actor Ilana Glazer and will honor major brands and platforms including Nike, Netflix, Letterboxd and Apple. Dr. Fei-Fei Li will receive the Lifetime Achievement Award for her contributions to artificial intelligence and leadership in advancing human-centered AI. “This year’s winners represent a masterclass of creativity and innovation," said Jesse Feister, executive director for the Webby Media Group. "They’ve harnessed the power of the Internet to drive change, spark conversations and connect us in new ways. With the introduction of new categories, these creators are being recognized for shaping the future of the digital world.” The Oscars mandate voters watch all nominated movies, set new rules for AI and refugee filmmakers The awards started in 1996 by recognizing websites. They have grown to embrace new technologies, from apps and software to social media and games. Google won their first-ever Brand of the Year achievement. NBCUniversal was honored for being best Media Company. Special achievement recipients include Amelia Dimoldenberg, Rep. Jasmine Crockett, Jools Lebron, Marcello Hernández, the MeidasTouch Podcast and Norman Teague. Other winners include Lady Gaga for her website, Mariah Carey's “It's Time” partnership with KAY Jewelers, RuPaul's “Drag Race: The Pit Stop," Lamar's “Not Like Us” music video and Brian Cox's “Brian Cox Goes to College.” Some mission-driven organizations that won included The Elton John AIDS Foundation, National Immigration Law Center and the Whitney Museum of American Art. This year marked a new suite of categories that shed a spotlight on the booming creator economy and growing influence of creators. Some of the winners included Zach King, Caleb Simpson and Jameis Winston.

The Academy of Motion Picture Arts and Sciences is tightening its rules to ensure greater fairness and engagement in the Oscar voting process. Starting with the next awards season, Oscar voters must watch all the nominated films in a given category to be eligible to vote in that category’s final round. Previously, Academy members were only encouraged to view the nominees and were allowed to vote based on the categories they felt most familiar with. However, the new rule aims to address growing concerns that viewing habits heavily influence which films ultimately win—and that some acclaimed works may be overlooked simply because voters didn’t watch them. The move comes in response to years of criticism, especially after the release of anonymous ballots in which some voters admitted to skipping certain films, particularly longer ones or lesser-known entries. Broader Reforms Address AI, Refugee Filmmakers, and Casting Alongside the viewing requirement, the Academy unveiled several other important rule changes on Monday. In a notable shift for the Best International Feature Film category, filmmakers with refugee or asylum status will now be allowed to represent a country that isn’t their place of birth or citizenship. The new regulation states that a submitting country must confirm that creative control of the film was primarily in the hands of citizens, residents, or individuals with refugee or asylum status in that country. AR Rahman says he prioritises work over friendships This change maintains the traditional structure of country-based submissions but offers greater inclusivity for displaced filmmakers working abroad. The Academy also outlined new regulations related to the growing role of artificial intelligence in filmmaking, as well as guidelines surrounding the newly introduced Best Casting category, further signaling its intention to evolve with the changing industry landscape. These updates reflect a broader effort by the Academy to maintain credibility, transparency, and inclusiveness in the ever-evolving world of cinema. Critics have long called on changes to the nominating process for best international film because it leaves the submission process in the hands of governments, not the academy. That’s left dissident filmmakers working under authoritarian or undemocratic regimes with limited pathways to reaching the Oscars. Last year, for instance, the Iranian filmmaker Mohammad Rasoulof fled Iran before he was to be flogged and imprisoned for eight years in order to release his film “The Seed of the Sacred Fig.” Germany, where Rasoulof settled, submitted it for the Oscars and it was nominated. But other filmmakers, including Rasoulof’s friend and countryman Jafar Panahi, have released films without a mechanism for submission. The rule change notably won’t alter the Oscar prospects for filmmakers who haven’t fled their home countries or change anything for films passed over by their nation’s selection committees.